Compendium of texts on New Music. Edited by Gregory Battcock. Essays "Introduction: In Search of the Avant-Garde," by Gregory Battcock; "Musical Cosmology," by Benjamin Boretz; "Fluxus Music," by Peter Frank; "Boredom and Danger," by Dick Higgins; "Notes on New Music," by Tom Johnson; "Definitions of Popular Music: Recycled," by Gaynor G. ... [details]
Compendium of transcripts and texts based on "Open Circuits : An International Conference on the Future of Television," which was organized by Fred Barzyk, Douglas Davis, Gerald O'Grady, and Willard Van Dyke for the Museum of Modern Art, New York City, in January 1974. ... [details]
Catalogue published in conjunction with Creative Time's public project, "Democracy in America : The National Campaign", New York, NY, September 2008. Includes essays by Anne Pasternak, Nato Thompson, Yates McKee, Group Material and Daniel Tucker; interviews with Trevor Paglen, Steve Kurtz, Ayreen Anastas and Rene Gabri. ... [details]
2010 Western edition of the bimonthly publication New American Paintings, edited by Toby Kamps. Juried by Bill Arning, Director of the Contemporary Arts Museum, Houston, Texas. Artists include Mark Aguhar, Jack Balas, Michael Bise, John Thomas Bissonette, Matthew Bourbon, Bernardo Cantu, Gregory Michael Carter, Joseph Cohen, K. ... [details]
Issue number 122 of New Observations: "The Magazine that Lets the Artists Speak for Themselves." Guest edited by Todd Ayoung. Essays "Hows Angels Travel," by Todd Ayoung; "Iyali (Family)," by Fatimah Tuggar; "Frugality and the Urban," by May Joseph; "On Archives (A Fragment) by Brian Wallis; "Isis," by Fred Wilson; "Untitled (Hathor and Attendants)," by Fred Wilson; "Museum City," by Janet Koenig; "2nd Official Game," by Jun Ozaki; "Interface Passages," by Rainer Ganahl; "Place de La Chapelle," by Henry Du Moulin; "Transaction Profile," by Jim Costanzo; "Painting, Demography, and Global Communication," by Carsten Juhl; "Since '72," by Allison Smith; "Untitled (Excerpt from Paraiso en el Nuevo Mundo)," by Sergio Vega; "Toto, I Have a Feeling We're Not in Texas Anymore. ... [details]