Issue edited by Barney Rosset. Contents include "The Tide," by Andre Pieyre de Mandiargues; "Dragtime and Drugtime; or, Film a la Warhol," by Parker Tyler; "Elegy, As If I Meant It," by John Palcewski; "Ep Art," by Guy and Elizabeth Cross; "Four Sections from Sheeper," by Irving Rosenthal; "Exterminator!" by William S. ... [details]
Exhibition catalogue published following exhibition held throughout City of New York, October 1 -31, 1967. Essay by Irving Sandler. First large-scale exhibition of sculptures placed within public spaces. ... [details]
Periodical on political art. Edited by Keith Christensen, Lucy R. Lippard, Barney Pace, Randy Wade, and Irving Wexler. Essays "AHOP: The First Battle," by Michael Anderson; "What Are the Answers?"; "Street"; "An Image Brawl: The Politics of Street Painting," by Miriam Brofsky and Eva Cockcroft; "Cowboys and Guerrilla's," by Jerry Kearns, Lucy Lippard and Diane Neumaier; "The Street = Private Property and the Public Domain," by Julie Spriggs; "Out of the Darkroom: Cuban Photography Now," by Mel Rosenthal, Rudolf Baranik, Max Kozloff, Fred Ritchen, Eva Cockcroft, Walter Rosenblum, and Susan Meiselas; "International Poster Modernism," by Barbara Hall, Jan McKay, Poster-Film Collective; "Out of Sight, Out of Mind (I): Native American, Black and White Artists in Search of Cultural Democracy," by Jerry Kearns, Mel Edwards, Jaribu Hill, Jolene Richard, Irving Wexler, Peter Jemison, Herb Perr, Jaribu Hill, Randy Wade, Mel Edwards, Ngoma Hill, and Jolene Rickard; "Detours, Sharp Turns and Little Naggy Feelings: Turning Points in the Lives of Art Activists"; "Turning Points," by Rae Langston, Jerry Kearns, Lucy R. ... [details]
