April 1971 issue of Studio International edited by Peter Townsend. Contents include: "The artist's reserved rights transfer and sale agreement / the background," by Seth Siegelaub; "Arnolfini Gallery; 10 years in Bristol," by Jeremy Rees; "Correspondence;" "News and Notes;" "Bochner and photography," by Jonathan Benthall; "Art in Revolution," by Peter Wollen; "The development of the theory of Socialist Realism in Russia; 1917 to 1932," by Andrew Higgens; "Berlin Dada," by John Elderfield and Raoul Hausmann; "Coloured food," by Peter Kuttner; "Events," by Antoni Miralda and Dorothée Selz; "The House of the Vienna Secession movement," by Peter Hautmann and Klara Hautmann; "The shape's the thing; paintings by John Walker," by Dore Ashton; "Standpoints," by Daniel Buren; "An introduction to 'Art and Technology,'" by Maurice Tuchman; "The artist's reserved rights transfer and sale agreement;" and "Inno 70," by John Latham. [details]
September 1971 issue of Studio International, with a cover specially designed for this issue by Eduardo Paolozzi. Edited by Peter Townsend. Contents include: "Some Concerns in fine-arts education," by Philip Pilkington, Kevin Lole, David Rushton, and Charles Harrison; "Report from Canada," by Charlotte Townsend; "Correspondence;" "News and notes;" "The Inflation of art media," by Jonathan Benthall; "The Los Angeles look today," by Helene Winer; "A question of epistemic adequacy," by Ian Burn and Mel Ramsden; "Speculative illustrations," Eduardo Paolozzi in discussion with J. ... [details]
Issue edited by Peter Townsend. Essays "Art and Politics in the Russian Revolution - Part I," by Andrew Higgens; "Coldstream 1970," by Norbert Lynton; " Technology and Art 19: Kinetics at the Hayward," by Jonathan Benthall; "The Art Workers' Coalition: Not a History," by Lucy R. ... [details]
February 1971 issue of Studio International, edited by Peter Townsend. Contents include: "A Smart Set of concepts," by Suzi Gablik; "Aaaargh! indeed," by Andrew Higgens; "The American Juggernaut," by Hilton Kramer; "Correspondence;" "News and Notes;" "The Sociology of Knowledge," by Jonathan Benthall; "Andy Warhol as a film maker," Paul Morrissey interviewed by Derek Hill; "Strindberg and the arts," by Tore Håkansson; "Interview with Konrad Fischer," by Georg Jappe; "UK Commentary," by Timothy Hilton; "Sydney commentary," by Donald Brook; "Linguistics: an eye-witness account," by Gareth Jones; and "Inno 70," by John Latham. ... [details]
March 1971 issue of Studio International, edited by Peter Townsend. Contents include: "Project 84," by David Dickson; "Date with fate at the Tate," by Felipe Ehrenberg; "News and Notes;" "Correspondence;" "Haacke, Sonfist and Nature," by Jonathan Benthall; "Christo," by Lawrence Alloway; "Tantric imagery: affinities with twentieth-century abstract art," by Virginia Whiles; "Robert Medley's new paintings," by Bryan Robertson; "Commentary," by John Russell; "Albert Irvin," by Andrew Forge; "Andy Warhol and Ad Reinhardt," by Max Kozloff; "The conditional probability machine: a new work by Eduardo Paolozzi," by Diane Kirkpatrick; "Between spring and ocean," by Klaus Rinke; "Lawrence Weiner," by Anthony Lovell; "Works by Lawrence Weiner;" "Supplement: new and recent art books," reviews by Jonathan Benthall, Bernard Denvir, Andrew Forge, Peter Gidal, Andrew Higgens, Timothy Hilton, Colin Moorcraft, John Picton, Barbara Reise, and Frank Whitford. ... [details]
July / August 1971 issue of Studio International. Edited by Peter Townsend. Contents include: "What is Reality? The Theme of Documenta 5," by Georg Jappe; "This Spring in West Germany," by Robert Kudielka; "Science in Art," by Marcello Salvadori; "Correspondence;" "News and Notes;" "Experimental Art: Stubbs to Sonfist," by Jonathan Benthall; "Sydney: Art in the Universities," by Donald Brook; "'True Patriot Love': Joyce Wieland at the National Gallery of Canada;" "Bridget Riley," by David Thompson; "Three Shows at the Hayward: Hodler and Böcklin," by Frank Whitford and "Henri Laurens," by William Tucker; "Letter from Bucharest," by Radu Varia; "A Tail of Two Exhibitions," by Barbara Reise; "Background to the Foreground: The Haacke Exhibition History," by Edward Fry and Thomas M. ... [details]
