Spring 2002 issue of the biannual publication "Purple". Edited by Elein Fleiss and Olivier Zahm. Contents include: "Summer 2002," by Alex Antitch; "The Imaginary World," by Jeff Rian; "New York Lowdown," by Bruce Benderson; "What The Coptic Guy Said," by Nick Tosches; "Avenidas," by Jens Hoffmann; "Ma couleur préférée," by Claude Closky; "Therefore," by Elein Fleiss; "Absolute Beginners," by Maurizio Cattelan; "Portrait," by Wolfgang Tillmans; "Calme Plat," by Pierre Leguillon; "Surface," by Dominique Gonzalez-Foerster; "Lutz Huelle," interviewed by Nakako Hayashi; "Miltos Manetas," interviewed by Olivier Zahm; "Louis Vuitton & Miu Miu," by Ola Rindal; "Helmut Lang," by Terry Richardson; "Marc Jacobs," by Mark Borthwick "Ann-Sofie Back," by Giasco Bertoli; "Julia & Mehdi, apres," by Laetitia Benat; "A. ... [details]
Tenth anniversary issue of the biannual publication "Purple," published in Winter of 2003. Edited by Elein Fleiss and Olivier Zahm. Contents include: "Fall/Winter 02/03," by Laetitia Benat; "The Imaginary World," by Jeff Rian; "New York Lowdown," by Bruce Benderson; "Avenidas," by Jens Hoffmann; "Ma couleur préférée," by Claude Closky; "Absolute Beginners," by Maurizio Cattelan; "Portrait," by Wolfgang Tillmans; "Calme Plat," by Pierre Leguillon; "Therefore," by Elein Fleiss; "Surface," by Dominique Gonzalez-Foerster; "Pablo Leon de la Barra," interviewed by Lupita Peckinpah; "Purple Special: 1992," with texts by Elein Fleiss, Jeff Rian, Claude Closky, Dominique Gonzalez-Foerster, Olivier Zahm, Bennett Simpson, Lee Ranaldo, Sharon Mesmer, Marina Faust, Dike Blair, Mark Kingwell, Claude Lévêque, Richard Prince, Tim Griffin, John Kelsey, Sébastien Jamain, Michel Cloup, Mark Borthwick, Mark Fishman, and Jutta Koether; "Grand National Styling," by Terry Richardson; "Berlin Stories," by Heinz Peter Knes; "Man in the Shadows," by Emma Mafille; "Raf Simons/Louis Vuitton," by Frederike Helwig; "Hotel Okura," by Masafumi Sanai; "Dominique Sanda," by Henry Roy; "Baretto," by Giasco Bertoli; "Look But Don't Touch," by Mauricio Guillen; "Mexico City," by Marlene Marino; "AC/OC," by Banu Cennetoglu; "Rock Feller," by Christophe Brunnquell; "Emilie," by Gérard Duguet-Grasser; "World History," by Rita Ackermann; "I feel 'Lucky,' Oh so 'Lucky'!," by Glen Szabo; and "Hope" by Alex Antitch. ... [details]
Fall/Winter 2002 issue of the biannual publication "Purple." Edited by Elein Fleiss and Olivier Zahm. Contents include: "The Imaginary World," by Jeff Rian; "New York Lowdown," by Bruce Benderson; "What The Coptic Guy Said," by Nick Tosches; "Avenidas," by Jens Hoffmann; "Ma coleur préférée," by Claude Closky; "Absolute Beginners," by Maurizio Cattelan; "Portrait," by Wolfgang Tillmans; "Calme Plat," by Pierre Leguillon; "Surface," by Dominique Gonzalez-Foerster; "Purple Special," by Claude Lévêque; "Révolution 14," by Olivier Zahm; "Ann-Sofie Back / Sonia Rykiel," by Anders Edström; "Charles Anastase / Emilio Pucci," by Cécile Bortoletti; "Cosmic Wonder/Helmet Lang," by Chikashi Suzuki; "Civil Disobedience," by Angela Hill; "Gucci/Wendy & Jim," by Takashi Homma; "Lutz/Prada," by Viviane Sassen; "Balenciaga/Commes des Garçons," by Ola Rindal; "Colin de Land," interviewed by Gareth James; "Wendy & Jim," interviewed by Nakako Hayashi; "Trees and Wheels," by Cédrick Eymenier; "Cape Town," by Viviane Sassen; "Souveniers From Erevan," by Elein Fleiss; "Le Casino d'Allevard," by Laetitia Benat; "La Factory du Kremlin," by Pierre Leguillon / Matthieu Orléan; "Five Drawings," by Leane Shapton; "Lifestyle," by Henry Roy; "Cinq histoires courtes," by Alain Lacroix; "Super Bien Total," by Adrian Jenkins; "Anna Thompson, Hôtel Saint-Germain," by Serge Leblon; and "Week-ends," by Vava Ribeiro. ... [details]
