April 1989 issue of Artforum, edited by Ida Panicelli. Contents include: "Remote Control: Barbara Kruger on Television" by Barbara Kruger; "The Cave: Michele Wallace on Invisibility Blues" by Michele Wallace; "Environment: Vilem Flusser on Future Architecture" by Vilem Flusser; "Expertease: Silvia Kolbowski on Knowledge and Power" by Silvia Kolbowski; "Like Art: Glenn O'Brien on Advertising," by Glenn O'brien; "Books: Alice Yaeger Kaplan on 'Nuclear Fear,'" by Alice Yaeger Kaplan; "Signs of Light: Walker Evans' American Photographs," by Max Kozloff; "Subjectivity in Time: Kasimir Malevich," by Rainer Crone and David Moos; "Protection: A Project for Artforum," by Christian Boltanski and Annette Messager; "The Erography of Cy Twombly," by Demosthenes Davvetas; "We ? New Jersey," by Komar & Melamid; "The Passageway: A Project for Artforum," by Wolgang Laib; "Words around Warhol," by Jack Bankowsky; "Space around Warhol," by Herbert Muschamp; "The Phoenix of the Self," by John Yau; "Turning Japenese (In)," by John Welchman; "Ambitious: A project for Artforum," by Janet Zweig. ... [details]
September 1987 issue edited by Ingrid Sischy. Essays "The Tale That Wags the Dog: Documenta 8. A Bite Before the Show"; "What Was that Masked Museum? The Mind's Construction in the Face. Gaetano Pesce," by Germano Celant; "Hugo: Ink into Ocean," by Donald Kuspit; "A Foundry of the Figure: Antonin Artaud, To be Somebody," by Stephen Barber; "Nuclear Towers Town & Country: A Project for Artforum," by Ilona Granet; "An Encounter with a Secret: The Sculpture of Susana Solano," by Gloria Moure; "Untitled Drawings: A Project for Artforum," by William Bailey; "The Critics' Way: Sculpture Goes to Town," by Donald Kuspit, Max Wechsler, Dan Cameron, Pier Luigi Tazzi, and Ingrid Rein, with photography by Shigeo Anzai; "Icons at Large: Icontact," by Lisa Liebmann; "Like Art: Amaretto di Ollie," by Glenn O'Brien; "Believe it or Not: Comrades in People," by J. ... [details]
Issue edited by Bice Curiger. Essays "When You Offer Stones You Get Stones," by Edward Leffingwell and Lawrence Weiner; "François Boucher," by Andrei Kowaljow; "On The Sigmar Polke Retrospective In The U. ... [details]
Exhibition catalogue published in conjunction with show held April - May 1984. Features texts by Duchamp, Gloria Moure, Eulalia Serra, Ignasi Sola-Morales, John Cage, Anne d'Harnoncourt, Dawn Ades, Yosihaki Tono, Octavia Paz, Maurizio Calvesi, and Germano Celant. ... [details]
Exhibition catalogue published in conjunction with show held May 12 - June 12, 1998. Includes writing by the artist, an interview between Graham and Mike Metz, and essays by Alexander Alberro, Friedrich Wolfram Heubach, Brian Hatton, Mark Francis, Gloria Moure, Christine van Assche, and Adachiara Zevi. ... [details]
Monograph of Sigmar Polke's work. Edited by Gloria Moure. "Starting from the profane material of everyday culture, Polke interprets images of reality rather than reality itself, satirizes tendencies in contemporary painting, questions the role of the artist as author, breaks down the trivial visual worlds of media photography, and always, but always, takes off on the most magnificent flights of imagination. ... [details]
Critical anthology of the art journal Interfunktionen. Edited by Gloria Moure. Texts by Friedrich Wolfram Heubach and Birgit Pelze. Artists include Vito Acconci, Keith Arnatt, John Baldessari, Lothar Baumgarten, Bill Beckley, Joseph Beuys, George Brecht, K. ... [details]
Issue edited by Ida Panicelli. Essays "Exits and Entrances: John Howell on Voguing," by John Howell; "Folio: Andrew Solomon on Bookbinding," by Andrew Solomon; "Believe It of Not: J. Hoberman on American Myths," by J. ... [details]
Issue edited by Ingrid Sischy. Essays "At the Whitney Biennial," "Good Morning America," by Charles Hagen, "Almost Home," by Lisa Liebmann; "The Marketplace," by Lucas Samaras; "From Inside the Whale," by Michael Newman; "Kitsch in Cuba," by Eva Sperling CockCroft, "I Think Therefore I Art," by Thomas McEvilley; "Farewell to Marc Chagall," by André Verdet; "An Art of Regret," by Rene Ricard; "Rosenquist's Rouge," by Carter Ratcliff; "From Sam Cooke in Heaven," by Greil Marcus. ... [details]
Exhibition catalogue published in conjunction with show held December 3, 2002 - February 16, 2003. "Peter Heisterkamp, AKA Blinky Palermo, is, perhaps, the artist who best summarizes the contemporary history of painting as a constant expansion of what is pictorial as well as an impulse to reunite reality with drawing, tracing, and color. ... [details]
