Issue edited by Philip Leider. Essays "Further Observations on the Pop Phenomenon," by Sidney Tillim; "Larry Rivers, Stuart Davis and Slang Idiom," by Max Kozloff; "Iranian Art," by Palmer French; "How to Murder an Avant Garde," by Barbara Rose; "Jules Olitski's New Paintings," by Michael Fried. ... [details]
Issue edited by Philip Leider. Essays "Architecture, 1966," by John Jacobus; "An Interview with Jack Youngerman," by Barbara Rose; "Claes Oldenburg: Extracts from the Studio Notes"; "Edvard Munch," by Linda Nochlin; "Wallace Berman's Verifax Collages"; "Savid Smith at the L. ... [details]
Issue edited by Philip Leider. Essays "Gemini LTD: A New Lithography Studio in Los Angeles," by Fidel A. Danieli; "A Central European Miscellany," by Edward F. Fry; " "Joseph Cornell," by Alexandra Cortesi; "Darby Bannard's New Work," by Rosalind Krauss; "Color, Paint and Present-Day Painting," by Darby Bannard; "Edward Kienholz's 'Barney's Beanery,'" by Sidney Tillim; "A Decade of Edward Kienholz," by Maurice Tuchman. ... [details]
Issue edited by Philip Leider. Essays "Talking to Tony Smith," by Samuel Wagstaff, jr; "A Conversation with Joe Raffaele," by Robert Pincus-Witten; "Man Ray Retrospective in Los Angeles," by Carl I. Belz; "Some Remarks," by Dan Flavin; "Two Views of Post-Abstract Expressionist Styles: "Present-Day Art and Ready-Made Styles," by Darby Bannard, and "Present-Day Styles and Ready-Made Criticism," by Peter Plagens; "Reinhardt: The Purist Blacklash," by Irving Sandler; "Tiepolo Acquisitions at the Met," by Sidney Tillim; "Lloyd Hamrol's 'multiples," by John Coplans; "Michael Egan's Modular Paintings," by Carl I. ... [details]
Issue edited by Philip Leider. Essays "Gothic Parallels," by Sidney Tillim; "Olitski and Shape," by Michael Fried; "Manet at Philadelphia," by Clement Greenberg; "David Novros," by John Coplans; "Walter de Maria," by Dennis Adrian; "10 x 10," by Annette Michelson; "Yves Klein," by Ronald Hunt; "Edward Higgins," by Dennis Adrian; "The Age of Rembrandt," by Palmer D. ... [details]
Issue edited by Philip Leider. Essays "Jackson Pollock and the Modern Tradition," by William Rubin; "Kandinsky's Paintings on Glass," by Rose-Carol Washton; "Nine Evenings of Theater and Engineering, 1. ... [details]
Issue edited by Philip Leider. Essays "The Razed Sites of Carl Andre," by David Bourdon; "Nakian at the Modern," by Barbara Rose; "Notes on Sculpture, Part II," by Robert Morris; "Two Showings of Younger Los Angeles Artists," by Fidel A. ... [details]
Issue edited by Philip Leider. Essays "Walker Evans: Photography as Representation," by Sidney Tillim; "Brancusi," by Sidney Geist; "Ronald Bladen's 'Black Triangle,'" by Lucy Lippard; "Jackson Pollock and the Modern Tradition, Part II,'" by William Rubin; "Medieval Manuscripts at Berkeley," by Palmer D. ... [details]
Issue edited by Philip Leider. Essays "Frank Stella's New Paintings," by Michael Fried; "David Smith at the Tate," by Max Kozloff; "Distillation," by E.C. Goossen; "Abstract Expressionism in Ceramics," by John Coplans; "'Systemic' Painting," by Robert Pincus-Witten; "The New Whitney: The Building," by Michael Brawne; "The New Whitney: The Show," by Barbara Rose; "'Eccentric Abstraction,'" by David Antin; "'Four' in L. ... [details]
Issue edited by Philip Leider. Essays "Ancient Egyptian Art at the Lowie Museum," by Palmer D. French; "The New Monuments and Entropy," by Robert Smithson; "A Preview of the 1966 Venice Biennale," by Henry Geldzahler; "Gabo at the Tate," by Andrew Forge; "WPA Art in Maryland," by Elisabeth Steven. ... [details]
