Chronological selection of 90 artworks which work with the subject or imagery of money, with commentary by art historian David Trigg. Foreword by Mark Carney. Artists include Abdullah M. I. Syed, Alicja Kwade, Andy Warhol, Ann Hamilton, Arman, C. ... [details]
Exhibition catalogue published in conjunction with show held February 17 - March 14, 1981. Texts by Laurence Dreiband, Peter Plagens, Michael Kurcfeld, and Walter Gabrielson. Artists include Laurence Dreiband, Walter Gabrielson, Peter Plagens, Lita Albuquerque, Peter Alexander, Martha Alf, Chuck Arnoldi, Don Bachardy, Joel Bass, Billy Al Bengston, Tony Berlant, Doug Bond, Paul Brach, William Brice, Jerrold Burchman, Carole Caroompas, Karen Carson, Judy Chicago, Max Cole, Ron Cooper, Mary Corse, Ron Davis, James DeFrance, Tony DeLap, Richard Diebenkorn, Laddie Dill, Paul Dillon, Dan Douke, Bruce Everett, Llyn Foulkes, Sam Francis, Joe Goode, Scott Grieger, D. ... [details]
Exhibition catalogue published in conjunction with show held at the California Plaza facility of The Museum of Contemporary Art, Los Angeles, July 28 - October 27, 1991. Organized and with essays by Jean-François Chevrier and Ann Goldstein. ... [details]
![Real Life Magazine [ aka : REALLIFE Magazine ]](/objects/images/s38422.jpg "Real Life Magazine [ aka : REALLIFE Magazine ]")
Issue six of Real Life Magazine, edited by Thomas Lawson. Contents include: "Brigitte Bardot," an interview by Hervé Guibert; "Post-Modernism: A Symposium," Christian Hubert, Sherrie Levine, Craig Owens, David Salle, and Julian Schnabel; "Bow Wow Wow (the Age of Piracy)," by Dan Graham; "The Artist as Adolescent," by Howard Singerman; "Excerpts," by Richard Baim; "A Young German Gallery Introduces Itself," about Galerie Grunert Müller, Stuttgart; "Amos Poe," an interview by David Robbins; "Your Everyday Critic," by Elsa Bulgari; "Something About Art," by Joan Wallace; "Building Conventions," by Judith Barry; and "Belmondo is Belmondo," by Michael Oblowitz. [details]
Spring 1980 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "Spaces;" "Stephen Seemayer: Profiled and interviewed by Linda Burnham;" "Jerry Dreva: An Introduction;" "Jerry Dreva: A Letter;" "Dreva Questions Dreva;" "Artist's Chronicle," by Phil Berkman, Robin Yvonne King, John Sheridan, Julie Wallace Keller, Valerie Bechtol, Anne Mavor, Marianne Bonetti, John Duncan, Ross Muirhead, Darryl Sapien/Performance Foundation, Richard Alpert, Danny Devos, Bill Gordh, Barbara T. ... [details]
1986 issue of High Performance, The Performance Art Quarterly, edited by Steven Durland. Contents include: "Nuevo Latino!: Introduction to a Celebration of Latino art," by Steven Durland; "A New Artistic Continent," by Guillermo Gómez-Peña; "The Artist as Citizen," by Emily Hicks; "Art with a Chicano Accent," by Linda Burnham, Steven Durland, and Lewis MacAdams; "Regina Vater, Marie-Judite dos Santos, Catalina Parra," by Robert C. ... [details]
Issue number 14 of Art-Rite, the artists' books issue, edited by Walter Robinson and Edith deAk. Contents include: "Market Research," statements about artists' books by Kathy Acker, John Baldessari, Luciano Bartonlini, Roberta Allen, Ulises Carrion, Daniel Buren, Robert Delford, Brown, Robert Cumming, Ted Castle, Agnes Denes, Peter Downsbrough, Mary Fish, Jon Gibson, Peter Grass, George Griffin, Judith A. ... [details]
Exhibition catalogue published in conjunction with show held in dual venues : "The Eighties" at MIT List Visual Arts Center, Cambridge, MA, December 19, 1987 - February 7, 1988 and "Pioneers" at Bank of Boston Gallery, Boston, MA, November 23, 1987 - January 15, 1988. ... [details]
Exhibition catalogue published in conjunction with show held at Institute of Contemporary Art, University of Pennsylvania, January 17 - February 28, 1975. Traveled to The Contemporary Arts Center, Cincinnati, OH, March 22 - May 30, 1975 ; Museum of Contemporary Art, Chicago, IL, June 28 - August 31, 1975 ; and the Wadsworth Atheneum, Hartford, CT, September 17 - November 2, 1975. ... [details]
Large-scale examination of the conceptual art network in its years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]
