Exhibition catalogue published in conjunction with show "Some Works by Italo Scanga : Past, Present and Future In the Pacific Northwest," held at William Traver Gallery, Seattle, Washington, February 4 - 28, 1993 and an installation in Tacoma, Washington, Spring 1993, sponsored by the Tacoma Art Museum in collaboration with the City of Tacoma. ... [details]
An anthology of self-promotional works one to two pages in length, featuring a myriad of artists, collaboratives, poets, and writers in alphabetic order. Edited by Robin Kahn. Artists include Barbara Ess, Peter Nadin, Cary Leibowitz / Candy Ass, Buzz Spector, Sue Williams, Laura Parnes, Liz Larner, Robert Blanchon, Rebecca Howland, Lois Nesbitt, Kay Rosen, Jim Goss, Todd Colby, Nene Humphrey, Guerrilla Girls, Polly Apfelbaum, Charles Gaines, Marilyn Minter, Barry Schwabsky, Rob Pruitt, Bern Porter, Geoffrey Hendricks, and Deborah Kass, and many others. ... [details]
![Unsettled Objects [ aka : America ]](/objects/images/s39605.jpg "Unsettled Objects [ aka : America ]")
Exhibition catalogue / artist's book published in conjunction with show 'Invention,' by Lothar Baumgarten, held January 28 - March 7, 1993. Designed by the artist with his long-time collaborator Walter Nikkels. ... [details]
Issue edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, John Rajchman. Essays "Postmodernism in Parallax," by Hal Foster; "The Bullfight as Mirror," by Michel Leiris; "The Simple Life: Pastoralism and the Persistence of Genre in Recent Art," by Thomas Crow; "Before 'Bed,'" by Helen Molesworth; "The Psychoanalysis of AIDS," by Tim Dean. ... [details]
Issue edited by Bice Curiger. Essays "The Philosophical Light and the Light of Art," by Hartmut Böhm; "Rachel Whiteread," by Doris von Drathen; "Ross Bleckner's Icons," by Edmund White; "Memorialising Aids," Simon Watney; "Oscillations," "Ross Bleckner in Conversation with David Seidner," by Jose Luis Brea; "In the Charnel House of Love," by Marina Warner; "The Unfulfillment and the Surfeit," by Anna Tilroe; "Dial 970-Muse: Marlene Dumas's Pornographic Mirror," by Ingrid Schaffner; "Pictures incomprehensible but illuminating," by Ulrich Looke; "Adrian Schiess," by Max Wechsler; "Les Infos Du Paradis," by Martijn Nieuwenhuyzen; "Cumulus From America," by Carolina Ponce de León; "Cumulus Aus Europa," by Adrian Searle. ... [details]
Issue edited by Bice Curiger. Essays "Jana Sterbak: Chaos and Self-Creation," by Richard Noble; "Max Neuhaus: Invisible sculpture-molded sound," by Doris von Drathen; "Three Impromptus on the Art of Gerhard Richter," by Jean-Pierre Criqui; "Endless Finalities," by Peter Gidal; "The tragic desire," by Birgit Pelzer; "Sequence of Time," by Gertrud Koch; "Richter in Tahiti," by Dave Hickey; "Lèche Vitrine," by Peter Fleissig; "Dieter Roth: Garbage Clarified," by Patrick Frey; "Meyer Vaisman flips the bird," by Trevor Fairbrother; "Les Infos Du Paradis," by Roselee Goldberg; "Cumulus From America," by Paul Taylor; "Cumulus Aus Europa," by Hans Rudolf Reust; "Balkon," by Claudia Gould. ... [details]
Issue edited by Bice Curiger. Essays "Trickster Eva Hesse," by Ursula Panhans-Bühler; "Clockwork (Jon Kessler)," by Douglas Blau; "Stephan Balkenhol: The Figure as Witness," by Neal Benezra; "As Time goes by," by Vik Muniz; "Autonomous People," by Max Katz; "57 Pinguine," by Jean-Christophe Ammann; "Sophie Calle's Uncertainty Principle," by Luc Sante; "Postcards to Sophie Calle," by Joseph Grigely; "The Hyperfiction of Life and Death," by Patrick Frey; "Sophie Calle's and Gregory Shepard's Double Blind," by Robert Beck; "Dimensions variable: Liz Larner," by Kirby Gookin; "Rudolf Schwarzkogler," by László F. ... [details]
Issue edited by Bice Curiger. Essays "The Aesthetic Illusion," by Jean Baudrillard; "Ray's Tack," by Peter Schjeldahl; "All For One and One For All," by Robert Storr; "Some Bodies," by Klaus Kertess; "Charles Ray's still lifes," by Christopher Knight; "Edition For Parkett," by Charles Ray; "The Soul is the Body's Envelope," by Denys Zacharopoulos; "Pelops' Meal," by Elisabeth Schlebrügge; "Conversation," by Harald Szeemann; "Sex in the Afternoon," by Jan Avgikos; "Collaboration and the Issue of Completion," by Martin Prinzhorn; "3 or 17," by Franz West and Axel Huber; "Edition For Parkett," by Franz West; "Silent Music: Luc Tuymans," by Hans Rudolf Reust; "Les Infos Du Paradis: Inquiry," by unattributed artists; "Cumulus Aus Europa," by Gertrud Sandqvist; "Cumulus From America," by Gary Michael Dault. ... [details]
Monograph on the work of Paul Thek by Marietta Franke. Text in German. "The artistic work of Paul Thek (1933-1988), his handling of material, the 'nervous' sensitivity, simplicity, generosity and intelligent absurdity of his object inventions, sketches, gouaches, etc. ... [details]
Compendium of essays originally presented as part of a conference "The Invention of Pornography," held at the University of Pennsylvania in October 1991. Edited and with an introduction by Lynn Hunt. Essays by Paula Findlen, Joan DeJean, Rachel Weil, Margaret C. ... [details]
