Summer 1992 issue of October, edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, and John Rajchman. Contents include: "Introduction: The Question of Identity," by John Rajchman; "Multiculturism and the Politics of Identity," by Joan Scott; "A Matter of Life and Death," by Cornel West; "Citizenship and Political Identity," by Chantal Mouffe; "Freedom's Basis in the Indeterminate," by Homi Bhabha; "Politics, Identification, and Subjectivization," by Jacques Ranciere; "The Inevitability of Nation: German Intellectuals After Unification;" "Universalism, Particularism, and the Question of Identity," by Ernesto Laclau; "Reflections on Identity," by Stanley Aronowitz; and "The Americans," by E. ... [details]
Issue 28 of the periodical October. Edited by Rosalind Krauss and Annette Michelson. Contents include: "To Situate Sublimation," by Jean Laplanche; "Sexuality and Aesthetics," by Leo Bersani; "Freud's Reflexive Realism," by Perry Meisel; "Transference: Letters and The Unknown Woman," by Joan Copjec; "Uncertainty," by François Roustang; "Italian Freud: Gramsci, Giulia Schucht, and Wild Analysis," by Jennifer Stone; and "Of Mimicry and Man: The Ambivalence of Colonial Discourse," by Homi Bhabha. [details]
Critical theory essays published in conjunction with the conference held October 13 - 15, 1994, School of Art Institute Chicago, Illinois. Essays by Carol Becker, Henry A. Giroux, Page duBois, Homi K. ... [details]
Large-scale exhibition catalogue published in conjunction with show held May 18 - August 14, 1989. Essays by Jean-Hubert Martin, Aline Luque, Mark Francis, André Magnin, Pierre Gaudibert, Thomas McEvilley, Homi Bhabha, Jacques Soulillou, and Bernard Marcadé. ... [details]
"OCTOBER: The First Decade, 1976 - 1986 brings together a selection of some of the most important and representative texts, many from issues long out of print, that have appeared in one of the foremost journals in art criticism and theory. ... [details]
Publication surveying the work of artist Mary Kelly. With text by Margaret Iverson and Homi K. Bhabha, excerpts of the artist's writing, excerpts of essays by Julia Kristeva and Lynne Tillman, an interview between Kelly and Douglas Crimp, plus excerpts of previous interviews with Griselda Pollock and Klaus Ottmann. ... [details]
Special "Best of the '90s" issue edited by Jack Bankowsky. "Best of the '90s: 10 Top Tens," by Dave Hickey, Daniel Birnbaum, Robert Rosenblum, Jan Avgikos, David Rimanelli, Peter Plagens, Carol Squiers, Bruce Hainley, Dan Cameron, Boris Groys. ... [details]
Issue edited by Ida Panicelli. Essays "Believe it or Not: J. Hoberman on American Myths," by J. Hoberman; "At the Limits: Homi K. Bhabha on the Power of the Text," by Homi K. Bhabha; "Folio: Buzz Spector on John Baldessari's Tristram Shandy," by Buzz Spector; "Special Effects: Carol Squiers on the News and Its Pictures," by Carol Squiers; "What in the World: Andrew Solomon on the Art of Perestroika Part II," by Andrew Solomon; "Expertease: Bell Hooks on Cultural Interrogations," by Bell Hooks; "Added Attractions," by Patricia C. ... [details]
Issue edited by Ida Panicelli. Essays "Democracy, Inc.: Bell Hooks, Carol Squiers, and Maurice Berger on the Hill-Thomas Hearings," by Bell Hooks, Carol Squiers, Maurice Berger; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "Media Kids: Michael Covino on John Gotti," by Michael Covino; "Troubleshooters: David Sternbach on Johnson and 'Johnson,'" by David Sternbach; "The Cave: Lorraine O'Grady on Black Women Directors," by Lorraine O'Grady; "To Be a Pilgrim: Walton Ford," by Jimmie Durham; "Tektonik: A Project for Artforum," by Franz Graf; "Pepôn Osorio's Plastic Heaven," by Joan Acocella; "WeWha: A Project for Artforum," by Luigi Ontani with photographs by Joney-Jean Henry, Tran Thi Nhu, Margit M. ... [details]
Issue edited by Jack Bankowsky. Essays, Artforum '62 - '79, "Ars Longa, Pecunia Brevis," by John Irwin; "Phil Leider, Editor: No Phil, No Forum," by Walter Hopps; "Phil Leider, Editor: He Was a Great Editor," by Richard Serra; "Phil Leider, Editor: He Was Extremely Talkative," by Irving Blum; "Phil Leider, Editor: He Was Extremely Terse," by John Coplans; "Phil Leider, Editor: He Called Me Chuck," by Chuck Close; "Phil Leider, Editor: He Was a Great Editor, and He Loved his Wife," by Michael Fried; "John Coplans: A Conversation with Peter Plagens"; "Let Slip the Dogs of War: Editing Artforum," by Angela Westwater; "Charles Cowles: A Conversation with Henry Geldzahler"; "The Page Was My Party," by Robert Pincus-Witten; "Yours Faithfully, Joseph Masheck," by Joseph Masheck. ... [details]
