Chronological selection of 90 artworks which work with the subject or imagery of money, with commentary by art historian David Trigg. Foreword by Mark Carney. Artists include Abdullah M. I. Syed, Alicja Kwade, Andy Warhol, Ann Hamilton, Arman, C. ... [details]
Issue no. 57 of the periodical "art / text," edited by Paul Foss. Contents include: "Passionate Descriptings," by Barbara Stafford; "Tune In, Take Off," by John C. Welchman; "Ronnie Van Hout / Overimpressed," by Robert Leonard; "Helga Groves / Before the Rain," by Juliana Engberg; "Sharon Ellis / Cosmopolitan Nights," by Sue Spaid; "Doug Ischar / Smoking Guns," by Catherine Lord; "Jennifer Bornstein," by Russell Ferguson; "Gary Simmons / Disappearing Acts," by Nancy Princenthal; "Ellsworth Kelly / How to be Tangential," by Jeremy Gilbert-Rolfe; "Jim Isermann / Best of Both Worlds," by David Pagel; "Roy Villevoye / Relative to the Moment," by Frank-Alexander Hettig; "Carolee Schneemann," by Barry Schwabsky; and "Index. ... [details]
Fall 1985 issue of JOURNAL, edited by Lane Relyea. Edited by Jeremy Gilbert-Rolfe and John Johnston. Contents include: "Multiplicity, Proliferation, Reconvention," by Jeremy Gilbert-Rolfe and John Johnston; "Two Crowds with Shape of Reason Missing," by John Baldessari; "Century," by Robert Ryman; "To a Swan," by David Shapiro; "Multiplicity, Proliferation, Reconvention," The Editors; "Idea as Multiplicity," by Gilles Deleuze; "On Line," by Peter Halley; "Notes on the Kaleidoscope and Stereoscope," by Jonathan Crary; "Thomas Nozkowski: Painting and Proliferation," by Joseph Masheck; "Mass, Crowd and Pack," by Michel Feher; "Lui/un Autre," by Gary Parent; "Some Notes on Proliferation, Process, History," by Sandy Cohen; "Nature," by Kimball Lockhart; "False Works," by Gregory Rukavina; "L'enfant-Bulle," by Jean Baudrillard; "America's Borders Are Everywhere," by Allan Sekula; "The Ditmarsh Tale of Lies," by the brothers Grimm; "To a Swan," a poem by David Shapiro; "Travelog: Excerpts from Plato's Cave, Rothko's Chapel, Lincoln's Profile," by Mike Kelley; "Feature: Multiplicity, Proliferation, Reconvention," edited by Jeremy Gilbert-Rolfe, and Johnston; "Dialog: The Procession of Undine," by T. ... [details]
Summer 1982 issue of Journal. Edited by Michael Delgado, Jerry Dreva, and Marianne Zlotnick. Contents include: "Art Norms in 1982," by Ted Castle; "Art Fashion," by David Carrier; "Popular Imagery," by Jeremy Gilbert-Rolfe; "The Difference Between Absence and Not Being Missed," by Geralyn Donahue and Joan Wallace; "Too Good to Be True," by Thomas Lawson; "Paragraphs Towards an Essay Entitled "Restoration Comedies," by Howard Singerman; "Movies as Modern Muse," by Gerard Haggerty; "A Brief Commentary on Latin American Art," by Imogen Sieveking; "Words and Pictures," by John Brumfield; "Photography: A Bourgeois Success Story," by James Hugunin; "Artists' Pages," by Hesh Rosen and Benjamin Kaiser; "Colson's Corner," by unattributed artists. ... [details]
Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. ... [details]
Spring 1975 issue of Art-Rite focused on Painting, edited by Walter Robinson and Edit deAk. Contents include: "Conventional Wisdom"; "Untitled Statement," by Jeremy Gilbert-Rolfe; "Painting Matters," by Lucio Pozzi; "On Jumping," by David Reed; "On Intermediate Cases," by David Reed; "Random Notes on Painting From A Critic's Daybook," by Robert Pincus-Witten; "The Whitney Biennial," by Anthony Mascatello; "A Pained Expression," by Dennis Kardon; "About Painting," by Lawrence Alloway; "Photographic Realism," by The Staff; "Lilly Brody"; "John Mendelsohn"; "Nancy Spero"; "Julian Schnabel"; "Evriah Bader"; "Peter Grass"; "Niel Jenney:" "Painters (Group One)"; "Bruce Boice (with Irving Sandler)"; "Painters (Group Two)"; "Conversation with Brice Marden. ... [details]
Large-scale exhibition catalogue published in conjunction with show "The Love of Art Comes First: Art & Project at the Kröller-Müller Museum," held at Kröller-Müller Museum, Netherlands, September 30, 2023 - February 25, 2024. ... [details]
Large-scale examination of the conceptual art network in its years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]
This issue of Studio International contains a 48-page "exhibition" organized by Seth Siegelaub: "The content of the 48-page exhibition in this issue was organized by requesting six critics to each edit an 8-page section of the magazine, and in turn, to make available their section to the artist(s) that interest them. ... [details]
Issue edited by Bice Curiger. Essays "The Philosophical Light and the Light of Art," by Hartmut Böhm; "Rachel Whiteread," by Doris von Drathen; "Ross Bleckner's Icons," by Edmund White; "Memorialising Aids," Simon Watney; "Oscillations," "Ross Bleckner in Conversation with David Seidner," by Jose Luis Brea; "In the Charnel House of Love," by Marina Warner; "The Unfulfillment and the Surfeit," by Anna Tilroe; "Dial 970-Muse: Marlene Dumas's Pornographic Mirror," by Ingrid Schaffner; "Pictures incomprehensible but illuminating," by Ulrich Looke; "Adrian Schiess," by Max Wechsler; "Les Infos Du Paradis," by Martijn Nieuwenhuyzen; "Cumulus From America," by Carolina Ponce de León; "Cumulus Aus Europa," by Adrian Searle. ... [details]