June 1974 issue of Studio International with cover specially designed for this issue by Norman Stevens. Edited by Peter Townsend. Contents include: "The market system and the arts," by John Kenneth Galbraith; "Politics in art," by Su Braden; "Creativity at work - Artists' Space," by Derek Seagrief; "Phillip King," by Barry Martin; "The iconoclastic fury," by Andrei B. ... [details]
June 1974 issue of Studio International with cover specially designed for this issue by David Diao. Edited by Peter Townsend. Contents include: "Foreword;" "Bibliography;" "High Modern: an introduction to post-Pollock painting in America," by John Elderfield; "Correspondence;" "Modernist art 1960 to 1970," by E. ... [details]
Issue edited by Joseph Masheck. Essays "Johns the Pessimist," by Rolf-Dieter Herrmann; "Cézanne on Solids and Spaces," by Theodore Reff; "Back on the Material: Rodchenko's Photographic Ideology," by Andréi B. ... [details]
Exhibition catalogue published in conjunction with show held September 26 - December 15, 1984. Text by Andrei B. Nakov, Dawn Ades, Richard Sheppard, Patrick de Haas, and Marc Dachy. Artists included are Jean Arp, Johannes Baader, Ella Bergmann-Michel, André Breton, Francesco Cangiullo, Giorgio de Chirico, Paul Citroen, Theo van Doesburg, Joseph Cornell, Marcel Duchamp, Vassily Ermilov, Max Ernst, Giulio Evola, Georg Grosz, Raoul Hausmann, Hannah Hoch, Georges Hugnet, Marcel Janco, Paul Joostens, Paul Klee, Ivan Kliun, Gustav Klucis, Fernand Leger, Lazar El Lissitzky, Filippo Marinetti, Robert Michel, Lazlo Moholy-Nagy, Ivo Pannaggi, Francis Picabia, Pablo Picasso, Man Ray, Alexander Rodchenko, Judith Rothschild, Franz Roh, Kurt Schwitters, Jindrich Styrsky, Sophie Tauber-Arp, Karel Teige, Georges Vantongerloo, and Friedrich Vordemberge-Gildewart. ... [details]
Issue edited by Joseph Masheck. Essays "False Objects: Duplicates, Replicas and Types," by John Perreault; "Elizabeth Murray's Dandyish Abstraction," by Donald B. Kuspit; "Chicago Dialectic," by C.L. Morrison; "To Be or To Act: On the Problem of Content in Nonobjective Art," by Andréi B. ... [details]
Issue edited by Joseph Masheck. Essays "Art in Relation to Architecture/Architecture in Relation to Art," by Dan Graham; "Semiology, Sensuousness and Ian Wallace," by Eric Cameron; "The Big Show: The First Exhibition of the Society of Independent Artists, Part I," by Francis Naumann; "Mentalism Versus Painting," by Ross Neher; "Natural Structures: Michael Singer's Sculpture and Drawings," by Margaret Sheffield; "Another Look at Edvard Munch," by Deborah Perlberg; "Painting = Colored Space," by Andréi B. ... [details]
Issue edited by Joseph Masheck. Essays "Mark Tobey's Paintings of New York," by Fred Hoffman; "The Language of Forms and Colors," by Andréi B. Nakov; "Planar Straight Line and the Primary Plane," by Erik Saxon; "Snow-bound Camera," by Regina Cornwell; "Bernard Berenson, Twenty Years After," by James Beck; "The Big Show: The First Exhibition of the Society of Independent Artists, Part 2," by Francis Naumann; "Toward a Theory/Practice of Painting in France," by Paul Rodgers; "Books: On Reading Architecture," by Grahame Shane. ... [details]
April 1973 issue of Arts Magazine. Cover features Richard Serra's "Shift." Contributors include Andrei Boris Nakov, Jean-Claude Bonne, Willis Domingo, William C. Lipke, Cindy Nemser, Richard Serra, Rosalind Krauss, Jack Burnham, Howard Fried, Dan Graham, Bruce Boice, John Loring, Cara Montgomery, Paul Stitleman, Rosemary Mayer, Robert Pancoast Smith, Jane Bell, Ellen Lubell, Bill Dykes, Nancy Murray, Judith Tannenbaum, Andre Mikotajuk, and Gordon Brown. ... [details]
Anthology of collected writings by Malevich. Edited by Andrei B. Nakov, translated Andrée Robel-Chicurel. Includes appendix and list of illustrations. Printed in color and black-and-white. Text in French. [details]