Large-scale examination of the conceptual art network in its years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]
Complete set of four announcement cards published in conjunction with the "Language" exhibitions at Dwan Gallery: "Language to be looked at and / or things to be read [aka : Language I]," opening June 3, 1967, including artists Carl Andre, Arakawa, Walter De Maria, Marcel Duchamp, Dan Flavin, Dan Graham, Robert Indiana, Jasper Johns, On Kawara, Edward Kienholz, Sol LeWitt, Roy Lichtenstein, Rene Magritte, Filippo Marinetti, Robert Morris, Claes Oldenburg, Francis Picabia, Ad Reinhardt, Robert Smithson, Kenneth Snelson. ... [details]
Exhibition catalogue published in conjunction with show held July 2 - September 20, 1970. Curated, edited and with a brief text by Kynaston L. McShine. Dealers tend to claim that "first edition" copies of catalogue have one or more green foredges on one side of page-edges, stating thus there was a "second printing" with unprinted page-edges. ... [details]
Exhibition catalogue published in conjunction with show held July 2 - September 20, 1970. Curated, edited and with a brief text by Kynaston L. McShine. Dealers tend to claim that "first edition" copies of catalogue have one or more green foredges on one side of page-edges, stating thus there was a "second printing" with unprinted page-edges. ... [details]
Program for the Second Annual New York Festival of the Avant Garde held at Judson Hall, New York, August 30 - September 13, 1964. Organized by N. Seaman and Charlotte Moorman. Performances and contributions by Charlotte Moorman, Karlheinz Stockhausen, Allan Kaprow, James Tenney, Max Neuhaus, Alvin Lucier, Robert Delford Brown, Olga Kluver, Lette Eisenhauer, Robert Breer, Garry Harris, David Behrman, Marjorie Strider, Michael Kirby, Allen Ginsberg, Vincent Gaeta, Gloria Graves, Dick Higgins, Jackson Mac Low, Peter Leventhal, Mary Bauermeister, Matthew Raimondi, Malcolm Goldstein, Marilyn Reiley, Joseph Shor, Jacob Glick, Benjamin Patterson, Mary Barnette, Alice Kogan, Mary Kucier, Charles Morrow, Jame Lee, George Brecht, Joe Jones, Lorenzo Thomas, Nam June Paik, Frederic Rzewski, Philip Corner, Christian Wolff, Morton Feldman, Robert Moran, Stefan Wolpe, Lukas Foss, Bertram Baldwin, Terry Jennings, Earle Brown, John Cage, Guisseppe Chiari, Toshi Ichiyanagi, Richard Maxfield, Kaniharu Akiyama, Harvey Sollberger, Mario Davidovsky, Yannis Xenakis, Luciano Berio, Luc Ferrari, Robert Bayley, Philip Jameson, Gyorgy Ligeti, Henri Pousseur, Peter Moore, Gordon Mumma, George Cacioppo, Robert Ashley, Carl Spelbring, Bruce Wise, George Crevoshay, Edgard Varese, Vincent Cavalli, Adrian Gnam, Ryo Hei Nakagawa, William Lewis, Fred Mills, Donald Stratton, John Bergamo, Edward Burnham, Raymond Desroches, Fred Eckler, Richard Fitz, Paul Price, and Howard Zwickler. ... [details]
Exhibition catalogue published in conjunction with show held February 13 - April 1, 1980. Text by Riva Casteman. Artists include Josef Albers, Pierre Alechinsky, Shusaku Arakawa, Richard Artschwager, Geneviéve Asse, Terry Atkinson, Michael Baldwin, Jennifer Bartlett, George Baselitz, Romare Bearden, Joseph Beuys, Mel Bochner, Claudio Bravo, Marcel Broodthaers, Pol Bury, Rafael Canogar, Patrick Caulfield, Eduardo Chillida, Christo, Carlfriedrich Claus, Chuck Close, Allan D'Arcangelo, Richard Diebenkorn, Jim Dine, Gudmundur Erró, Richard Estes, Oyvind Fahlström, Robert Filliou, Lucio Fontana, Helen Frankenthaler, Franz Gertsch, Gotthard Graubner, Alan Green, Richard Hamilton, Michael Heindorff, Michael Heizer, Anton Heyboer, David Hockney, Howard Hodgkin, Pieter Holstein, Bryan Hunt, Shoichi Ida, Robert Indiana, Rolf Iseli, Alain Jacquet, Alfred Jensen, Jasper Johns, Donald Judd, On Kawara, Ellsworth Kelly, R. ... [details]
Issue edited by John Coplans. Essays "Peter and the Pressure Cooker, " by Peter Plagens; "On the Nature of Pop," by Carl R. Baldwin; "Abstract Expressionism, Weapon of the Cold War," by Eva Cockcroft," New Japanese Photography," by Max Kozloff; "Video Art: Old Wine, New Bottle," by Allan Kaprow; "Painting Becomes Cyclorama," by Rosalind Krauss; "Malevich's Quest for Unconditioned Creativity, Part I," by Donald Kuspit; "Mel Bochner on Malevich, an Interview," by John Coplans. ... [details]
Issue edited by John Coplans. Essays "Artists as Writers, Part One: Inside Information," by Lawrence Alloway; "Robert Mangold: An Interview," by Rosalind Krauss; "Robert Mangold: A Humanist Geometry," by Joseph Masheck; "The New Dialectic," by Lizzie Borden; "Vija Clemins," by Max Kozloff; "'Charlie was Like That,'" by Kermit Champa; "Joe Sarno, The Dismemberer," by Marshall Blonsky; "John White," by Peter Plagens; "Book Review," by Carl Baldwin. ... [details]
Issue edited by John Coplans. Essays "Yvonne Rainer, Part Two: 'Lives of Performers'," by Annette Michelson; "Microcosm to Macrocosm / Fantasy World to Real World," by Charles Simonds; "Maria Nordman," by Peter Plagens; "'Dada': a Code for Saints?," by John Elderfield; "Art and Art and Language," by Terry Smith; "Victor Burgin: Language and Perception," by Roelof Louw; "Jackie Winsor," by Lucy R. ... [details]
Issue edited by John Coplans. Essays "Malevich as a Counterrevolutionary (East and West)," by Max Kozloff; "The Object Perceived / the Object Apprehended," by Susan Tower; "The View from the 20th Century," by Lawrence Alloway; "A Phenomenological Approach to Artistic Intention," by Donald B. ... [details]