Spring 2002 issue of the biannual publication "Purple". Edited by Elein Fleiss and Olivier Zahm. Contents include: "Summer 2002," by Alex Antitch; "The Imaginary World," by Jeff Rian; "New York Lowdown," by Bruce Benderson; "What The Coptic Guy Said," by Nick Tosches; "Avenidas," by Jens Hoffmann; "Ma couleur préférée," by Claude Closky; "Therefore," by Elein Fleiss; "Absolute Beginners," by Maurizio Cattelan; "Portrait," by Wolfgang Tillmans; "Calme Plat," by Pierre Leguillon; "Surface," by Dominique Gonzalez-Foerster; "Lutz Huelle," interviewed by Nakako Hayashi; "Miltos Manetas," interviewed by Olivier Zahm; "Louis Vuitton & Miu Miu," by Ola Rindal; "Helmut Lang," by Terry Richardson; "Marc Jacobs," by Mark Borthwick "Ann-Sofie Back," by Giasco Bertoli; "Julia & Mehdi, apres," by Laetitia Benat; "A. ... [details]
Tenth anniversary issue of the biannual publication "Purple," published in Winter of 2003. Edited by Elein Fleiss and Olivier Zahm. Contents include: "Fall/Winter 02/03," by Laetitia Benat; "The Imaginary World," by Jeff Rian; "New York Lowdown," by Bruce Benderson; "Avenidas," by Jens Hoffmann; "Ma couleur préférée," by Claude Closky; "Absolute Beginners," by Maurizio Cattelan; "Portrait," by Wolfgang Tillmans; "Calme Plat," by Pierre Leguillon; "Therefore," by Elein Fleiss; "Surface," by Dominique Gonzalez-Foerster; "Pablo Leon de la Barra," interviewed by Lupita Peckinpah; "Purple Special: 1992," with texts by Elein Fleiss, Jeff Rian, Claude Closky, Dominique Gonzalez-Foerster, Olivier Zahm, Bennett Simpson, Lee Ranaldo, Sharon Mesmer, Marina Faust, Dike Blair, Mark Kingwell, Claude Lévêque, Richard Prince, Tim Griffin, John Kelsey, Sébastien Jamain, Michel Cloup, Mark Borthwick, Mark Fishman, and Jutta Koether; "Grand National Styling," by Terry Richardson; "Berlin Stories," by Heinz Peter Knes; "Man in the Shadows," by Emma Mafille; "Raf Simons/Louis Vuitton," by Frederike Helwig; "Hotel Okura," by Masafumi Sanai; "Dominique Sanda," by Henry Roy; "Baretto," by Giasco Bertoli; "Look But Don't Touch," by Mauricio Guillen; "Mexico City," by Marlene Marino; "AC/OC," by Banu Cennetoglu; "Rock Feller," by Christophe Brunnquell; "Emilie," by Gérard Duguet-Grasser; "World History," by Rita Ackermann; "I feel 'Lucky,' Oh so 'Lucky'!," by Glen Szabo; and "Hope" by Alex Antitch. ... [details]
May 13, 1983 issue of the CalArts student arts and letters periodical wALT. Edited by Oren Schlieman. Contents include: "666," edited and by Mark David Brooks; "The Enemy (Gene)," by Harry Michale Portwood Jr. ... [details]
Exhibition catalogue and documentation of preparation for exhibition held in 1971. Large-scale book documenting the thrills and chills of when artists and scientists [or corporations] joined together by the Los Angeles County Museum of Art attempted to produce collaborative works. ... [details]
December 1972 issue of Artforum, edited by John Coplans. Contents include: "Mel Bochner: The Constant as Variable," by Robert Pincus-Witten; "American Geometric Abstraction in the Late Thirties," by John Elderfield; "Oskar Schlemmer Sculpture," by Karin von Maur; "Notes on Recent Dance," by Don McDonagh; "Pivot," by Robert Dunn; "Performance, A Conversation," by Stephen Koch; "A Note on Bernhard and Hilla Becher," by Carl Andre; "Man Ray as Film Maker," by Steven Kovács; "Los Angeles: The Ecology of Evil, " by Peter Plagens; "Bonnard Drawings," by Joseph Masheck; and "Reviews," by Joseph Masheck, April Kingsley, Bruce Boice, Lizzie Borden, and Carter Ratcliff. ... [details]
Spring 1977 issue of The Dumb Ox, a quarterly journal edited by James Hugunin and Theron Kelley. Contents include: "Untitled," by John Lanzone; "Acknowledgements;" "Introduction," by J. Hugunin; "A Talk with Ed Ruscha," interview by Gary Lloyd; "Pinocchio," by Claus Boehmler; "The Designated Blank Book," by Loren D. ... [details]
Collaborative artists' book edited by Aleksandra Mir and Tim Griffin, with contributions by 150 artists. "Bad reviews of 150 artists who submitted their worst reviews for reprint. Beginning in the 1960s and including translations from thirteen languages, this collaborative project makes for the broadest historical and geographical survey of severe Art Criticism, its shifting form, nature, and impact, by those directly subjected to it--the artists. ... [details]
December 1969 issue of Gay Ways, edited by Bruce King. Contents include: "From the Editor - What - Another Gay Newspaper?," by Bruce King; "Ballerina Slaps Rudy Back;" "Sex and the Motorcyclist;" "College Year Book Features Nude Pictures of Seniors;" "King's Reviews: Films, Theatre, Books," by Bruce King; "Beards Win Out!;" "Prince Philip's Sour Notes to Singer;" "Actor's Son Found Guilty of Violating Draft Law;" "Fashion - Low Cleavage for Hairy Men;" "The Crossways of Sex," by B. ... [details]
Collection of "text-sound" art / "sound poetry" texts. Edited by Richard Kostelanetz. Text by Richard Kostelanetz, Walter Abish, Jonathan Albert, Charles Amirkhanian, Beth Anderson, Douglas Barbour, Earle Birney, Bill Bissett, Warren Burt, John Cage, Alissandru Caldiero, Rosemarie Castoro, Guy De Cointet, Geoffrey Cook, Michael Cooper, Philip Corner, Jean-Jacques Cory, Bruce Curley, Charles Dodge, Charles Doria, Jon Erickson, Raymond Federman, Camille Foss, Four Horsemen, Sheldon Frank, Else von Freytag-Loringhoven, Fern Friedman, Terri Hanlon, Kenneth Gaburo, Jon Gibson, Abraham Lincoln GIllespie, Allen Ginsberg, John Giorno, Philip Glass, Anthony J. ... [details]
Issue edited by John Coplans. Essays "Things and Theories," by James Collins; "Max Ernst: Speculations Provoked by an Exhibition," by Rosalind Krauss; "Gerald Hayes: The Creativity of the Psychological Eye," by Virginia Gunter; "American Painting During the Cold War," by Max Kozloff; "No/Yes on the West Coast," by Peter Plagens; Meredith Monk: "An Introduction," by Angela Westwater; "A Metamorphic Theater," by Mark Berger; "Love and Death in Picasso's Early Work," by Theodore Reff; "Book Review," by Carol Duncan. ... [details]
