Guest edited by Martha Wilson. Cover by Tseng Kwong Chi. Essays "Editor's Statement," by Martha Wilson; "Artist's Pages," by Alastair MacLennan; "Resurrecting the 'Disappeared': Recollections of Artists in absentia," by Jacki Apple; " 'Presence' in absentia: Experiencing Performance as Documentation," by Amelia Jones; "Postcolonialism and Androgyny: The Performance Art of Grace Jones," by Miriam Kershaw; "Interperformance: The Live Tableaux of Suzanne Lacy, Janine Antoni, and Mariana Abramovic," by Jennifer Fisher; "Some Relations between Conceptual and Performance Art," by Frazer Ward; "Wendy Geller's '48-Hour Beauty Blitz': Gender, Glass, and the Pleasures of Popular Culture," by Jayne Wark; "Saint Orlan Faces Reincarnation," by Jill O'Bryan; "A History of Performance," by Moira Roth. Artists' statements by Cathay Cole, Bob Flanagan, Sheree Rose, Annie Lanzillotto, Frank Moore, Lorraine O'Grady, William Pope.L, Linda Carmella Sibio, Annie Sprinkle, Lorena Wolffer. Reviews "Graham Reynolds, 'The Early Paintings and Drawings of John Constable'; Peter Bishop, 'An Archetypal Constable: National Identity and the Geography of Nostalgia,'" by Rackstraw Downes; "Patricia Trenton, ed., 'Independent Spirits: Women Painters of the American West, 1890 - 1945'; Paul J. Karlstrom, ed., 'On the Edge of America: California Modernist Art, 1900 - 1950,' " by Francis Colpitt; "Margarita Tupitsyn, 'The Soviet Photograph, 1924 - 1937'; Svetlana Boym, 'Common Places: Mythologies of Everyday Life of Russia,' " by Marek Bartelik; "The Past, the Ironic Present, or Passion? Recent Books on Outsider Art," by N.F. Karlins; "Carolee Schneemann, 'More Than Meat Joy: Performance Works and Selected Writings; Carolee Schneemann: Up To and Including Her Limits,' exh. cat,. New Museum of Contemporary Art, New York," by Robert C. Morgan; "Adrian Piper, 'Out of Order, Out of Sight,' vol. 1: 'Selected Writings in Meta-Art 1968-1992' and vol. 2: 'Selected Writings in Art Criticism 1967 - 1992,'" by Bruce Alschuler.