Exhibition catalogue published in conjunction with show held May - September 1979. Edited by Christoph Stötzl. Artists include Josef Achmann, Eduard Aigner, Karl Arnold, Gustav Lörincz de Baranyai, Carl Johann Becker-Gundahl, René Beeh, Fritz Behn, Otthans Beier, Rudolf Belling, Karl Bertsch, German Bestelmeyer, Peter Birkenholz, Bernhard Bleeker, Albert Bloch, Georg Brenninger, Albert Burkart, Yorgo Busianis, Heinrich Campendonk, Felice Casorati, Karl Caspar, Maria Caspar-Filser, Fritz Claus, Oskar Coester, Eugen Maria Cordier, Lovis Corinth, Heinrich Maria Davringhausen, Julius Diez, Otto Dill, Erna Dinklage, Franz Doll, Heinrich Düll, Elk Eber, Josef Eberz, Eduard Ege, Henry Ehlers, Fritz Hellmuth Ehmecke, Heinrich Ehmsen, Edgar Ende, Julius Ussy Engelhard, Adolf Erbslöh, Fritz Erler, Ernesto de Fiori, Max Eschle, Max Fischbach, Alexander Fischer, Theodor Fischer, Hermann Geibel, Otto Geigenberger, Willi Geiger, Theodor Georgii, Franz Paul Glass, Erich Glette, Benjamin Godron, Georg Graessegger, Günther Graßmann, Rudolf Grossmann, Olaf Gulbransson, Hugo von Habermann, Hermann Hahn, Thomas Theodor Heine, Wilhelm Heise, Edwin Hermann Richard Henel, Josef Henselmann, Christian Hess, Julius Heß, Friedrich Heubner, Anton Hiller, Josef Hillerbrand, Käthe Hoch, Ludwig Hohlwein, Julius Hüther, Walter Jacob, Angelo Jank, Mary Kaemmerer, Alexander Kanoldt, Ludwig Kaspar, Hermann Keimel, Heinrich Kirchner, Karl Knappe, Fritz Koelle, Gertrud Kraut, Erwin von Kreibig, Alfred Kubin, Otto Gottlieb Konstantin von Kursell, Martin Lauterburg, H. ... [details]
![c. 7,500 : An Exhibition Organized by Lucy R. Lippard [ aka : c. 7500 ]](/objects/images/s5663.jpg "c. 7,500 : An Exhibition Organized by Lucy R. Lippard [ aka : c. 7500 ]")
Exhibition catalogue in the form of a set of 30 loose index cards, printed on recto / verso, published in conjunction with show held at California Institute of the Arts. Traveled to Wadsworth Atheneum, Hartford, CT ; Moore College of Art, Philadelphia, PA ; Institute of Contemporary Art, Boston, MA ; Walker Art Center, Minneapolis, MN ; Smith College Museum of Art, Northampton, MA. ... [details]
Exhibition catalogue published in conjunction with show held November 29 - December 20, 1975. Organized and with an essay by Jeffrey Deitch. The pages in the catalogue were prepared by the artists themselves or according to instructions given to Deitch by the artists. ... [details]
![Journal [LAICA Journal]](/objects/images/s39811.jpg "Journal [LAICA Journal]")
Special collaborative issue of Journal and the periodical 4 Taxis, published in Winter 1983 [or Winter 1984 ?]. Edited by Cindy Berry. Contents include: "Architecture on Film: Mallet-Stevens to Meerson," by Donald Albrecht; "Confrontational Icons," by Robert Pincus; "Losing Your Hands: Part I, II and III," by Lane Relyea; "Future Video: Max Almy," by Louise Lewis; "TV's Past Exposed," by Beverly O'Neill; and "4 Taxis. ... [details]
![Real Life Magazine [ aka : REALLIFE Magazine ]](/objects/images/s38422.jpg "Real Life Magazine [ aka : REALLIFE Magazine ]")
Issue six of Real Life Magazine, edited by Thomas Lawson. Contents include: "Brigitte Bardot," an interview by Hervé Guibert; "Post-Modernism: A Symposium," Christian Hubert, Sherrie Levine, Craig Owens, David Salle, and Julian Schnabel; "Bow Wow Wow (the Age of Piracy)," by Dan Graham; "The Artist as Adolescent," by Howard Singerman; "Excerpts," by Richard Baim; "A Young German Gallery Introduces Itself," about Galerie Grunert Müller, Stuttgart; "Amos Poe," an interview by David Robbins; "Your Everyday Critic," by Elsa Bulgari; "Something About Art," by Joan Wallace; "Building Conventions," by Judith Barry; and "Belmondo is Belmondo," by Michael Oblowitz. [details]
Winter 1980/1981 issue of the quarterly periodical Cover, edited by Judith Aminoff. Contents include: "The Heart of the Pigeon," by Henry Korn; "Conversation," a conversation between Marcia Hafif, Olivier Mosset, Howard Smith, and Jerry Zeniuk; "Currents," artwork by Christian Poveda, Shirly Pu & R. ... [details]
Large-scale examination of the conceptual art network in its years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]
Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. ... [details]
Forth book in Afterall Books' "Exhibition Histories" series focusing on ‘Magiciens de la Terre,’ an exhibition held in Paris in 1989 featuring over a hundred artists. Introduction by Pablo Lafuente. Text by Lucy Steeds, Jean-Marc Poinsot, Rasheed Araeen, Jean Fisher, Thomas McEvilley, Jean-Hubert Martin, Gayatri Chakravorty Spivak, Frédéric Bruly Bouabré, Barbara Kruger. ... [details]
Critical theory publication edited by Christian Rattemeyer. Texts by Wim Beeren, Charles Harrison, Harald Szeemann, Tommaso Trini, Claudia Di Lecce, Steven ten Thije. Introduction by Teresa Gleadowe. "Afterall Books' new Exhibition Histories series responds to an increased interest in exhibition history with its inaugural volume on two of the most famous exhibitions of the 1960s: Wim Beeren's 'Op Losse Schroeven' (Stedelijk Museum, 1969) and Harald Szeemann's 'Live in Your Head : When Attitudes Become Form' (Kunsthalle Berne, also 1969). ... [details]
