Promotional poster for the 9th Annual New York Avant Garde Festival presented by Charlotte Moorman aboard the riverboat "Alexander Hamilton" at South Street Seaport Museum, Pier 16, New York City, October 28, 1972, "hopefully" in Poughkeepse, New York, October 29, 1972 and in Albany, New York, October 30, 1972. ... [details]
Promotional poster for the 7th Annual New York Avant Garde Festival presented by Charlotte Moorman held September 28 - October 4, 1969. Performers included Charlotte Moorman, Jon Aldefer, Billy Apple, Ay-o, Norman Bauman, David Behrman, Lois Bernard, Robert Breer, Darlene Butsch, Luis Camnitzer, Jackie Cassen, Jaropolk Cigash, Michael Cooper, Philip Corner, Arthur Corwin, Ian Crofts, Douglas Davis, Lindsay Decker, Ken Dewey, Juan Downey, Sean Emmett, Jeni Engel, Charles Frazier, Frank Gillette, Jimmy Giuffre, Michael Gurian, Al Hansen, Gary Harris, Don Heckman, Piero Heliczer, Bici Hendricks, Geoffrey Hendricks, Jon Hendricks, Dick Hogle, Richard Hyatt, Yukihisa Isobe, Ken jacobs, Poppy Johnson, Ray Johnson, Joe Jones, Kenneth Knowlton, Gilles Larrain, Fred Lieberman, Ernst Lurker, Jackson Mac Low, Max V. ... [details]
Catalogue for a juried exhibition curated by scientists conceived by Art & Technology guru Billy Klüver. Organized by Experiments in Art and Technology in conjunction with the Brooklyn Museum and The Museum of Modern Art, a call for submissions was placed in the New York Times on November 12, 1967 [reproduced in this catalogue] the show drew budding technologists / artists with the chosen work ultimately exhibited at the Museum. ... [details]
Two page press release announcing the 7th Annual Avant Garde Festival of New York to be held on Mill Rock Island in the East River off of 94th Street, October 26, 1969. Organized by festival director Charlotte Moorman. ... [details]
Gatefold exhibition brochure published in conjunction with show held April 22 - June 5, 1977. Text by Henry T. Hopkins. Artists included: Jack Bush, Anthony Caro, Ralph Du Casse, Friedel Dzubas, John Ferren, Sam Francis, Helen Frankenthaler, Morris Louis, Kenneth Noland, Jules Olitski, Ludwig Sander, David Simpson, Josef Albers, Alfred Jensen, William Baziotes, Willem de Kooning, Richard Diebenkorn, Arshile Gorky, Adolph Gottlieb, Stephen Greene, Philip Guston, Hans Hofmann, Franz Kline, Alfred Leslie, Frank Lobdell, Corrado Marca-Relli, John Mason, Robert Motherwell, Kenzo Okada, Jackson Pollock, David Smith, Hassel Smith, Theodoros Stamos, Esteban Vicente, Barnett Newman, Mark Rothko, Clyfford Still, Jo Baer, Walter Darby Bannard, Larry Bell, Gene Davis, Ron Davis, David Diao, Tom Downing, Robert Goodnough, Frank Hamilton, Al Held, Tom Holland, Donald Judd, Ellsworth Kelly, Sol LeWitt, Robert Mangold, Howard Mehring, Raymond Parker, Frank Stella, Mason Wells, Donald Kaufman, Ed Moses, Cy Twombly, Alice Baber, Billy Al Bengston, Ernest Briggs, Tony De Lap, Sidney Gordin, Raoul Hague, Paul Jenkins, Matsumi Kanemitsu, Carl Morris, Julius Wassterstein and Wilfrid Zogbaum. [details]
Nov/Dec 1966 issue of Reporter Magazine published by Bell Telephone Laboratories for it's employees, edited by Bob Wolfenbarger. Featuring a cover story "The Switched-On Theater..." an article on "Nine Evenings: Theater and Engineering," held at the 69th St. ... [details]
Exhibition catalogue published in conjunction with show held at the National Portrait Gallery, Washington, D.C., October 2010. Essay by Jonathan Katz, catalogue by David C. Ward. Artists include Thomas Eakins, John Singer Sargent, F. ... [details]
Spring 1983 issue of Sightlines magazine. Cover image features a Nam June Paik video sculpture. Includes an interview with Bill Viola. Text by Catherine Egan, Deirdre Boyle, Marita Sturken, Lynda Cohen Cassanos, Roger Armbrust, James L. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
January 1986 issue of Artnews. Edited and published by MIlton Esterow, with written contributions by Hunter Drohojowska, Patricia Failing, Steven Henry Madoff, Eleanor Heartney, Lee Rosenbaum, Paul Gardner, Alice Thorson, Valerie F. ... [details]
