Exhibition catalogue published in conjunction with show of "SMS: The Portable Museum of Original Multiples in 6 Portfolios Published in 1968 by The Letter Edged in Black Press," held October 11 - December 11, 1988. ... [details]
Issue number one of the journal of artists' multiples edited by William Copley. Works included: "Project for a Bridge," by Su Braden; "Black Dress," by James Lee Byars; "Store Front," by Christo; "Chicago Project," by Walter de Maria; "A Postal Card - For Mother," by Richard Hamilton; "Pharmaceuticals," by Julien Levy; "My Country 'Tis Of Thee : West Germany 1968 (4 Views)," by Kasper König; "Photograph - Hottentot Apron," by Sol Mednick; "Little Box of Earthquake and Cotton," by Irving Petlin; "Luggage Labels," by Nancy Reitkopf; "Two Propositions in Black," by LaMonte Young and Marian Zazeela. ... [details]
Issue edited by Philip Leider. Essays "Harnett, Peto and Haberle in La Jolla," by Alfred Frankenstein; "Twelve Chicago Artists at the Walker," by Whitney Halstead; "An Interview with Helen Frankenthaler," by Henry Geldzahler; "Tribute to Simon Rodia," by Alfred H. ... [details]
Issue edited by Philip Leider. Essays "Architecture, 1966," by John Jacobus; "An Interview with Jack Youngerman," by Barbara Rose; "Claes Oldenburg: Extracts from the Studio Notes"; "Edvard Munch," by Linda Nochlin; "Wallace Berman's Verifax Collages"; "Savid Smith at the L. ... [details]
Special painting issue edited by John Coplans. Essays "'Painters Reply," by Rudolf Baranik, Gene Davis, Stephen Greene, Buffie Johnson, Wolf Kahn, R.B. Kitaj, Terence La Noue, Ellen Lanyon, Adele Leonard, Allan McCollum, Dona Nelson, Pat Passlof, Tony Robbin, Jim Roche, Edwin Ruda, Peter Saul, David Simpson, Joan Snyder, Paul Staiger, May Stevens, Sidney Tillim, John Torreano, Mario Yrissary; "Painting and Anti-Painting: A Family Quarrel," by Max Kozloff; "Painting and the Struggle for the Whole Self," by Andrew Forge; "Patterns, Grids, And Painting," by Amy Goldin; "Remarks on Their Medium by Four Painters," by Pat Adams, Nancy Graves, Budd Hopkins, Irving Petlin: "None Dare Call it Boho," by Peter Plagens. ... [details]
Issue edited by Philip Leider. Essays "Filthy Pictures," by Barbara Rose; "Sidney Gordin's New Work," by Knute Stiles; "Schwitters Retrospective at U.C.L.A.," by Fidel A. Danieli; "Some New British Sculptors," by Andrew Forge; "Three New Sculptures," by Mark Di Suvero. ... [details]
Issue edited by Philip Leider. A Preview of the United States Section, Sao Paulo Bienal, 1965: "Introduction"; "Barnett Newman," by Lawrence Alloway; "Frank Stella," by Philip Leider; "Larry Bell," by John Coplans; "Donald Judd," by Barbara Rose; "Larry Poons," by John Coplans; "Billy Al Bengston," by John Coplans. ... [details]
Issue edited by Philip Leider. Essays "Caro's Abstractness," by Michael Fried; "The Artist and Politics: A Symposium," by Carl Andre, Jo Baer, Walter Darby Bannard, Billy Al Bengston, Rosemarie Castoro, Rafael Ferrer, Don Judd, Irving Petlin, Ed Ruscha, Richard Serra, and Lawrence Weiner; "How I Spent my Summer Vacation," by Philip Leider; "Goodbye, Architecture," by Helmut C. ... [details]
Issue edited by Ingrid Sischy. Essays "Corporate Arcadias: Green Thumbs and Gray Flannel," by Dan Graham and Robin Hurst; "Haim Steinbach's Wild Wild West: Serving Color on the Horizon," by Germano Celant; "Arms: Around Chet Baker," by Bruce Weber; "Kane's Welles: The Phantom of the Opus, Velásquez in Xanadu," by Brian O'Doherty; "Ventriloquism. ... [details]
"The Pennsylvania Academy of the Fine Arts, Philadelphia, America's oldest museum and school of fine arts, was founded in 1805. Today, the Academy boasts one of the nation's finest collections of American art and a roster of alumni representing the greatest artists this country has produced. ... [details]