Summer 2002 Issue of biannual publication "Purple." Edited by Elein Fleiss and Olivier Zahm. Contents include: "The Imaginary World," by Jeff Rian; "New York Lowdown," by Bruce Benderson; "What The Coptic Guy Said," by Nick Tosches; "Avenidas," by Jens Hoffmann; "Ma couleur préferée," by Claude Closky; "Therefore," by Elein Fleiss; "Absolute Beginners," by Maurizio Cattelan; "Portrait," by Wolfgang Tillmans; "Calme Plat," by Pierre Leguillin; "Surface," by Dominique Gonzalez-Foerster; "Purple Special: Maurizio Cattelan;" "Don't Believe In War," by Olivier Zahm; "Accidentally On Purpose," by Jeff Rian; "Visual Essay," by Maurizio Cattelan; "Comme des Garçons," by Anuschka Blommers & Niels Schumm; "Art Scene Tokyo," by Takashi Homma; "Balenciaga Le Dix," by Chikashi Suzuki; "Givenchy/Cosmic Wonder," by Angela Hill; "Issey Miyake Homme," by Jack Pierson; "Margiela Homme/Van Cleef & Arpels," by Laetitia Benat; "Purple Interview: 'Shimabaku,' by Elein Fleiss, 'Andrea Fraser,' by Bennett Simpson, 'Martin Walde,' by Jeff Rian, 'Carl Zimmer,' by Dike Blair;" "Light Valley," by Andreas Angelidakis; "Best Intergalactique Veracruz," by Jerónimo Hagerman; "Five Drawings," by Zoe Mendelson; "American Supper," by Terry Richardson; "Quelqu'un a bien du m'aimer un peu au début," by Gérard Duguet-Grasser; "6 Poemes," by Stephane Bouquet; "Gymnastic Melancolia," by Camille Vivier; and "Beautiful Kazakstan," by Anders Edström. ... [details]
Exhibition catalogue published in conjunction with show held at Printed Matter, Inc., New York, NY, May - June, 1995. Essay by art historian Anne Moeglin-Delcroix with an introduction by publisher Florence Loewy. ... [details]
Poster published in conjunction with show "Naming Tokyo (Part II)," held at the Swiss Institute, New York, November 13 – December 20, 2003. Originally produced as a commission for Palais de Tokyo in Paris as part of the exhibition "GNS: Global Navigation System. ... [details]
Faux periodical / artist's publication published by Aleksandra Mir on September 11, 2002, on the occasion of her 35th birthday and the first anniversary of 9/11 in order to reclaim the day, featuring contributions from over 100 friends and colleagues. ... [details]
Compendium of texts, interviews and images on the intersection between artists and the "Corporate Mentality," compiled by Aleksandra Mir. Edited by Mir and John Kelsey. Introduction by Laura K. Jones. ... [details]
Artist's publication in the form of a calendar for the year 2000 by Claude Closky with each day of the year marked by corporate slogans that out of context read like fortunes or daily affirmations. [details]
"These images, from the eclipse of August 11, 1999, have been taken from magazines, books, and ads and manipulated by artist Claude Closky. Gathering them in this book he questions our relationship with them by playing on the paradox of the extraordinary and the banal. ... [details]
