Risographed exhibition catalogue published in conjunction with show held April 7 - May 12, 2019. Artists / bands in the exhibition included: A Band, Vito Acconci/New Humans, Rita Ackermann/Jutta Koether, Richard Aldrich, Kai Althoff, Art & Language with the Red Crayola, Darren Bader, Jean-Michel Basquiat, Thomas Bayrle/Bernhard Schreiner, David Bellingham, Harry Bertoia, Carol Bove, Luke Calzonetti/Albert Oehlen, Bonnie Camplin, Rutherford Chang, Billy Childish, Tony Conrad with Faust, Tony Conrad/Angus Maclise/Jack Smith, Bjorn Copeland, Martin Creed, Hanne Darboven, Vaginal Davis, Jeremy Deller, Destroy All Monsters, DJ Sid with Sylvie Fleury, Jean Dubuffet, Marcel Duchamp, Mark Flood, Forcefield, Terry Fox, Katharina Fritsch, Poul Gernes, John Giorno/Ugo Rondinone, Jack Goldstein, Kim Gordon, Rodney Graham, Richard Hamilton and Dieter Roth, James Hoff, Lonnie Holley, Arthur Jafa, Chris Johanson, Allan Kaprow, Mike Kelley, Martin Kippenberger, Christopher Knowles, Jutta Koether/Steven Parrino, William Leavitt, Mark Leckey, Le Tigre (Sadie Benning, Johanna Fateman, Kathleen Hanna), Servane Mary, Adam McEwen, Paul McMahon, Jason Moran, Bruce Nauman, Dennis Oppenheim, Kristin Oppenheim, Virginia Overton, Charlemagne Palestine, Steven Parrino, Oliver Payne/Brian Degraw, Raymond Pettibon, Policeband, Seth Price, Stephen Prina, Richard Prince, RAMMELZEE, Lee Ranaldo and Leah Singer, Allen Ruppersberg, Jim Shaw, Xaviera Simmons, Steven Stapleton, Wolfgang Tillmans, Cosey Fanni Tutti, UJ3RK5 (Rodney Graham, Jeff Wall, Ian Wallace), Andra Ursuta, Don van Vliet, Lawrence Weiner, David Wojnarowicz, B. ... [details]
Artists' books of images and artwork by Providence based band Black Dice (the brothers Bjorn Copeland and Eric Copeland) documented by photographer Jason Frank Rothenberg. Includes a flexi-picture disc of music by Black Dice. [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Issue edited by Michelle Kuo. Essays "Film: Best of 2010," by John Waters, Amy Taubin, James Quandt, Mark Webber, Marie Losier; "Music: Best of 2010," by Bjorn Copeland, Femi Kuti, Masami Akita, Gudrun Gut, Eszter Balint; "Dance: Best of 2010," by David Velasco; "Books: Best of 2010," by David Velasco; "Books: Best of 2010," by T. ... [details]