Summer 1982 issue of Artforum edited by Ingrid Sischy. Contents include: "Forum: Waking Up to How We Sleepwalk," by Lawrence Weschler; "Great Expectations: Artists' TV Guide," by Robin White; "Book for Nigel Greenwood," a project by Richard Tuttle; "Framed: Innocence or Gilt?" by Germano Celant; "Three Color + within +," a project by Robert Mangold; "Negative Presences in Secret Spaces: The Art of Eric Orr," by Thomas McEvilley; "In the Absence of Heroes: The Early Work of Georg Baselitz," by Dr. ... [details]
May 1982 issue of Artforum, edited by Ingrid Sischy. Contents: "Man Ray's Early Paintings 1913-1916: Theory and Practice in the Art of Two Dimensions," by Francis Naumann; "Pat Steir and the Science of the Admirable," by Ted Castle; "The Candidate: Photographs by Pedro Meyer"; "Portraits: Necrophilia, Mon Amour," by Joseph Kosuth; "Portraits: Section 2," by Lawrence Weiner; "Portraits: Impassioned with Some Song We," by Kathy Acker; "Portraits of Joseph Kosuth, Lawrence Weiner, and Kathy Acker," by Robert Mapplethorpe; "The Sounds of Violence: Max Neuhaus' Siren Project," by Nancy Princenthal; "Sabotage or Trophy? Advance or Retreat?" by Douglas Huebler; "Books: Clive Phillpot on 'Real Lush,'" by Clive Phillpot; "Reviews," by Richard Flood, Kate Linker, Joan Casademont, Colin Westerbeck, Donald Kuspit, Barbara Kruger, Thomas Lawson, Jamey Gambrell, Judith Russi Kirshner, Richard Armstrong, Stuart Morgan, Xavier Girard, and Annelie Pohlen. ... [details]
Exhibition catalogue published in conjunction with show held December 2, 1987 - January 2, 1988. Text by Jamey Gambrell. Includes biography, selected exhibitions and public collections. Illustrated with works in exhibition. [details]
September 1988 issue of Art in America. Edited by Elizabeth C. Baker, with written contributions by Joan Simon, Eleanor Hartley, Holland Cotter, John Ash, Stephen Westfall, Brooks Adams, Ken Johnson, Paul Smith, Carl Little, Walter Thompson, Suzaan Boettger, Gerrit Henry, Lawrence Campbell, Walter Thompson, Donald B. ... [details]
Issue edited by Ingrid Sischy. Essays "Post-Performance," by Douglas Davis; "Last Exit: Painting," by Thomas Lawson; "Paul Thek: Real Misunderstanding," by Richard Flood; "Painting Metaphorically: The Recent Work of Gary Stephan, Stephen Mueller, and Bill Jensen," by Klaus Kertess; "A Project," by Sol LeWitt; "Cashing in a Wolf Ticket (Activist Art and Fort Apache: The Bronx)," by Jerry Kearns and Lucy R. ... [details]
Issue edited by Ingrid Sischy. Essays "The Gallery as a Gesture," by Brian O'Doherty; "The Radiant Child," by Rene Ricard; "A Project," by Nicholas Nixon; "Absent-Minded Female Nude on Bed," by Peter Schjeldahl; "Not Post-Modernism: History as Against Historicism, European Archetypal Vernacular in Relation to American Commercial Vernacular, and the City as Opposed to the Individual Building," by Dan Graham; "Looking at Life," by Carol Squiers; "A Conversation with Pontus Hulten About the New Los Angeles Museum of Contemporary Art. ... [details]
Issue edited by Ingrid Sischy. Essays "The Uncanny Resurrections of 'America is Waiting,'" by Scott Cook; "Yves Klein, Messenger of the Age of Space," by Thomas McEvilley; "John Waters' 'Divine Comedy,'" by Scott MacDonald; "Neither Fool, nor Naive, nor Poseur-Saint: Fragments on R. ... [details]
Issue edited by Ingrid Sischy. Essays "Solidarnos," by Lawrence Weschler; "Bop Art," by Glenn O'Brien; "Forged Image: Centerfold," by Andy Warhol; "Forged Image: Portrait of Andy Warhol," by Christopher Makos; "Issey Miyake: Sewing a Second Skin"; "Juke Joint Jazz," by Marie Cosindas; "Paradise and Lunch: Advertising's Architecture of Heaven," by Bazon Brock; "Altered States: Newspaper Photographs," by Harold Evans; "Vulgar Modernism," by J. ... [details]
Issue edited by Ingrid Sischy. Essays "Painterly Edge: A Conversation with Ralph Humphrey," by Amy Baker; "Patience, Observation, and Investigation: Learning from Audubon," by Mike Glier; "Abstract Beauty - Friend or Enemy?" by Wu Guan-zhong; "Marks: Cy Twomby," by John Bernard Myers; "Komar and Melamid from Behind the Ironical Curtain," by Jamey Gambrell; "Presenting the Unpresentable: The Sublime," by Jean-François Lyotard; "Fear of Clay," by John Perreault; "Books: Sarah Charlesworth on 'Camerca Lucida,'" by Sarah Charlesworth. ... [details]