Exhibition catalogue published in conjunction with show held by The Marie Walsh Sharpe Art Foundation at Ace Gallery in New York, May 17 to June 1, 2002. Artists in the catalogue include Foundation, Jennifer Adams, Alice Albert, Bill Davenport, Rafael Fuchs, David Greenstein, Katia Gushue, Michiko Itatani, Pamela Keech, Paul Laffoley, Lim Choong Sup, Kathryn Myers, Jill O'Bryan, Blake Stimson, Terry Ray Thompson, Rosa Valado, Rhonda Zwillinger, Xenobia Bailey, Tom Burckhardt, Susanna Coffey, Peter Dudek, Garth Evans, Christopher Giglio, Edward M. ... [details]
Exhibition catalogue published in conjunction with show held May 15 - July 31, 2005. Text by Anthony Huberman. Artists include Frank Benson, Nicole Cherubini, Andrea Cohen, Charlie Foos, Luis Gispert, Guyton\Walker, Dave Hardy, Rachel Harrison, Leslie Hewitt, Klara Hobza, Jessica Jackson Hutchins, Nancy Hwang, Gareth James, Vincent Mazeau, Corey McCorkle, Robert Melee, Navin June Norling, Ester Partegás, Seth Price, Matthew Ronay, Bryan Savitz, SOL'SAX, Jean Shin, Gedi Sibony, Lisa Segal, Roberto Visani, Phoebe Washburn, and Fritz Welch. ... [details]
Artists' book created in an edition of 200, on October 24th, 1987, whose proceeds went to groups that assist people with AIDS. Organized by Geoffrey Hendricks after the death of Brian Buczak. Contributors include Andrea Evans, Brad Melamed, Simone Forti, Eric Andersen, John Goodyear, George Brecht, Takako Saito, Ted Victoria, Detlev Hartmann, Yansunao Tone, Joe Jones, Peter Downsbrough, Toby MacLennan, Nancy Spero, Louise Bourgeois, Bob Watts, Doug Kenney, Ray Johnson, Taylor Mead, Lawrence Weiner, Leon Golub, William K. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]