Exhibition catalogue published in conjunction with show held May - September 1979. Edited by Christoph Stötzl. Artists include Josef Achmann, Eduard Aigner, Karl Arnold, Gustav Lörincz de Baranyai, Carl Johann Becker-Gundahl, René Beeh, Fritz Behn, Otthans Beier, Rudolf Belling, Karl Bertsch, German Bestelmeyer, Peter Birkenholz, Bernhard Bleeker, Albert Bloch, Georg Brenninger, Albert Burkart, Yorgo Busianis, Heinrich Campendonk, Felice Casorati, Karl Caspar, Maria Caspar-Filser, Fritz Claus, Oskar Coester, Eugen Maria Cordier, Lovis Corinth, Heinrich Maria Davringhausen, Julius Diez, Otto Dill, Erna Dinklage, Franz Doll, Heinrich Düll, Elk Eber, Josef Eberz, Eduard Ege, Henry Ehlers, Fritz Hellmuth Ehmecke, Heinrich Ehmsen, Edgar Ende, Julius Ussy Engelhard, Adolf Erbslöh, Fritz Erler, Ernesto de Fiori, Max Eschle, Max Fischbach, Alexander Fischer, Theodor Fischer, Hermann Geibel, Otto Geigenberger, Willi Geiger, Theodor Georgii, Franz Paul Glass, Erich Glette, Benjamin Godron, Georg Graessegger, Günther Graßmann, Rudolf Grossmann, Olaf Gulbransson, Hugo von Habermann, Hermann Hahn, Thomas Theodor Heine, Wilhelm Heise, Edwin Hermann Richard Henel, Josef Henselmann, Christian Hess, Julius Heß, Friedrich Heubner, Anton Hiller, Josef Hillerbrand, Käthe Hoch, Ludwig Hohlwein, Julius Hüther, Walter Jacob, Angelo Jank, Mary Kaemmerer, Alexander Kanoldt, Ludwig Kaspar, Hermann Keimel, Heinrich Kirchner, Karl Knappe, Fritz Koelle, Gertrud Kraut, Erwin von Kreibig, Alfred Kubin, Otto Gottlieb Konstantin von Kursell, Martin Lauterburg, H. ... [details]
![Journal [LAICA Journal]](/objects/images/s20308.jpg "Journal [LAICA Journal]")
Fall 1982 issue of Journal, edited by Michael Delgado. Contents include: "On Pictures and Meaning," by John Brumfield; "On Number Time and Emotion," by John Whitney; "Defining the Avant-Garge," by Richard Hertz; "Art with a Capital "A" and Television Executives," by Michael Delgado; "The Art Economist," by Ken Friedman; "Bauhaus Brochure," by unattributed artists; "The Open Road of Risk: George Herms, Wallace Berman, the Beats, and West Coast Visionary Poetics," by Robert L. ... [details]
Exhibition catalogue published in conjunction with show held November 23, 1986 - March 8, 1997. Traveled to the Museum of Contemporary Art, Chicago, April 17, - July 19, 1997; to the Haags Gemeetemuseum, The Hague, September 1 - November 22, 1987. ... [details]
Exhibition catalogue and series of letters to young women artists published in conjunction with the Feminist Art Festival at the California Institute of the Arts, Valencia, 1974. Edited by Miriam Schapiro, Sherry Brody, Molly Rhodes, and Lelia Amalfitano. ... [details]
September 1971 Special Film Issue of Artforum, edited by Philip Leider. Contents include: "Foreword in Three Letters," by Peter Gidal, Annette Michelson, Jonas Mekas; "For a Metahistory of Film: Commonplace Notes and Hypothese," by Hollis Frampton; "'True Patriot Love': The Films of Joyce Wieland," by Regina Cornwell; "'Zorns Lemma'," by Wanda Bershen; "'Tom, Tom, the Piper's Son"; by Lois Mendelson and Bill Simon, "A Cinematic Atopia," by Robert Smithson; "Paul Sharits: Illusion and Object," by Regina Cornwell; "Passage," by Michael Snow; "Statements," by Richard Serra; "Paul Revere," by Joan Jonas and Richard Serra; "The Films of Man Ray and Moholy-Nagy," by Barbara Rose; "The Calisthenics of Vision: Open Instructions on the Films of George Landow," by Paul Arthur; "On Negative Space," by Max Kozloff; and "'The Chelsea Girls,'" by Stephen Koch. ... [details]
Spring 1977 issue of The Dumb Ox, a quarterly journal edited by James Hugunin and Theron Kelley. Contents include: "Untitled," by John Lanzone; "Acknowledgements;" "Introduction," by J. Hugunin; "A Talk with Ed Ruscha," interview by Gary Lloyd; "Pinocchio," by Claus Boehmler; "The Designated Blank Book," by Loren D. ... [details]
Winter 1996 issue of the quarterly publication Pink, edited by Donna Ghelerter and Ingrid Schaffner. Contents include: "Letter from the Editors;" "Busks;" "Phil Andros: Exposed," by Russell Bush; "Nudity," by Nancy Diehl; "Sex and Home Economy," with Elizabeth Hawes; "God-Marked for Greatness," by Yvette Brackman; "Men in Skirts," by Joel Lobenthal; "Footsucker - A Review," by Valerie Steele; "The Gentle Smut-Hunter's Guide to 42nd St. ... [details]
Compendium of essays originally presented as part of a conference "The Invention of Pornography," held at the University of Pennsylvania in October 1991. Edited and with an introduction by Lynn Hunt. Essays by Paula Findlen, Joan DeJean, Rachel Weil, Margaret C. ... [details]
Exhibition catalogue published in conjunction with survey held January 3 - February 11, 1945. Text by John Davis Hatch, Jr. and Alain Locke. Artists include: William E. Artis, Henry W. Bannarn, Richmond Barthe, Romare Bearden, Eloise Bishop, Selma Hortense Burke, William Carter, Elizabeth Catlett, Claude Clark, Eldzier Cortor, Ernest Crichlow, Joseph Delaney, Aaron Douglas, Fred C. ... [details]
September 1971 issue of Studio International, with a cover specially designed for this issue by Eugenio Carmi. Edited by Peter Townsend. Contents include: "The State of the Arts," by Lord Eccles; "Correspondence;" "News and Notes;" "Anatomy of an Anomaly," by Jonathan Benthall; "A Joseph Beuys Primer," by Georg Jappe; "Sculpture at Sonsbeek," by Carel Blotkamp; "Signals for the Imagination," by Eugenio Carmi; "A procedural proposition: selection, repetition, extension, exchange," by Michael Craig-Martin; "Ensor's 'Entry of Christ into Brussels,'" by Frank Whitford; "New Public Galleries: Tel Aviv, Belfast, project for Les Halles," by J. ... [details]
