January 1972 issue of Artforum, edited by John Coplans. Contents include: "On Albers' Color," by Margit Rowell; "A Note on Dan Flavin," by Kenneth Baker; "A Better World in Birth," by Joseph Masheck; "Chuck Ginnever," by Kenneth Baker; "Boston Painting 1880-1930," by Jerrold Lanes; "Cork: Irish Painting in the 19th Century," by John Elderfield; "New Work of Helen Frankenthaler," by Kermit S. ... [details]
September 1966 special issue of Artforum on Surrealism, edited by Philip Leider, with a cover "Surrealism Soaped and Scrubbed," designed for this issue of Artforum by Edward Ruscha. Contents include: "Surrealist Painting Re-examined," by Max Kozloff; "Dada into Surrealism," by Lucy R. ... [details]
Issue edited by Philip Leider. Essays "An Interview with Joseph Beuys," by Willoughby Sharp; "A Dan Flavin Retrospective in Ottawa," by Jack Burnham; "An Interview with Richard Van Buren," by Phyllis Tuchman; "Problems of Criticism VII: To Save Painting," by Justin Schorr; "Modern American Art at the Metropolitan Museum," by Philip Leider. ... [details]
Issue edited by Philip Leider. Essays "The Sculpture of Matisse, Part IV," by Albert Elsen; "Phillip King, Sculpture, 1960-1968; by Charles Harrison; "Canada's Arthur McKay," by Terry Fenton; "Earthworks and the New Picturesque," by Sidney Tillim; "The Micro-Paintings of Gene Davis," by Donald Wall; "Kensett at the Whitney," by Jerrold Lanes. ... [details]
Issue edited by Philip Leider. Essays "Toward Snow," by Annette Michelson; "Problems of Polychromy: Michael Bolus," by Michael Fried; "An Interview with Don Judd," by John Coplans; "Drawing in Cézanne," by John Elderfield; "Touch and Scale: Cubism, Pollock, Newman, Still," by Walter D. ... [details]
Issue edited by John Coplans. Essays "Bruce Nauman: Another Kind of Reasoning," by Robert Pincus-Witten; "An Interview with John Chamberlain," by Phyllis Tuchman; "On Chamberlain's Interview," by Barbara Rose; "The Futurist Campaign," by Max Kozloff; "Meditations Around Paul Strand," by Hollis Frampton; "Minneapolis: Burgoyne Diller," by Robert Pincus-Witten; "Richard Diebenkorn: Cloudy Skies over Ocean Park," by Jerrold Lanes; "Drawing and the True Rodin," by Albert Elsen; "Mondrian and the Issue of Relationships," by William C. ... [details]
Issue edited by Philip Leider. Essays "Cubism in Los Angeles," by Rosalind Krauss; "German Painting of the 19th Century at Yale," by Kenworth Moffett; "The Language of Pre-Abstract Art," by John Elderfield; "West Coast Blues," by Peter Plagens; "Talking to Alan Shields," by Emily Wasserman; "The Sculpture of James Reineking," by Knute Stiles; "The Tradition of Escape-From-Tradition," by M. ... [details]
Issue edited by Philip Leider. Essays "Alice's Head: Reflections on Conceptual Art," by Jack Burnham; "City vs. Country: The Rural Image in French Painting," by Robert L. Herbert; "Uses and Misuses of the Recent Past," by Gabriel Laderman; "Wittgenstein's Archictecture," by Herbert Leitner; "Richard Tuttle," by Robert Pincus-Witten. ... [details]
Issue edited by Philip Leider. Essays "Allan Hacklin, David Diao, Donald Kaufman," by Emily Wasserman; "The Sculpture of Roland Brener," by Charles Harrison; "Recent Work by Kenneth Noland," by Michael Fried; "Hans Hoffmann," by Darby Bannard; "A Variety of Realisms," by Sidney Tillim; "The Earlier Work of Ellsworth Kelly," by John Coplans. ... [details]
Issue edited by Philip Leider. Essays "Evaluations and Re-Evaluations," by Sidney Tillim; "Soutine and the Problem of Expressionism," by Hilton Kramer; "Romantic Painting in England," by Jerrold Lanes; "The Shape of the Art Environment," by Allan Kaprow; "Richard Van Buren, David Novros, Charles Ross," by Emily Wasserman; "New Paintings by Larry Poons," by Kermit Champa; "Greg Card and Mary Corse," by Fidel A. ... [details]
