Exhibition catalogue published in conjunction with show held in dual venues : "The Eighties" at MIT List Visual Arts Center, Cambridge, MA, December 19, 1987 - February 7, 1988 and "Pioneers" at Bank of Boston Gallery, Boston, MA, November 23, 1987 - January 15, 1988. ... [details]
Issue 49 of the periodical October. Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, Annette Michelson, and Terri L. Cafaro. Contents include: "Some Functions of Feminist Criticism, or The Scandal of the Mute Body," by Tania Modleski; "Van Gogh, or The Insufficiency of Sacrifice," by Eric Michaud; "French Customs, Literary Borders," by Denis Hollier; "The Orthopsychic Subject: Film Theory and the Reception of Lacan," by Joan Copjec; "Yves Klein, or The Dead Dealer," by Thierry de Duve; "Sontag's Urbanity," by D. ... [details]
Issue number 20 of Art & Text, edited by Paul Foss and Paul Taylor. Contents include "The Fear of Gilbert & George," by Wallace & Donahue; "Eyes, Fetishism, and the Gaze," by Paul Foss; "Art from the Post-Heterosexual Age," by Boyd McDonald; "Alienation Chic," by John Lethbridge and Adrian Martin; "Eric Fischl's 'Vanity,'" by Peter Schjeldahl; "Para Adultos: An Interview with Allen Jones," by Krystina Kitsis; "Tell Me Why," by Duncan Smith; Reviews "L'Amour fou, L'Amour unique," by Allen S. ... [details]
Collaborative artists' book edited by Aleksandra Mir and Tim Griffin, with contributions by 150 artists. "Bad reviews of 150 artists who submitted their worst reviews for reprint. Beginning in the 1960s and including translations from thirteen languages, this collaborative project makes for the broadest historical and geographical survey of severe Art Criticism, its shifting form, nature, and impact, by those directly subjected to it--the artists. ... [details]
Exhibition catalogue published in conjunction with show held at The Jewish Museum San Francisco, San Francisco, March 7 - June 27, 2004. Traveled to Laguna Art Museum, Laguna Beach, July 24 - October 3, 2004; and Contemporary Art Center of Virginia, Virginia Beach, June 9 - September 4, 2005. ... [details]
Exhibition catalogue / quasi catalogue raisonné published in conjunction with show held at Deichtorhallen Hamburg, September 2 - October 30, 1994. Texts by Zdenek Felix, Stefan Germer, Claus Pias and Katerina Vatsella. ... [details]
Fourth of five editions of the exhibition / collection landmark catalogue designed by Wolf Vostell. Unusually paginated, approximately 500 pages consisting of 32 pages printed on thin styrofoam sheets with contributions by Gert von der Osten, Peter Ludwig, Horst Keller, and Evelyn Weiss, followed by hundreds of pages printed on brown paper, interspersed with portraits of each featured artist printed and / or screenprinted [?] on acetate sheets, graph paper, and illustrated with tipped-in color plates. ... [details]
Spring 1992 issue of Discourse dedicated to happenings, body, spectacle and virtual reality. Guest edited by Valie Export and Herbert Blau. Essays include "The Prospect Before Us," by Herbert Blau; Persona, Proto-Performance, Politics: A Preface," by Valie Export; "The Spectacle of the Anti-Spectacle: Happenings and the Situationist International," by Jon Erickson; "Viennese Actionism and the Vienna Group: The Austrian Avant-Garde after 1945," by Ferdinand Schmatz; "Survival Ethos and Destruction Art," by Kristine Stiles; "The Rope Trick," by David Crane; "Performance Art / Life Art / Mediafication," by Gerhard Johann Lischka; "What is Left of Performance Art? Autopsy of a Function; Birth of a Genre," by Josette Féral; "Binary Terror and Feminist Performance: Reading Both Ways," by Vivian M. ... [details]
"Writing Aloud is an anthology focusing on the relationship of language to sound, writing to music, and brings together a highly diverse collection of essays, interviews, meditations, visual projects, text-sound scores and audio by some of the leading individuals in the field of cultural and performance studies, experimental music and contemporary art. ... [details]
Fifth and final edition of the exhibition / collection catalogue designed by Wolf Vostell. Unusually paginated, approximately 550 pages consisting of 32 pages printed on thin Styrofoam sheets with contributions by Gert von der Osten, Peter Ludwig, Horst Keller, and Evelyn Weiss, followed by hundreds of pages printed on brown paper, interspersed with numerous printed and / or screenprinted [?] on acetate sheets, graph paper, and illustrated with tipped-in color plates. ... [details]