First issue of six issues published of "It Is: A Magazine for Abstract Art." Director and collator: Sebastian Gallo. Contents include: "Recent Attacks on Abstract Art," by Hubert Crehan; "The Canvas Plane, or Onwards and Upwards," by Michael Goldberg; "Drawing the Figure," by Nicholas Marsicano; "Ambiance and Abstract Sculpture," by E. ... [details]
Large-scale exhibition catalogue published in conjunction with show held October 2 - 30, 1976, featuring loose folded broadsheet reproductions of Reinhardt's art comics and satires. Text by Peter Schjeldahl. ... [details]
Exhibition catalogue published in conjunction with show held November 23, 1986 - March 8, 1997. Traveled to the Museum of Contemporary Art, Chicago, April 17, - July 19, 1997; to the Haags Gemeetemuseum, The Hague, September 1 - November 22, 1987. ... [details]
Large-scale compendium of artists' writings edited by Kristine Stiles and Peter Selz. Artists include Jackson Pollock, Mark Rothko, Robert Motherwell, Helen Frankenthaler, Joan Mitchell, Louise Bourgeois, Alfred H. ... [details]
Issue number three of "Tracks : A Journal of Artists' Writings," edited by Herbert George. Contents include: "Space Illusion Sculpture," by William Tucker; "The Battle - For Ross (Poem)," by Barbara Kruger; "Fate (Poem)," by Barbara Kruger; "Postcards," by Ad Reinhardt; "Biopsy Report (Poem)," by Elyssa Rundle; "Subway Orbit" by Peter Plagens; "Apologia (Poem)," by Eugene Kayser; "Constructivist Fiction," by Richard Kostelanetz; "Corot, Verlaine and Greta Garbo, or The Melancholy Syndrome (March, 1975)," by Robert De Niro Sr. ... [details]
Spring/Summer 1980 issue of the quarterly periodical Cover, edited by Judith Aminoff. Contents include: "Circuits," featuring texts on and by Kathy Acker, Rosemary Hochschild, Joan Jonas, Joseph Kosuth on Ad Reinhardt, Gordon Matta-Clark, Glenn O'Brien, Panels, Steve Pollack, Jeanne Quinn, Real Estate Show, Carolee Schneemann, Fiona Templeton; "Lisa Kahane;" "Burk Uzzle;" "Thomas Lawson;" "Earl Ripling;" "Non Serial Concerns," Christian de Boschnek with Pat Lasch; "A Conversation with Keith Sonnier: Machine 1980;" "Joan Logue: Selections from recent Electronic Portraits series NYC, 1980;" "Dialogue: Sarah Charlesworth with Betsy Sussler;" "Bobby;" "Dike Blair;" "Dialogue," Malcolm Morley with Les Levine; "Richard Serra;" "Alan Suicide: Prophet of The Little Guys' Apocalypse," by Edit deAk; "(New) New Wave New York," by Michael Oblowitz; "Music," by Raybeats, A-Band, Ad Hock Rock, Bush Tetras, Container, 8-Eyed Spy, Liquid Idiot, Lounge Lizards, Untouchables, Youthinasia; "Cinema: 31 Filmmakers on their work," with essays by Michael Oblowitz, Yvonne Rainer, and Manuel de Landa. ... [details]
Issue number three (of six issues published) of "It Is : A Magazine for Abstract Art," published between 1958 and 1965. Edited by P.G. Pavia. Contents include: "A Little Room for Feeling," by Hubert Crehan; "Face Front," by Sidney Geist; "Abstraction in Poetry," by Allen Ginsberg; "Editor of a Hearsay Panel," by Elaine de Kooning; "Thoughts on the Dance," by Merle Marsicano; "Drawing," by Mercedes Matter; "Spontaneity," by George McNeil; "Manifesto-In-Progress III," by P. ... [details]
Issue number two out (of six issues published) of the periodical It is. published from 1958 - 1965. Collated by P.G. Pavlia, directed by Sebastian Gallo. Contents include: "Dialogue Found in Brooklyn Cellar," by John Asher; "Sound, Noise, Varese and Boulez," by Morton Feldman; "On Innocence in Abstract Painting," by John Ferren; "Glossary," by Aristodimos Kaldis; "4 Excerpts," by Piet Mondrian; "Artaud: Review/Essay," by E. ... [details]
Exhibition catalogue published in conjunction with show held at The Museum of Modern Art, New York, February 23 - April 25, 1965. Traveled to the City Art Museum of St. Louis, May 20 - June 20, 1965; the Seattle Art Museum, July 15 - August 23, 1965; The Pasadena Art Museum, September 25 - November 7, 1965; and The Baltimore Museum of Art, December 14, 1965 - January 23, 1966. ... [details]
First edition printing of the collected writings of Donald Judd. Judd's uncompromising reviews avoid the familiar generalizations so often associated with artistic styles emerging during the 1950s and 60s. ... [details]