Single sided flyer announcing a series of concerts held at Bert Stern's Studio with support from Leo Castelli, New York City, May 25 - 28, 1968. Performances, artwork, including "Topsoil" by Alex Hay; "Nobody Knows the Trouble You've Seen" by Charles Silver and Edward Lonchike; "Code Poems" by Hannah Weiner with performances by Michael Kirby, Carter Ratcliff, Weiner, Erich Rogers, John Neal and assist of Tom Trengrove, Dan Graham and Marjorie Strider; "Song and Face Book" by Simone Whitman; "Linoleum" by Robert Rauschenberg featuring Tony Holder, Julie Martin, Steve Paxton, Rauschenberg, Dorothea Rockburne, Dick Van Buren, Simone Whitman with sculpture by Robert Breer and Maxfeeder by Max Neuhaus; "Duchamp Segment of Hans Richter's Dreams Money Can Buy" by Elaine Sturtevant with pianist Lorne Hollander; and "Hitch" by Tom Gormley" with Eldridge Cooke, Michael Kirby, Gormley and assist by Christos Gianakos and Barbara Gormley. [details]
Single sided postcard announcement for a series of concerts held May 25-28, 1968. Performances by Charles Silver, Elaine Sturtevant, Simone Whitman, Steve Paxton performing works by The ONCE Group, Tom Gormley, Hanna Weiner, Alex Hay, and Robert Rauschenberg, introduced by Les Levine. [details]
Issue edited by Ingrid Sischy. Essays "At the Whitney Biennial," "Good Morning America," by Charles Hagen, "Almost Home," by Lisa Liebmann; "The Marketplace," by Lucas Samaras; "From Inside the Whale," by Michael Newman; "Kitsch in Cuba," by Eva Sperling CockCroft, "I Think Therefore I Art," by Thomas McEvilley; "Farewell to Marc Chagall," by André Verdet; "An Art of Regret," by Rene Ricard; "Rosenquist's Rouge," by Carter Ratcliff; "From Sam Cooke in Heaven," by Greil Marcus. ... [details]
Issue edited by Ingrid Sischy. Essays "The Arc of a diver - Judy Pfaff," by John Yau; "Vienna and Her Sisters, A Parable, with Strings," by Lisa Liebmann; "The Art of Filming Painting: Derek Jarman and Caravaggio, Peter Greenaway and Jan Vermeer, Paul Leduc and Frida Kahlo," by Wolfram Schutte; "Taking Liberty with Symbols," by Herbert Muschamp; "The Tourist Industry's Dramamine Against Terrorism: Seeing the World Through Travel Ads," by Glenn O'Brien; "The Big Fight. ... [details]
1991 Electronic Arts Intermix catalogue for video art. Edited by Lori Zippay. Artists include Marina Abramovic, Vito Acconci, John Adams, Max Almy, Jon Alpert, Marie André, Lawrence Andrews, Ant Farm, Charles Atlas, John Baldessari, Burt Barr, Stephen Beck, Raymond Bellour, Dara Birnbaum, Skip Blumberg, Ante Bozanich, Klaus vom Bruch, Barbara Buckner, Chris Burden, James Byrne, John Cage, Roger Cahen, Peter Callas, Peter Campus, Shirley Clarke, Wendy Clarke, Maxi Cohen, Cecelia Condit, David Cort, Peter d'Agostino, Douglas David, Cara DeVito, Dimitri Devyatkin, Juan Downey, Ed Emschwiller, Ken Feingold, Kit Fitzgerald, John Sanborn, Richard Foreman, Terry Fox, Tony Oursler, Michael Owen, Nam June Paik, Charlemagne Palestine, Raindance, Anthony Ramos, Daniel Reeves, John Reilly, Martha Rosler, Paul Ryan, Dan Sandin, Éder Santos, Ira Schneider, Bill Seaman, Eric Siegel, Shelly Silver, Michael Smith, Steina, Skip Sweeney, Rea Tajiri, Janice Tanaka, T. ... [details]
Issue edited by Ingrid Sischy. Essays "A Letter to Peder Bonnier from Lucio Pozzi"; "'Some Place Enormously Moveable' - The Collaboration of Arakawa and Madeline H. Gins," by Robert Creeley; "Long Walks," by Nancy Foote; "Malcolm Morley: Talking About Seeing," by Klaus Kertess; "Suzanne Harris: The Energy of Time," by Ted Castle; "In the Streets of China," by Joel Meyerowitz; "Working n the Streets of Shanghai and Guilin," by Charles Simonds; "The Ten Frustrations, or, Waving and Smiling Across the Great Cultural Abyss," by Lucy R. ... [details]
Issue edited by Ingrid Sischy. Essays "Tony Cragg and Industrial Platonism," by Germano Celant; "The New (?) Expressionism: Art as Damaged Goods," by Donald Kuspit; "A Project," by A.R. Penck; "Surrendering to Presence: Robert Irwin's Esthetic Integration," by Melinda Wortz; "Of Mice and Folly in 'The Garden of Delights,'" by Nicolas Calas; "Books: Kelly Wise on 'Slave to Beauty,'" by Kelly Wise; Books: Charles Hagen on 'Photodiscovery,'" by Charles Hagen; "Max Kozloff on 'Nicaragua,' 'Falkland Road,' and 'Rajasthan,'" by Max Kozloff. ... [details]
Issue edited by Ingrid Sischy. Essays "Melodramatic Tactics," by Kate Linker; "Swallowing Dali," by Carter Ratcliff; "Thieves Like Us," by Judith Russi Kirshner; "Allegorical Procedures: Appropriation and Montage in Contemporary Art," by Benjamin H. ... [details]
Issue edited by Ingrid Sischy. Essays "Fluxus Focus: Photographs by Peter Moore," by Peter Moore; "George Maciunas: A Finger in Fluxus," by Barbara Moore; "Growing Up," by Patricia C. Phillips and James Wines; "Paikvision," by Bruce Kurtz; "Dali's Dreadful Relevance," by Carter Ratcliff; "Documenta 7: Continued," by Richard Flood, Donald Kuspit, Lisa Liebmann, Stuart Morgan, Annelie Pohlen, and Schuldt. ... [details]
Issue edited by Ingrid Sischy. Essays "Issue edited by Ingrid Sischy. Essays "The Extravagant Depression: John Gutmann's Photographs of the Thirties," by Max Kozloff; "The Pledge of Allegiance," by Rene Ricard; "Portrait of Patti Astor," by Jimmy de Sana; "Heads It's Form, Tail It's Not Content," by Thomas McEvilley; "The Dark Side of the Bright Light," by Thomas Lawson; "Constructive Issues in Relief," by Joseph Masheck; "Venice Biennale 1982: No Form, Little Contentment," by Kate Linker and Ida Panicelli. ... [details]
