Spring 1980 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "Spaces;" "Stephen Seemayer: Profiled and interviewed by Linda Burnham;" "Jerry Dreva: An Introduction;" "Jerry Dreva: A Letter;" "Dreva Questions Dreva;" "Artist's Chronicle," by Phil Berkman, Robin Yvonne King, John Sheridan, Julie Wallace Keller, Valerie Bechtol, Anne Mavor, Marianne Bonetti, John Duncan, Ross Muirhead, Darryl Sapien/Performance Foundation, Richard Alpert, Danny Devos, Bill Gordh, Barbara T. ... [details]
"Why Are 100 Artists' Spaces Like a Burlap Bag Full of Bobcats? Tacit" by Steven Durland, "A Report on Artspaces Ill" by Janet (McCambridge) Ventura, "Kerouac Is Alive! The Jack Kerouac Festival at Naropa" by Lewis MacAdams, "Performance Art in the San Francisco International Theater Festival" by Linda Burnham, "Fire Dancers and Fibre Optics : Belgium's Banlieue" by Mark Dery, "The Law and The Power : Illegal performance discussed by Lewis MacAdams," "Sitting on Moving Steel "by Michael Ventura, "American Splendor," by Harvey Pekar, "Somebody Being Somebody" by Diane Gage and Constance Rawlings, NEW YORK SECTION : ARTSPACES : "Franklin Furnace : Linda Burnham interviews Martha Wilson and Bill Gordh," "The Kitchen : HIGH PERFORMANCE interviews Howard Halle," "A's" by Arleen Schloss and Linda Burnham, DOCUMENTS : N. ... [details]
1981 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "Editor's Notes," by Linda Burnham; "Plimtonization," MO David; "Skit in Defense of Poetry," by Michael Andre; "Stephen Seemayer's 'Young Turks,'" review by Hunter Drohojowska; "Still Missing After All These Years? A Response to L. ... [details]
Periodical on political art. UPFRONT committee included Keith Christensen, Elizabeth Kulas, Lucy R. Lippard, and Irving Wexler. Essays: "From the Ground Up: Cultural Democracy as a National Movement," by Don Adams and Arlene Goldbard; "Artists Working with Unions: Union Made," a panel discussion featuring Tony Gillotte, Howard Saunders, Carla Katz, Fred Lonidier, Carole Condé, Karl Beveridge, and Mierle Laderman Ukeles; "This is a Political Document: A Description of the Making of a Work of Art," by Charles Frederick; "Night and Day: Womens' Encampment for a Future of Peace and Justice, Seneca Army Depot, New York, July 4 - Sept. ... [details]
A quarterly feminist publication on art and politics. Issue edited by the Main Collective: Emma Amos, Kathie Brown, Josely Carvalho, Pennelope Goodfriend, Elizabeth Hess, Avis Lang, Lucy R. Lippard, Robin Michals, Sabra Moore, and Faith Wilding. ... [details]
Periodical on political art. Edited by Keith Christensen, Lucy R. Lippard, Barney Pace, Randy Wade, and Irving Wexler. Essays "AHOP: The First Battle," by Michael Anderson; "What Are the Answers?"; "Street"; "An Image Brawl: The Politics of Street Painting," by Miriam Brofsky and Eva Cockcroft; "Cowboys and Guerrilla's," by Jerry Kearns, Lucy Lippard and Diane Neumaier; "The Street = Private Property and the Public Domain," by Julie Spriggs; "Out of the Darkroom: Cuban Photography Now," by Mel Rosenthal, Rudolf Baranik, Max Kozloff, Fred Ritchen, Eva Cockcroft, Walter Rosenblum, and Susan Meiselas; "International Poster Modernism," by Barbara Hall, Jan McKay, Poster-Film Collective; "Out of Sight, Out of Mind (I): Native American, Black and White Artists in Search of Cultural Democracy," by Jerry Kearns, Mel Edwards, Jaribu Hill, Jolene Richard, Irving Wexler, Peter Jemison, Herb Perr, Jaribu Hill, Randy Wade, Mel Edwards, Ngoma Hill, and Jolene Rickard; "Detours, Sharp Turns and Little Naggy Feelings: Turning Points in the Lives of Art Activists"; "Turning Points," by Rae Langston, Jerry Kearns, Lucy R. ... [details]
