Artists' publication edited by Barbara Ess and J.M. Sherry. Contains photographs by Barbara Ess, Glenn Branca, Alice Albert, Vikky Alexander, Al Arthur, Lynne Augeri, Judith Barry, Ellen Brooks, Brian Buczak, Susan Britton, Alan Belcher, Tom Brazelton, Glenn Branca, Dara Birnbaum, Ellen Carey, Jim Casebere, Catherine Ceresole-Bachman, Sarah Charlesworth, Myrel Chernick, Nancy Chunn, Glegg & Guttman, Ellen Cooper, Mitch Corber, William Coupon, Paula Court, Peter Cummings, Roger Cutforth, Dorit Cypis, Mararet Dewys, Lea Douglas, Sara Driver, Nancy Dwyer, Bradley Eros, Aline Mare, Bart Everly, Stephen Frailey, Matthew Geller, Joe Gibbons, Mike Glier, Nan Goldin, Robert Goldman, Jack Goldstein, Dan Graham, Rodney Graham, Rudolph Grey, Susan Hanel, Sam Marshall Harvey, Steven Harvey, Marilyn Hawkridge, Geoff Hendricks, Susan Hiller, John Hilliard, Becky Howland, Ulli Rimkus, Peter Hujar, Peter Hutton, Glenda Hydler, Gary Indiana, Jeffrey Isaac, Bill Jacobson, Jim Jarmusch, Tod Jorgensen, Daile Kaplan, Peggy Katz, Christof Kohlhofer, Silvia Kolbowski, Barbara Kruger, Beth Lapides, Louise Lawler, Thomas Lawson, Annette Lemieux, Greg Letson, Daniel Levine, Nancy Linn, Carla Liss, Rik Little, Ken Lum, Meredith Lund, Mark Lyon, Francie Lyshak, Rona Patrice Lytkens, Frank Majore, Gianfranco Mantegna, Sheila McLaughlin, Allan McCollum, Paul McMahon, Richard Morrison, Matt Mullican, Peter Nadin, Peter Nagy, Joseph Nechvatal, Gary Nickard, Mike Osterhout, Carol Parkinson, Victor Poisontete, Virginia Piersol, Jeffrey Pittu, Richard Prince, John Rehberger, Bill Rice, Walter Robinson, Jon Rubin, Arleen Schloss, Kathleen Seltzer, Laurie Simmons, Teri Slotkin, Kiki Smith, Michael Smith, Studio Melee, Jim Sutcliffe, Karen Sylvester, Lynne Tillman, Diane Torr, Anne Turyn, Gail Vachon, Sokhi Wagner, Jeff Wall, Tom Warren, Oliver Wasow, James Welling, Sally C. ... [details]
Exhibition catalogue published in conjunction with show held November 16, 1991 - January 25, 1992. Foreword by Geno Rodriguez, curator, and essays on social consciousness in the art world by Lowery Stokes Sims, Lucy R. ... [details]
Vinyl record complication of audio by musicians and visual artists. Edited by Barbara Ess and Glenn Branca. Produced with the assistance of White Columns. Contributions by Larry Simon, Dara Birnbaum, Carla Liss, Bobby G, Wharton Tiers, Carol Parkinson, Nina Canal, Lee Ranaldo, Jenny Holzer, Annea Lockwood, Michael Smith, A. ... [details]
Exhibition catalogue published in conjunction with show held October 15, 2006 - January 1, 2007. Essays by Deborah Wye and Wendy Weitman. Artists include Georg Baselitz, Joseph Beuys, Daniel Buren, Richard Hamilton, Damien Hirst, Sigmar Polke, Gerhard Richter, Bridget Riley, Dieter Roth, Arman, John Armleder, Art-Language, Art & Project, Atelier Populaire, Fiona Banner, Christiane Baumgartner, Carole Benzaken, Jean-Charles Blais, John Bock, Christian Boltanski, KP Brehmer, Marcel Broodthaers, Joan Brossa, Günter Brus, Rafael Canogar, Patrick Caulfield, Jake and Dinos Chapman, Christo, Carlfriedrich Claus, Francesco Clemente, Claude Closky, Michael Craig-Martin, Adam Dant, Hanne Darboven, Tacita Dean, Décollage, Peter Doig, Helen Douglas, Olafur Eliasson, Equipo Crónica, Öyvind Fahlström, Hans-Peter Feldmann, Stanislaw Fijalkowski, Robert Filliou, Ian Hamilton Finlay, Sylvie Fleury, Lucian Freud, Katharina Fritsch, Hamish Fulton, Gilbert & George, Liam Gillick, Gorgona, Mona Hatoum, Juan Hidalgo, David Hockney, Peter Howson, Jörg Immendorff, Irwin, Kassenkatalog, Ivana Keser, Anselm Kiefer, Martin Kippenberger, Per Kirkeby, Yves Klein, Milan Knízák, Peter Kogler, Krater and Wolke, Langlands and Bell, Maria Lassnig, Paul Etienne Lincoln, Richard Long, Sarah Lucas, Markus Lupertz, Mangelos, Piero Manzoni, Wolfgang Mattheuer, Chad McCail, Annette Messager, Migrateurs, Jonathan Monk, François Morellet, Paul Morrison, Otto Muehl, Antoni Muntadas, Museum in Progress, Olaf Nicolai, Hermann Nitsch, Paul Noble, OHO, Julian Opie, Blinky Palermo, Eduardo Paolozzi, Parkett, Simon Patterson, A. ... [details]
Issue edited by Joseph Masheck. Essay "Philip Johnson and History," by Richard Pommer; "Fashion / Style / Custom: Alan Cote and David Diao," by Carrie Rickey; "Cecile Abish: Building from the Ground Up," by Jeffrey Keeffe; "Composite Imagery and the Origins of Photmontage, Part II: The Formalist Strain," by Robert A. ... [details]
Issue edited by Joseph Masheck. Essays "'Martin Puryear's Sculpture," by Jonathan Crary; "Monument - Sculpture - Earthwork," by Nancy Foote; "Cosmetic Transcendentalism: Surface-Light in John Torreano, Rodney Ripps and Lynda Benglis," by Donald B. ... [details]
Issue edited by Joseph Masheck. Essays "Johns the Pessimist," by Rolf-Dieter Herrmann; "Cézanne on Solids and Spaces," by Theodore Reff; "Back on the Material: Rodchenko's Photographic Ideology," by Andréi B. ... [details]
Australian periodical featuring artists' projects and interviews with artists and poets. Artists include: Daniel Shapiro, Krzysztof Wodiczko, Howard Raggatt, Peter Halley, Arakawa + Gins, Donald Baechler, Larry Clark, Lucio Pozzi, Charles North, Bruce Andrews, Laura Mullen, Joel Lewis, Aaron Fogel, Diane Stevenson, Stephen Paul Miller, Paul Violi, Michael Friedman, David Shapiro, Charles Bernstein, Jeffrey Harrison, Joyce Ca, John Hedjuk, Chris Kraus, Kerrie Poliness, Diena Georgetti, Sandra Bridie, Stephen Bram, David Morrison, Sue Lorraine, Karl Millard, Catherine Truman, Marcus Davidson and Susan Cohn. [details]
Audio CD reissue of Just Another Asshole #5,which was originally issues as a 12" vinyl LP. Features 83 artists, performing 77 pieces or extracts each of 45 seconds. Edited by Barbara Ess and Glenn Branca. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]