Single sided flyer published in conjunction with performances held on January 29 and 30, 1963. Performers included: William Davis, Ruth Emerson, Fred Herko, John Herbert McDowell, Steve Paxton, Yvonne Rainer, Carolee Schneemann, Elaine Summers, La Monte Young, Richard Andrews, Trisha Brown, Lucinda Childs, Philip Corner, Judith Dunn, Robert Dunn, Arlene Goldstein, Malcolm Goldstein, Deborah Hay, [Robert] Bob Huot, [Robert] Bob Morris, and Simone Morris [Forti]. [details]
Comprehensive survey of American painting in the twentieth century. Text by Barbara Rose. Includes essays "Introduction : The Polarities of American Art," "The Armory Show and Its Aftermath," "The Crisis of the Thirties," "The New York School," "The Sixties," "The Seventies : American Art Comes of Age," "Images of the Eighties. ... [details]
Exhibition catalogue published in conjunction with show held at the Winnipeg Art Gallery, May 2 - June 14, 1981. Traveled to National Gallery of Canada, Ottawa, October 1 - November 1, 1981 ; Norman MacKenzie Art Gallery, Saskatchewan, November 10 - December 13, 1981 ; Musée d'Art Contemporain, Montreal, January 8 - February 28, 1982 ; Dalhousie Art Gallery, Halifax, March 11 - April 18, 1982 ; Emily Carr College of Art, Vancouver, October 4 - October 30, 1982. ... [details]
Exhibition catalogue published in conjunction with show of the personal art collection of Juliana Force held at the Whitney Museum of American Art, September 24 - October 30, 1949. Text by Juliana Force, Herman More, Lloyd Goodrich, John Sloan, Guy Pène du Bois, Alexander Brook, Forbes Watson. ... [details]
Reference book for the Herbert F. Johnson Museum of Art Collection. Contributions by Sarah D. Benson, Franklin W. Robinson, Anthony H. Sarmiento, Faith Short, Steven Ames, Warren Bunn, Robert G. Calkins, Nancy E. ... [details]
Critical theory by Andrew Graham-Dixon. "... Graham-Dixon argues decisively against the preconception that the British are not a visual people. Starting with a revelatory account of the almost unknown masterpieces of the Catholic Middle Ages, [Dixon] celebrates the beauty and the brilliance of Britain's artistic heritage - from Thomas Gainsborough to Damien Hirst, William Hogarth to David Hockney, John Constable to Henry Moore. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Exhibition catalogue published in conjunction with show held January 10 - March 21, 2004. Traveled May 29 - August 15, 2004, Norton Museum of Art, West Palm Beach, Florida; October 9, 2004 - January 2, 2005, The Hudson River Museum, Yonkers, New York; September 2 - October 7, 2005 McDonough Museum of Art, Youngstown State University, Ohio. ... [details]
Spring issue IV of the quarterly publication. Edited by Madeleine Burnside and Andrew Kelly, this issue features works by Charles Bernstein, Luis Camnitzer, Lyn Hejinian, Douglas Huebler, Tom Mandel, and Geoff Young. ... [details]
Exhibition catalogue published in conjunction with show held May 10 - June 29, 2007. Essay by Betsy Fahlman. Artists include Herbert Adams, Carl E. Akeley, John White Alexander, Thomas Anshutz, Karel Appel, Richmond Barthé, Frédéric-Auguste Bartholdi, Antonie-Louis Barye, George Bellows, Thomas Hart Benton, Albert Bierstadt, Oscar Bluemner, Norman Bluhm, Ernest Blumenschein, Jacob Boelen, Isidore Jules Bonheur, Solon H. ... [details]