May 1970 issue of Studio International. Edited by Charles Harrison. Contents include: "In the Land of My Own Vision," by Henryk Gotlib; "Gilbert & George," by Michael Moynihan; "An Interview with Buckminster Fuller," by Jonathan Benthall; Four Sculptors (Part 2): Picasso Cubist Constructions," by William Tucker; "Sociology of an Art Boom: I-The Background to the Flourishing German Art Market" and "II From Survival to Success: An Interview with Hans-Jürgen Müller," by Robert Kudielka; "Liberman: The Art of Amplitude," by Gene Baro; "Robert Graham's Boxes," by Helene Winer; "A Magazine Sculpture," by Gilbert & George which includes "Underneath the Arches (The most intelligent fascinating serious and beautiful art piece you have ever seen)" and the censored "George the [cunt] / Gilbert the [shit]" magazine sculptures ; "Miró's Sculptures," by John Russell; "Victorians at Manchester," by Mark Haworth-Booth; "Martin Bloch Re-Assessed," by Ronald Alley. ... [details]
April 1971 issue of Studio International edited by Peter Townsend. Contents include: "The artist's reserved rights transfer and sale agreement / the background," by Seth Siegelaub; "Arnolfini Gallery; 10 years in Bristol," by Jeremy Rees; "Correspondence;" "News and Notes;" "Bochner and photography," by Jonathan Benthall; "Art in Revolution," by Peter Wollen; "The development of the theory of Socialist Realism in Russia; 1917 to 1932," by Andrew Higgens; "Berlin Dada," by John Elderfield and Raoul Hausmann; "Coloured food," by Peter Kuttner; "Events," by Antoni Miralda and Dorothée Selz; "The House of the Vienna Secession movement," by Peter Hautmann and Klara Hautmann; "The shape's the thing; paintings by John Walker," by Dore Ashton; "Standpoints," by Daniel Buren; "An introduction to 'Art and Technology,'" by Maurice Tuchman; "The artist's reserved rights transfer and sale agreement;" and "Inno 70," by John Latham. [details]
This issue of Studio International contains a 48-page "exhibition" organized by Seth Siegelaub: "The content of the 48-page exhibition in this issue was organized by requesting six critics to each edit an 8-page section of the magazine, and in turn, to make available their section to the artist(s) that interest them. ... [details]
September 1971 issue of Studio International. Edited by Peter Townsend. Contents include: "Power without authority in art and design education," by R.H. Litherland; "British Sculptors '72;" "Brian Kneale;" "Enemies of Art," by Jeremy Moon; "Correspondence;" "News and Notes;" "Newton Harrison: big fish in small pool," by Jonathan Benthall; "Atget and the City," by John Fraser; "Irish commentary," by Tim Hilton; "Section 10 from 'Mechanism of Meaning' (work in progress 1963-71)," Arakawa in collaboration with Madeline Gins; "Tantra Revealed," by Robert Fraser; "Anthony Caro at David Mirvish," by W. ... [details]
September 1971 issue of Studio International, with a cover specially designed for this issue by Eugenio Carmi. Edited by Peter Townsend. Contents include: "The State of the Arts," by Lord Eccles; "Correspondence;" "News and Notes;" "Anatomy of an Anomaly," by Jonathan Benthall; "A Joseph Beuys Primer," by Georg Jappe; "Sculpture at Sonsbeek," by Carel Blotkamp; "Signals for the Imagination," by Eugenio Carmi; "A procedural proposition: selection, repetition, extension, exchange," by Michael Craig-Martin; "Ensor's 'Entry of Christ into Brussels,'" by Frank Whitford; "New Public Galleries: Tel Aviv, Belfast, project for Les Halles," by J. ... [details]
September 1971 issue of Studio International, with a cover specially designed for this issue by Eduardo Paolozzi. Edited by Peter Townsend. Contents include: "Some Concerns in fine-arts education," by Philip Pilkington, Kevin Lole, David Rushton, and Charles Harrison; "Report from Canada," by Charlotte Townsend; "Correspondence;" "News and notes;" "The Inflation of art media," by Jonathan Benthall; "The Los Angeles look today," by Helene Winer; "A question of epistemic adequacy," by Ian Burn and Mel Ramsden; "Speculative illustrations," Eduardo Paolozzi in discussion with J. ... [details]
Exhibition catalogue published in conjunction with show held at The New York Cultural Center, May 19 - August 29, 1971. Includes artists' project by Gilbert & George titled "There Were Two Young Men Who Did Laugh. ... [details]
May 1971 issue of Studio International. Edited by Peter Townsend. Contents include: "Art and design education," by David Warren Pipe; "Correspondence;" "News and Notes;" "Art in Recession," by Jonathan Benthall; "Aquisition versus Exhibition / The British Avant Garde," by Donald Karshan; "Virgin soils and old land," by Charles Harrison; Artists projects by Bruce MacLean, Keith Arnatt, David Dye, David Tremlett, Roelof Louw, Sculptures by Barry Flanagan and Roelof Louw, Barry Flanagan, Gilbert & George, Gerald Newman, Sue Arrowsmith, Colin Crumplin, and Richard Long; "De Legibus Naturae," Terry Atkinson and Michael Baldwin; "Toward an understanding of the within," by Andrew Dipper; and "Rules of thumb," by Victor Burgin. ... [details]
Issue edited by Peter Townsend. Essays "Art and Politics in the Russian Revolution - Part I," by Andrew Higgens; "Coldstream 1970," by Norbert Lynton; " Technology and Art 19: Kinetics at the Hayward," by Jonathan Benthall; "The Art Workers' Coalition: Not a History," by Lucy R. ... [details]
November 1974 issue of Studio International with front and back covers designed for this issue by David Hockney. Edited by Peter Townsend. Contents include: "Naturalism/modernism: a future for figurative painting," by John Clark; "Consensus painting and the Royal Academy since 1945," by Andrew Brighton; "Peter Downsbrough: two pipes, two lines;" artwork for the page by Downsbrough; "Art education and success," by Clive Ashwin; "Beckett & others & art: a system," by Peter Cook; "Review;" "Book Supplement," reviews by Howard Daniel, Martin Green, Ronald Hunt, Victor Schonfield, Robin Spencer, Francis Strauven, John A. ... [details]
