Exhibition catalogue published in conjunction with show held April 16 - May 9, 1974. Curated by Jessica Jacobs. Artists include Terry Allen, Carl Andre, Eleanor Antin, Arakawa, David Askevold, S. Bakazan, John Baldessari, Joseph Beuys, Chris Burden, Daniel Buren, Susan Davis, Doug Debber, Agnes Denes, Marcel Duchamp, Doug Edge, Jim Edson, Gerald Ferguson, Hamish Fulton, Walt Gabrielson, Art Gangster, Gilbert & George, Virginia Gordon, James Hayward, George Herms, Lyn Horton, Douglas Huebler, Robert Indiana, Mary Jack Jagger, Marcel Janco, Jasper Johns, Allan Kaprow, Claude Kent, Ed Kienholz, John Knight, Joseph Kosuth, Lili Lauritano, Lili Lakich, Mark Langan, John Lees, Sol LeWitt, Lloyd Gary, Peter Clothier, Richard Long, Jay Maddox, George Miller, Michael Mollet, Matt Mullican, Renee Nahum, Bruce Nauman, Amy de Neergaard, Shirley Pettibone, Adrian Piper, Mel Ramos, Tony Ramos, Cliff Roman, Allen Ruppersberg, Ed Ruscha, David Salle, Jeff Sanders, Ilene Segalove, Willougby Sharp, Howard Smagula, Alexis Smith, Susan Starbird, Robert Tanneberger, Bart Thrall, Ger van Elk, Andy Warhol, Lawrence Weiner, Jim Welling, Jimmy West, William Wiley, Ian Wilson, Wynne Wolfe, Joseph Young, Roland Reiss, Blanca Bann, Fidel Danieli, General Idea, Dan Graham, Bia Lowe, Frank Schweitzer, and Barry Singer. ... [details]
Exhibition catalogue published in conjunction with show held March 13 - September 26, 2005. Curated by Klaus Biesenbach, Alanna Heiss, Glenn Lowry, Bob Nickas, Amy Smith-Stewart and Ann Temkin. Introduction and text by Klaus Biesenbach. ... [details]
Exhibition catalogue published in conjunction with show held February 14 - March 30, 2002. Text by Amy Young. Includes unpublished notes and quotes by Neel throughout. 54 plates of her black-and-white drawings and paintings. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Issue edited by Tim Griffin. Essays "Editor's Letter: Social Realities," by Tim Griffin; "Books: Barrett Watten on Lytle Shaw's 'Frank O'Hara: The Poetics of Coterie,'" by Barrett Watten; "Film: James quandt on Alexander Sokurov's 'Alexandra,'" by James Quandt; "Film: Amy Taubin on Alexander Sokurov's 'Alexandra,'" by Amy Taubin; "Film: Sven Lütticken on Werner Herzog," by Sven Lütticken; "Sound: Damon Krukowski on Kenneth Goldsmith and UbuWeb," by Damon Krukowski; "On Site: Brian Sholis on Regional Nonprofits," by Brian Sholis; "Slant: Virginia Rutledge on Christoph Büchel and Mass MoCA," by Virginia Rutledge; "Top Ten," by Nick Mauss and Ken Okiishi; "Mirror Displacements: The Art of Zoe Leonard," by Mark Godfrey; "Music of the Spheres: Reflections on Karlheinz Stockhausen," by Robin Maconie and La Monte Young, with Irvine Arditti, Morton Subotnick, Pierre-Laurent Aimard, Maryanne Amacher, and Björk; "Jeroen de Rijke/Willem de Rooij: A Portfolio," by Pamela M. ... [details]
Exhibition catalogue published in conjunction with show held January 10 - March 21, 2004. Traveled May 29 - August 15, 2004, Norton Museum of Art, West Palm Beach, Florida; October 9, 2004 - January 2, 2005, The Hudson River Museum, Yonkers, New York; September 2 - October 7, 2005 McDonough Museum of Art, Youngstown State University, Ohio. ... [details]