Summer 1982 issue of Journal. Edited by Michael Delgado, Jerry Dreva, and Marianne Zlotnick. Contents include: "Art Norms in 1982," by Ted Castle; "Art Fashion," by David Carrier; "Popular Imagery," by Jeremy Gilbert-Rolfe; "The Difference Between Absence and Not Being Missed," by Geralyn Donahue and Joan Wallace; "Too Good to Be True," by Thomas Lawson; "Paragraphs Towards an Essay Entitled "Restoration Comedies," by Howard Singerman; "Movies as Modern Muse," by Gerard Haggerty; "A Brief Commentary on Latin American Art," by Imogen Sieveking; "Words and Pictures," by John Brumfield; "Photography: A Bourgeois Success Story," by James Hugunin; "Artists' Pages," by Hesh Rosen and Benjamin Kaiser; "Colson's Corner," by unattributed artists. ... [details]
Issue edited by Bice Curiger. Essays "On Schnyderian Art," by Patrick Frey; "James Coleman: Charon," by Dieter Schwarz; "Disarming Perception," by Gary Garrels; "Speculation On Trucks, Cemeteries, Foxes And Other Images," by Julian Heynen; "Setting Standards," by Dan Cameron; "Shimmering Deep-Blue Purple," by Jean-Christophe Ammann; "Living In The Big Light," by Dave Hickey; "Interview James Turrell," by Richard Flood and Carl Stigliano; "The Irish Sky Garden Of James Turrell," by Frederick Ted Castle; "Richard Hamilton," by Lynne Cooke; "Cumulus From Australia," by Louise Neri; "Cumulus From America," by Kim Levin; "Balkon," by Andrei Kovalyov. ... [details]
The report from the Art Workers Coalition hearing on April 10, 1969, printed in order to bring each artist's opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. ... [details]
"Open Hearing" is the report from the Art Workers Coalition hearing on April 10, 1969 printed in order to bring each artists' opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. ... [details]
Exhibition catalogue published in conjunction with show held February 13 - April 1, 1980. Text by Riva Casteman. Artists include Josef Albers, Pierre Alechinsky, Shusaku Arakawa, Richard Artschwager, Geneviéve Asse, Terry Atkinson, Michael Baldwin, Jennifer Bartlett, George Baselitz, Romare Bearden, Joseph Beuys, Mel Bochner, Claudio Bravo, Marcel Broodthaers, Pol Bury, Rafael Canogar, Patrick Caulfield, Eduardo Chillida, Christo, Carlfriedrich Claus, Chuck Close, Allan D'Arcangelo, Richard Diebenkorn, Jim Dine, Gudmundur Erró, Richard Estes, Oyvind Fahlström, Robert Filliou, Lucio Fontana, Helen Frankenthaler, Franz Gertsch, Gotthard Graubner, Alan Green, Richard Hamilton, Michael Heindorff, Michael Heizer, Anton Heyboer, David Hockney, Howard Hodgkin, Pieter Holstein, Bryan Hunt, Shoichi Ida, Robert Indiana, Rolf Iseli, Alain Jacquet, Alfred Jensen, Jasper Johns, Donald Judd, On Kawara, Ellsworth Kelly, R. ... [details]
Publication of texts from talks conducted at the Museum of Modern Art with Barbara Kruger, "Picturing Greatness"; Vito Acconci, "The Viewer as Victim"; Mark Tansey, "The Strange Benevolence of Clement Greenberg"; Faith Ringgold, "Slaves of the Modern"; Komar & Melamid, "Malevich's Dream"; Elizabeth Murray on Céanne: "Merging Thought and Emotion"; Joseph Kosuth on Duchamp: "Please Do Not Touch the Sculpture"; Jane Dickson on Claude Monet: "A Battlefield of Lilies"; James Wines on Le Corbusier's Villa Savoye: "Building as Polemic"; David Salle, "A Clyfford Still Quiz"; Scott Burton, "The Abby Aldrich Rockefeller Sculpture Garden as a Work of Semipublic Art"; Alice Aycock on Constructivism: "A Schema on Her Back"; Jenny Holzer on Meret Oppenheim's "Object: A Cup of Words"; Ashley Bickerton on Donald Judd: "Monoculture and Polyculture"; Francesc Torres on George Grosz: "Clarity that Hurt"; and Houston Conwill on "The Cakewalk Humanifesto: A Dance of Remembrance. ... [details]
Exhibition catalogue published in conjunction with show held at Knoedler & Company, New York, November 21, 2002 - January 18, 2003. Includes essay by Frank Del Deo, list of solo exhibitions, selected group exhibitions, public collections, and bibliography. ... [details]
September 1988 issue of Art in America. Edited by Elizabeth C. Baker, with written contributions by Joan Simon, Eleanor Hartley, Holland Cotter, John Ash, Stephen Westfall, Brooks Adams, Ken Johnson, Paul Smith, Carl Little, Walter Thompson, Suzaan Boettger, Gerrit Henry, Lawrence Campbell, Walter Thompson, Donald B. ... [details]
Issue edited by Ingrid Sischy. Essays "In Between the Dark and the Light (Television/Society/Art: A Symposium)," by Constance DeJong; "Dividing the Light from the Darkness (james Turrell)," by Kay Larson; "Keith Sonnier's Pictograms," by Ted Castle; "Futurism and the Occult," by Germano Celant; "Futurism and Musical Notes," by Daniele Lombardi; "Some Posters from Fashion Moda"; "The Unhappy Consciousness of Modernism," by Donald B. ... [details]
Issue edited by Ida Panicelli. Essays "What in the World," Andrew Solomon on the Art of Perestroika; "Here There & Otherwise," John Welchman on Elsewhere; "Like Art," Glenn O'Brien on Advertising; "Special Effects," Carol Squiers on the News and its Pictures; "Books," Jeremy Gilbert-Rolfe on "Peter Halley: Collected Essays 1981 - 87"; "The World According to Douglas Huebler," by Colin Gardner; "The Benefit of Doubt or Loving Modernism to Death," by Judith Russi Kirshner; "Charon's Boat," by Francesco Pellizzi; "Image of a Second Skin," by Mark Holborn; "Miguel Angel Rios: Epics from the Earth," by Frederick Ted Castle; "A Gentle Guide," by Ida Panicelli, an Introduction to "Territory"; "Territory: A Project for Artforum," by Leonel Moura; "Face(t)s: Notes on Faciality," by John Welchman. ... [details]