![Urban Struggle : The Battle of the Cuckoo's Nest [Premiere]](/objects/images/s39389.jpg "Urban Struggle : The Battle of the Cuckoo's Nest [Premiere]")
Flyer / handbill for premiere of the documentary "Urban Struggle: The Battle of the Cuckoo's Nest," held at the Surf Theater, Huntington Beach, CA, Thursday, December 29, [1983]. Performances by Black Flag, Circle Jerks, and T. ... [details]
Fall 1983 issue of the tri-quarterly art journal U-Turn, edited by James Hugunin, Grigoris Daskalogrigorakis, and Jan Tieken. Contents include "Introduction," by James Hugunin; "In Our Path," by Jeff Gates; "Laguna Canyon Project: A Continuously Developing Photograph," by Linda Bellon; and "The Laguna Canyon Project," by Jerry Burchfield and Mark Chamberlain. [details]
Spring 1980 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "Spaces;" "Stephen Seemayer: Profiled and interviewed by Linda Burnham;" "Jerry Dreva: An Introduction;" "Jerry Dreva: A Letter;" "Dreva Questions Dreva;" "Artist's Chronicle," by Phil Berkman, Robin Yvonne King, John Sheridan, Julie Wallace Keller, Valerie Bechtol, Anne Mavor, Marianne Bonetti, John Duncan, Ross Muirhead, Darryl Sapien/Performance Foundation, Richard Alpert, Danny Devos, Bill Gordh, Barbara T. ... [details]
Summer 1980 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "WCA Conference in Louisiana," by Suzanne Lacy; "Public Arts International/Free Speech," by Stephen Forsling; "Per/for/mance, American Performance Festival in Italy: Chris Burden, Laurie Anderson, Paul McCarthy, Julia Heyward, Disband, Richard Newton;" "Artist's Chronicle: John Sheridan, Julie Wallace Keller, Valerie Bechtol, Mark Bloch, Anne Mavor, Joshua Abbey, M. ... [details]
"Why Are 100 Artists' Spaces Like a Burlap Bag Full of Bobcats? Tacit" by Steven Durland, "A Report on Artspaces Ill" by Janet (McCambridge) Ventura, "Kerouac Is Alive! The Jack Kerouac Festival at Naropa" by Lewis MacAdams, "Performance Art in the San Francisco International Theater Festival" by Linda Burnham, "Fire Dancers and Fibre Optics : Belgium's Banlieue" by Mark Dery, "The Law and The Power : Illegal performance discussed by Lewis MacAdams," "Sitting on Moving Steel "by Michael Ventura, "American Splendor," by Harvey Pekar, "Somebody Being Somebody" by Diane Gage and Constance Rawlings, NEW YORK SECTION : ARTSPACES : "Franklin Furnace : Linda Burnham interviews Martha Wilson and Bill Gordh," "The Kitchen : HIGH PERFORMANCE interviews Howard Halle," "A's" by Arleen Schloss and Linda Burnham, DOCUMENTS : N. ... [details]
Winter 1980/1981 issue of the quarterly periodical Cover, edited by Judith Aminoff. Contents include: "The Heart of the Pigeon," by Henry Korn; "Conversation," a conversation between Marcia Hafif, Olivier Mosset, Howard Smith, and Jerry Zeniuk; "Currents," artwork by Christian Poveda, Shirly Pu & R. ... [details]
Periodical about site-specific art, this issue focusing on energy. Edited by Alison Sky and Michelle Stone. Contents include: "Introductions," by James Wine; "Our Enduring Illusions," by James S. Mellett; "Energy and Civilization," by René Dubos; "Plant, Eat, and Work!," by Lewis Mumford; "Sunlight Convergence / Solar Burn," by Charles Ross; "Solar Energy and Survival," by Alan H. ... [details]
Inaugural issue of Raw Magazine. Edited by Francoise Mouly and Art Spiegelman. Contents include: "Can't It Be Done?," by Ray Gross and Winter; "Hommages Posthumes," by Alfred Jarry, illustrated by Bruno Richard; "Corpus Delecti," by Geoff Robison; "Vamp Dance," by Kaz; "Manhattan," by Jacques Tardi; "I'll Play the Blues for You," by Joost Swarte; "Jack Survives," by Jerry Moriarty; "Mutton Geoff," by Mark Newgarden; "Fifi Gaga Magazine," by Bazooka; "Centerfold: Two-Fisted Painters," by Art Spiegelman; "He Turned, Saw Me, Waved His Arm, Continued," by Patricia Caire, from a text by James Barth; "Not Dreams," by Lynne Tillman; "Dead Things," by Mark Beyer; "The Andy Griffith Show," by Josh Alan Friedman and Drew Friedman; "One Panel from The Basis of Make-Up," by Heinz Emigholz; "Drawn Over Two Weeks While on the Phone," by Art Spiegelman; "Four Supermarkets in Iowa," by David Marc, illustrated by Gary Hallgren; "Piquer, Lucas, & Fermin," by Mariscal; "Industry News and Review No. ... [details]
Exhibition catalogue published in conjunction with show held July 20 - August 31, 1969. Presented by The Afro-American Organization. Introductions by Elma Lewis, Dana Chandler, Jr., and William C. Seitz. ... [details]
Issue edited by Bice Curiger. Essays "William Forsythe: Where Balance is Lost and the Unfinished Begins," by Heidi Gilpin; "Geoff Lowe and Tower Hill," by Robyn McKenzie; "Matthew Barney's Gonadotrophic Cavalcade," by Norman Bryson; "Mannerist Variations on Matthew Barney," by Michel Onfray; "Matthew Barney and Beyond," by Keith Seward; "Matthew Barney 95: Suspension, Secretion, Secret," by Thyrza Nichols Goodeve; "She Gives as Good as She Gets," by Jerry Saltz; "Where Does It All End?," "A Conversation with Sarah Lucas," by Jan van Adrichem; "The Fine Line Between This and That," by Collier Schorr; "Bollocks," by Carl Freedman; "Roman Signer: Prometheus's Delay," by Jean-Yves Jouannais; "Roman Signer's Sculptural Events," by Konrad Bitterli; "Sculptural Laboratory Experiments," by Christoph Doswald; "Rupture or Continuity," by Pia Viewing; "Action With a Fuse: Modifying the Denotation of Detonation," by Max Wechsler; "In Sachen Roman Signer," by Colin Deland; "It's Not Just an Image," by Michael Tarantino; "Cumulus Europa," by Thomas McEvilley; "Cumulus from America," by Neville Wakefield; "Garderobe," by unattributed artists. ... [details]
