Flyer published in conjunction with readings held at Ear Inn, Saturdays, January 6 - February 24, [1979]. Organized by Ted Greenwald and Charles Bernstein. Readings by Gary Lenhart, Alexandra Anderson, Annabel Levitt, Chuck Wachtel, Ted Mooney, Larry Fagin, Nick Piombino, Brian McInerney, El Friedman, Bob Rosenthal, Dick Higgins, Steve McCaffery, Barbara Guest, Ray DiPalma, Steve Carey and Tom Carey. [details]
Issue edited by Ingrid Sischy. Essays "At the Whitney Biennial," "Good Morning America," by Charles Hagen, "Almost Home," by Lisa Liebmann; "The Marketplace," by Lucas Samaras; "From Inside the Whale," by Michael Newman; "Kitsch in Cuba," by Eva Sperling CockCroft, "I Think Therefore I Art," by Thomas McEvilley; "Farewell to Marc Chagall," by André Verdet; "An Art of Regret," by Rene Ricard; "Rosenquist's Rouge," by Carter Ratcliff; "From Sam Cooke in Heaven," by Greil Marcus. ... [details]
Exhibition catalogue published in conjunction with the exhibition "Books as Art" at the Boca Raton Museum of Art from August 30 - September 6, 1991. Includes essays by Timothy A. Eaton curator, Alexandra Anderson-Spivy, Charles H. ... [details]
Issue edited by Philip Leider. Essays "Two Contributions to the Art and Science Muddle: 1. Constructivism and its Confusions," by Terry Fenton; "2. A Report on a Symposium," by Grace Marmor Spruch; "Late Fifties at the Ferus," by Billy Al Bengston; "Charles Sheeler, American Pastoral," by Hilton Kramer; "Edward Avedisian's New Paintings," by Alexandra C. ... [details]
Issue edited by Ingrid Sischy. Essays "Max Beckmann Is Still in Exile," by Kenneth Baker; "Climbing Up a Ramp to Discover German Art," by Annelie Pohlen; "Steven Campbell: The Case of the Waggling Leg," by Stuart Morgan; "Eluding Definition," by Kate Linker; "Mozart, Puccini, Bizet, and McLaren," by Glenn O'Brien. ... [details]
Issue edited by Ingrid Sischy. Essays "Max Beckmann is Still in Exile," by Kenneth Baker; "Climbing Up a Ramp to Discover German Art," by Annelie Pohlen; "Steven Campbell: The Case of the Waggling Leg," by Stuart Morgan; "Eluding Definition," by Kate Linker; "A. ... [details]
Issue edited by Ingrid Sischy. Books: Alexandra Anderson on "Earthworks and Beyond"; Maurice Berger on "Ficciones, The Painting of Modern Life" and "The Real World of the Impressionists"; Greil Marcus on "Correspondence Art, Forbidden Dreams, James Dean, The Rap Attack, and Return Engagement"; David Salle on "Gemini G. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Sculpture and Painting in Emilio Vedova's Studio in Venice," by Germano Celant; "Ground Up: Architecture without Architecture Critics: Ideal for the Architects," by Herbert Muschamp; "Turned Out: Richard Avedon, Sam Shepard, Joan Didion, and the Pull of the American West," by William Wilson; "Modern Life: Utopianism become Survialism - the Quantum Mechanics of Body-Building, in the West and in the East," by Carter Ratcliff; "Like Art: The New Ads and their Gift of Art. ... [details]
Issue edited by Ingrid Sischy. "On Location. A Studio Made en Plein Air: James Nares Reaps the Wind in Golden Green," by Ingrid Sischy; "Marginalia: The Original Sin," by Thomas McEvilley; "Like Art: Docu-Ads, Marketing Realism in 30-second Spots," by Glenn O'Brien; "Turned Out," by William Wilson; "Modern Life. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location. Robert Ryman's Studio: A Wall of Reminders," by Amy Baker Sandback; "Ground Up. Science Fiction, Westerns, Odysseys, Romance, Head-Lines, Obits: Narrative Architects Design the City as it Lives, Stories on Top of Stories, A Plot on Every Plot," by Herbert Muschamp; "Remote Control: Television, the Permanent Guest - We'll Be Right Back," by Barbara Kruger; "Modern Life. ... [details]
