Exhibition catalogue in the form of a set of 30 loose index cards, printed on recto / verso, published in conjunction with show held at California Institute of the Arts. Traveled to Wadsworth Atheneum, Hartford, CT ; Moore College of Art, Philadelphia, PA ; Institute of Contemporary Art, Boston, MA ; Walker Art Center, Minneapolis, MN ; Smith College Museum of Art, Northampton, MA. ... [details]
Exhibition catalogue published in conjunction with show held November 29 - December 20, 1975. Organized and with an essay by Jeffrey Deitch. The pages in the catalogue were prepared by the artists themselves or according to instructions given to Deitch by the artists. ... [details]
Special combined issue of LAICA Journal (No. 19) and Art-Rite (No. 19). Issue edited by Walter Robinson, Edit deAk, Bridget Reak-Johnson, Debra S. Burchett. Contents include: "Projects," by Edit deAk and Walter Robinson; "Homespun Versions of Mass Media," by Walter Robinson; "Teen Genius," by Kickboy Face; "Swim Parables," by Robert Morgan; "X & Y Offer," by X & Y; "Conversation: Between Craziness and Clarity," by John McCracken; "Swim Parables: Given to 4/4 Rhythms 5x," by Robert Morgan; "Texts," by Dick Miller; " Reifying the Heifetz-Trotsky Axis," Ronald Al Robboy; "Two Painters: Welcome in L. ... [details]
Issue nine of Real Life Magazine, edited by Thomas Lawson. Contents include: "Paul McMahon," by Susan Morgan; "Nancy Chunn," interviewed by Susan Davis; "Condensation and Dish-Placement," by The Holy Ghost Writers [ZouZou Lebovici, Lisa Phillips, Bérénice Reynaud, and Lyn Shapiro]; "POPISM," by Paul Taylor; "Paragraphs Toward an Essay Entitled 'Restoration Comedies,'" by Howard Singerman; "Laurie Anderson," by Sarah Taylor States; and "This Indigestible Wedding Cake," by Bérénice Reynaud. ... [details]
1984 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "Laurie Anderson Goes for the Throat," by Mark Dery; "The Why and How of Collaboration," by Susan Block; "Pat Oleszko," by Carl Heyward; "The Evolution of Obsession," by Margot Mifflin, Yayoi Kusama Interviewed on Her Psychosomatic Art; "Linda Burnham Reports;" "Performance in the '80s: The TV Generation: Lin Hixson, Molly Cleator, Tim Miller" by Jacki Apple; "Glamour as Environmental Art," by Moe Meyer; "Michael Kelley," by Kathi Norklun; "From a Whisper to a Shout: Suzanne Lacy Talks About a Network for Women's Voices," by Margot Mifflin; "The Catalist Olympics," by Lewis MacAdams; "In Dogged Pursuit of the World's Greatest Artist," by Linda Burnham; "The D. ... [details]
Summer 1980 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "WCA Conference in Louisiana," by Suzanne Lacy; "Public Arts International/Free Speech," by Stephen Forsling; "Per/for/mance, American Performance Festival in Italy: Chris Burden, Laurie Anderson, Paul McCarthy, Julia Heyward, Disband, Richard Newton;" "Artist's Chronicle: John Sheridan, Julie Wallace Keller, Valerie Bechtol, Mark Bloch, Anne Mavor, Joshua Abbey, M. ... [details]
1986 issue of High Performance, The Performance Art Quarterly, edited by Steven Durland. Contents include: "Nuevo Latino!: Introduction to a Celebration of Latino art," by Steven Durland; "A New Artistic Continent," by Guillermo Gómez-Peña; "The Artist as Citizen," by Emily Hicks; "Art with a Chicano Accent," by Linda Burnham, Steven Durland, and Lewis MacAdams; "Regina Vater, Marie-Judite dos Santos, Catalina Parra," by Robert C. ... [details]
Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. ... [details]
Issue number 2 of Top Stories, a prose periodical, featuring the writing of Laurie Anderson. Cover photo by Marcia Resnick. [details]
Exhibition catalogue published in conjunction with show held at the New Museum of Contemporary Art, New York, February 16 - April 17, 1980. Traveled to the Contemporary Arts Museum, Houston, May 16 - June 29, 1980; the University of Colorado Museum, Boulder, September 12 - October 16, 1980; the Albright-Knox Art Gallery, Buffalo, January 16 - March 1, 1981; and the Renaissance Society at the University of Chicago, Chicago, March 15 - April 19, 1981. ... [details]