Edited by Tod Lippy. Essays "50 Frames: Peter Hutton's At Sea (2007): Stills from the acclaimed experimental filmmaker's latest-and possibly best-film," by Scott MacDonald; "Daily Reminders: Lunchbox notes-spanning 15 years-from a father to his two children," by Robert Guest; "New Voices: "Plate Tectonics": Fifth in our series of fiction by never-before-publishing authors," by Lesley Clayton; "Doug McNamara's Biobiversions: This business analyst-and former biology teacher-combines science and fiction in drawings seen here for the first time," by Tod Lippy; "The Desert: An excerpt from the poet and artist's forthcoming sewn poem, based on a fascimile of John Van Dyke's The Desert," by Jen Bervin; "Modern Artifacts: Drawing Comparisons: The latest installment in a series presented with the MoMA archives features sketches by former director René d'Harnoncourt," by Michelle Elligott; "Guarded Opinions: A museum guard from the Corcoran Gallery of Art offers his take on a Monet landscape from 1885," by Berhanu Taffa; "Esopus CD #10: Good News." Songs "Love at the Death Hotel," by The Real Tuesday Weld; "Yon Ferrets Return," by Neko Case and Carl Newman; "Impedin' Recession," by Chris Rehm; "Fathom Five," by Marnie Stern; "I've Always Known," by Busdriver; "A Song for Liza Minelli," by Man Man; "Priceless," by Langhorne Slim; "A Song in the News," by Ryan Adams; "Butterfly Knife," by Gowns; "Boredom Arcades," by Catherine McRae; "Sleeping Village Appears Empty," by Atlas Sound; "Miracle Man," by Artificial Workshop.