Issue no. 67 of the periodical "art / text," edited by Susan Kandel. Contents include: "Lobby: Dinner at Frank's," by Liam Gillick; "Torpor: Deep Chaos," by Chris Kraus; "User: Wireless Cosmopolitans," by Peter Lunenfeld; "Report: 48th Venice Biennale," by Barry Schwabsky; "SITE: Santa Fe Third International Biennial," by Ellen Berkovitch; "TYPE: Professional Me," by Frances Stark; "APROPOS: Smithson, Shakespeare & Satan," by Robert Linsley; "Sally Elesby: Life is a Verb," by Sue Spaid; "Raafat Ishak: Personal Archive," by D. ... [details]
Issue number 74 of New Observations: "The Magazine that Lets the Artists Speak for Themselves." Guest edited by Jeremy Gilbert-Rolfe and John Johnston. Contents include: "Body Count," by Susan A. Davis; "Introduction," by Jeremy Gilbert-Rolfe and John Johnston; "The Refrain of Being and Meaning: Analysis of a Dream About A. ... [details]
Issue edited by Bice Curiger. Essays "William Forsythe: Where Balance is Lost and the Unfinished Begins," by Heidi Gilpin; "Geoff Lowe and Tower Hill," by Robyn McKenzie; "Matthew Barney's Gonadotrophic Cavalcade," by Norman Bryson; "Mannerist Variations on Matthew Barney," by Michel Onfray; "Matthew Barney and Beyond," by Keith Seward; "Matthew Barney 95: Suspension, Secretion, Secret," by Thyrza Nichols Goodeve; "She Gives as Good as She Gets," by Jerry Saltz; "Where Does It All End?," "A Conversation with Sarah Lucas," by Jan van Adrichem; "The Fine Line Between This and That," by Collier Schorr; "Bollocks," by Carl Freedman; "Roman Signer: Prometheus's Delay," by Jean-Yves Jouannais; "Roman Signer's Sculptural Events," by Konrad Bitterli; "Sculptural Laboratory Experiments," by Christoph Doswald; "Rupture or Continuity," by Pia Viewing; "Action With a Fuse: Modifying the Denotation of Detonation," by Max Wechsler; "In Sachen Roman Signer," by Colin Deland; "It's Not Just an Image," by Michael Tarantino; "Cumulus Europa," by Thomas McEvilley; "Cumulus from America," by Neville Wakefield; "Garderobe," by unattributed artists. ... [details]
Issue edited by Bice Curiger. Essays "Richard Prince: Notes Toward A Supreme Fiction," by James Lewis; "Real Monochrome Images," by Helmut Friedel; "Time Of Painting, Time Of Representation," by Ulrich Loock; "Franz Gertsch," by I. ... [details]
Issue edited by Bice Curiger. Essays "Moveable Structure / House In An Open Place," by Theodora Vischer and Maria Nordmann; "Pierre Klossowski," by Claude Ritschard; "Rereading A Fugitive Essay," by Howard Singerman; "The Theater Of The Mind," by Thomas Lawson; "Dialogues, Teachings," by Patrick Frey; "Baldessari's Timing," by James Lewis; "John Baldessari's True Colors," by Dave Hickey; "Excerpt From 'Maya. ... [details]
Issue edited by Bice Curiger. Essays include: "The Mirrors of Narcissus at the Theatre," by Michel Onfray; "Images, Things and Participation," by Giacinto di Pietrantonio; "A Conversation," by John M Armleder, Spark Vett, Parker Williams, Sylvia Fleury; "Whatever by Whomever," by Lionel Bovier; "Eternal Regress," by Vic Muniz; "Frankenstein in Paradise," by Keith Seward; "Puppy, the Sacred Heart of Jesus," by Veit Loers; "Euphoric Enthusiasm, Jeff Koons's 'Celebration,'" by Thyrza Nichols Goodeve; "Cosmologer," by Lynne Cooke; "For Jean-Luc Mylayne," by Mark Dion; "Image of a Gift," by Didier Arnaudet; "Two text-pieces," by Jean-Luc Mylayne; "Back to Back," by Bice Curiger; "Open Vision," by James Lingwood; "Photography as Tautegory," by Kiyoshi Okutsu; "Not Cold, Not Too Warm," by Norman Bryson; "Epiphany," by Peter Schjeldahl; "Touched," by Molly Nesbit; "Sweet Williams," by Adrian Dannatt; "Domestic Horrors," by Leslie Camhi; "More Allure Please. ... [details]
Exhibition catalogue published in conjunction with show held at Gagosian Gallery, New York, New York May 9- July 11, 2008. "Robert Therrien takes ordinary objects and makes them unfamiliar, removing functionality to reveal metaphoric associations in them. ... [details]
Issue edited by Jack Bankowsky. Essays "Glamour Wounds: Rhonda Lieberman on Thomas Bernhard," by Rhonda Lieberman; "Books: W. J. T. Mitchell on 'Downcast Eyes,'" by W. J. T. Mitchell; "American Myths: J. ... [details]
Issue edited by Jack Bankowsky. Essays "Q & A: David Colman on the Toronto Film Festival," by David Colman; "Books: Lisa Liebmann on Guy Trebay's 'In the Place to Be,'" by Lisa Liebmann; "Film: David Rimanelli on Gus Van Sant's 'To Die For,'" by David Rimanelli; "Gadget Love: Brian D'Amato on ädaweb," by Brian D'Amato; "Preview: Carnegie International 1995," Allan Schwartzman talks with Richard Armstrong; "Weather Report: Andrew Ross on Shiny Clothes," by Andrew Ross; "Music: Olivier Zahm on Dominque A. ... [details]
Critical theory edited by Hal Foster. "This is the second publication in a series initiated by the Dia Art Foundation called 'Discussions in Contemporary Culture.' The series is based on an ongoing program of lectures and symposia held at Dia's performance space at 155 Mercer Street, New York, to explore topics relating to culture for diverse communities. ... [details]