Winter 1983 issue of the tri-quarterly art journal U-Turn, edited by James Hugunin and Grigoris Daskalogrigorakis. Contents include "The Wolf at the Door," by Karen Kristin; "Docking in Space," by Carl Davis; "A Building Owner's Point of View," by Jon Peterson; "Some Notes on A. ... [details]
Fall 1983 issue of the tri-quarterly art journal U-Turn, edited by James Hugunin, Grigoris Daskalogrigorakis, and Jan Tieken. Contents include "Introduction," by James Hugunin; "In Our Path," by Jeff Gates; "Laguna Canyon Project: A Continuously Developing Photograph," by Linda Bellon; and "The Laguna Canyon Project," by Jerry Burchfield and Mark Chamberlain. [details]
Winter 1983 issue of the tri-quarterly art journal U-Turn, edited by James Hugunin and Grigoris Daskalogrigorakis. Contents include "Introduction," by James Hugunin; "Use a Soft Pencil," by Anonymous; and "The Visionary Journey," by Lisa Bloomfield. [details]
Second annual publication in the U-TURN Monograph series focusing on the subject of The Portrait. Edited by Dennis Grady and James Hugunin. Texts by Dennis Grady, Regie Bowron, Peter Reiss, John Brumfield, Larkin Maureen Higgins, David Moreno, Judith Golden, Christopher Burnett, Douglas Huebler, Dana Asbury, and James Hugunin. ... [details]
Fall 1977 / Spring 1978 double issue of The Dumb Ox, a quarterly journal edited by James Hugunin and Mary Kenon Breazeale. Contents include: "Found Photographs," by Paul Knotter; "Listening Britain," an interview with David Rushton by Kathy Hargreaves and D. ... [details]
![Journal [LAICA Journal]](/objects/images/s20318.jpg "Journal [LAICA Journal]")
September - October 1981 issue of Journal Contemporary Art Magazine, edited by Bridget Johnson. Contents include: "David Salle Interview," by Peter Schjeldahl; "Knud Merrild: To Be Transformed in the Flux," by Susan Ehrlich; "Pastel, Juice and Gunpowder: The Pico Iconography of Ed Ruscha," by Robert C. ... [details]
![Journal [LAICA Journal]](/objects/images/s39818.jpg "Journal [LAICA Journal]")
Summer 1982 issue of Journal. Edited by Michael Delgado, Jerry Dreva, and Marianne Zlotnick. Contents include: "Art Norms in 1982," by Ted Castle; "Art Fashion," by David Carrier; "Popular Imagery," by Jeremy Gilbert-Rolfe; "The Difference Between Absence and Not Being Missed," by Geralyn Donahue and Joan Wallace; "Too Good to Be True," by Thomas Lawson; "Paragraphs Towards an Essay Entitled "Restoration Comedies," by Howard Singerman; "Movies as Modern Muse," by Gerard Haggerty; "A Brief Commentary on Latin American Art," by Imogen Sieveking; "Words and Pictures," by John Brumfield; "Photography: A Bourgeois Success Story," by James Hugunin; "Artists' Pages," by Hesh Rosen and Benjamin Kaiser; "Colson's Corner," by unattributed artists. ... [details]
![Journal [LAICA Journal]](/objects/images/s39803.jpg "Journal [LAICA Journal]")
September/October 1979 issue of Journal. Edited by Bridget Johnson and Debra Burchett. Contents include: "Thoughts on the Last Ten Light Years," by Deborah Irmus; "An Interview with Leland Rice," by Dinah Portner; "Judy Fiskin's Photographs," by Richard Armstrong; "Broken Mirrors and Dirty Windows," by James Hugunin; "Jo Ann Callis: Between Eroticism and Morbidity," David Fahey; "Some Thoughts About Women's Photographs," by Sandra Matthews; "Fables, Grids and Swimming Pools: Phototexts in Perspective," by Robert C. ... [details]
![Journal [LAICA Journal]](/objects/images/s39799.jpg "Journal [LAICA Journal]")
June/July 1979 issue of Journal. Edited by Debra Burchett and Bridget Johnson. Contents include: "For An Art Against the Mythology of Everyday Life," by Martha Rosler; "Exploring the Mathematical Option in Art," by Bernar Venet; "No Money Back Anytime," by Kristine Stiles; "A Diamond is Forever," by Gregory Battcock; "Chymical Wedding," by Carole Caroompas; "To Pico," by Peter Schjeldahl; "Conceptual Art and the Continuing Quest for a New Social Context," by Robert Morgan; "The Level of Water," by Lawrence Weiner; "A The A The," by Alan Sondheim; "Conceptual Comments," by Douglas Huebler; "On Art Writing/Part I," by Clair Wolfe; "L Three Leers/W Three Whys," by John Baldessari; "Media: TeleVisions," by Christopher Knight; "The Dinner Party," by Melinda Wortz; "With a Dinner Party You Get Cheerleaders," by Suzanne Muchnic; "Photographs from the Dinner Party," by Ruth Askey; "The Chelsea Girls Return," by David James; "Photography: Two Photographic Books: Speaking About the Process of Making," by James Hugunin; "Painting: Back to Back," by Melinda Wortz. ... [details]
![Journal [LAICA Journal]](/objects/images/s20404.jpg "Journal [LAICA Journal]")
February/March 1980 issue of Journal. Edited by Bridget Johnson. Contents include: "Video Art in Southern California," by Louise Lewis; "VD Lives/TV Must Die," by Vito Acconci; "Mass Media and the Artist: A Conversation with Gene Youngblood, Tamara Tovey, John Riddler and David Ross," by Davis Ross; "Interview with Eleanor Antin," Dinah Portner; "ADP: An Answer Driving the Problem," by James Hugunin; "The Regime of the Video State," by John Riddler; "The Holland Race," by Robert Morgan; "Film Space: A Preliminary Sketch," by Grahame Weinbren; "Painting: Americans in Paris," by Francis Colpitt; "Performance: What Can Happen, What Does Happen: The Kipper Kids," by Fredrica Drotos; "Photography: Count Dracula in the Olive Grove," by John Brumfield; "Photography: A Growth Investment," by Dr. ... [details]
