Summer 2000 issue of the biannual publication "Purple." Edited by Elein Fleiss and Olivier Zahm. Contents include: "Gaspard Yurkievich," Chikashi Suzuki; "Dorothee Perret," by Frederike Helwig; "Susan Cianciolo," by Marcelo Krasilcic; "Fredie Stevens," by Bianca Pilet; "Van Ommeslaeghe," by Camille Vivier; "Bernhard Willhelm," by Kenshu Shintsubo; "Comme des Garçons," by Torbjorn Rodland; "Summer '00," by Mark Borthwick and Chloe Sevigny; "Jurgi Persoons," by Cris Moor; "helmut Lang," by Lodge Kerrigan; "Miu Miu," by Masafumi Sanaï; "Yab Yum," by Chikashi Suzuki; "Yohji Yamamoto," by Jork Weismann; "Bless," by Katja Rahlwes; "Raf Simons," by Armin Linke; "Bob Richardson," by Terry Richardson; "Suits & Coats," by Anders Edström; "J'Adore," by Wolfgang Tillmans; "Maru Alonso," by Sergio Guillen; "Lightning," by Maria Finn; "Patterns," by Blommers & Scchumm; "Nuit Noire," by Alex Antitch; "Pierre Vadi," by Sylvia Alberton; "Barry Le La," by Lewis Baltz; "Sture Johannesson," by Lars Bang Larsen; "Le Chevallier," by Olivier Bardin; "Isamu Noguchi," by Dike Blair; "Fabrice Gygi," by Lionel Bovier; "Diego Gutierrez," by Jen Budney; "Lisa Beck," by Jimi Dams; "Franz Ackermann," by Joshua Decter; "Gerard Fromanger," by Gilles Deleuze; "Alain Declercq," by Anaïd Demir; "Jenny Gage," by Edith Doove; "Uri Tzaig," by Theresa Duncan; "Arturo Herrera," by Nicolas Frank; "Miwa Yanagi," by D. ... [details]
October 1984 special "Art Special" issue of East Village Eye. Edited by Leonard Abrams. Contents include: "Sue Coe," an interview with Sylvia Falcon; "Political Art at ABC NO RIO," by Paul Smith; "The East Village in History," by Michael Kohn; "Martin Wong," interviewed by Yasmin Ramirez-Harwood; "Alice Albert," by Jack Bankowsky; "Steven Parrino," by Collins & Milazzo; "Gallery Listings," edited by Philippo; "Centerfold: 'Untitled,'" by Keiko Bonk; "Graffiti Books," by Yasmin Ramirez-Harwood; "Out in the East Village," by Robin Graubard, Walter Robinson, and others; "Heat Street: Homesteaders or Squatters," by Spencer Rumsey and Jeff Gottesfeld; "Permanent Vocation: An Interview with Director Jim Jarmusch," by Tessa Hughes-Freeland; "Performance: Speak My Language," Bill T. ... [details]
![Journal [LAICA Journal]](/objects/images/s20308.jpg "Journal [LAICA Journal]")
Fall 1982 issue of Journal, edited by Michael Delgado. Contents include: "On Pictures and Meaning," by John Brumfield; "On Number Time and Emotion," by John Whitney; "Defining the Avant-Garge," by Richard Hertz; "Art with a Capital "A" and Television Executives," by Michael Delgado; "The Art Economist," by Ken Friedman; "Bauhaus Brochure," by unattributed artists; "The Open Road of Risk: George Herms, Wallace Berman, the Beats, and West Coast Visionary Poetics," by Robert L. ... [details]
![Journal [LAICA Journal]](/objects/images/s39793.jpg "Journal [LAICA Journal]")
October/November 1978 issue of the periodical "Journal." Edited by Debra S. Burchett and Bridget Reak-Johnson. Contents include: "Re the Production of Work in the Age of Mechanical Art," by Jim Pomeroy; "A Proposal," by Kristine Stiles; "Fetish to Physics," by Melinda Wortz; "History / Art," by Christopher Knight; "Paragraphs," by Sanda Agalidi; "Notes for "Progress, Not Adventure," " by Al Ruppersberg; "Isolated Imagery: Joe Goode," by Michele De Angeles; "A Conversation with Vija Celmins," by Susan Larsen; "Chandlerism," by Alexis Smith; "Untitled," by Elyn Zimmerman; "The Hydrogen Jukebox: Terror, Narcissism and Art," by Peter Schjeldahl; "Music," by Pauline Oliveros, Bob White; "Painting," by Richard Armstrong, Howard Singerman; "Photography," by Irene Borger, Robert MacDonald, James Hugunin; "Ephemera," by Ulisses Carrion; "Scoops," by Debra S. ... [details]
1979 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "Chris Burden: 'The Curse of Big Job,' 'Interviewed by Jim Moisan,' 'Coals to Newcastle;'" "Gina Pane," interviewed by Barbara T. ... [details]
Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. ... [details]
Exhibition catalogue published in conjunction with show held at the New Museum of Contemporary Art, New York, February 16 - April 17, 1980. Traveled to the Contemporary Arts Museum, Houston, May 16 - June 29, 1980; the University of Colorado Museum, Boulder, September 12 - October 16, 1980; the Albright-Knox Art Gallery, Buffalo, January 16 - March 1, 1981; and the Renaissance Society at the University of Chicago, Chicago, March 15 - April 19, 1981. ... [details]
Periodical about site-specific art, this issue focusing on energy. Edited by Alison Sky and Michelle Stone. Contents include: "Introductions," by James Wine; "Our Enduring Illusions," by James S. Mellett; "Energy and Civilization," by René Dubos; "Plant, Eat, and Work!," by Lewis Mumford; "Sunlight Convergence / Solar Burn," by Charles Ross; "Solar Energy and Survival," by Alan H. ... [details]
Exhibition catalogue published in conjunction with show held August 10 - September 7, 1991. Curated and with an essay by Ralph Rugoff. Artists include Alan Belcher, Dennis Cooper, Jim Isermann, John Coplans, Jessica Diamond, Jeanne Dunning, Rotimi Fani-Kayode, Bob Flanagan, Sheree Rose, Lyle Ashton Harris, Richard Hawkins, Mike Kelley, Mark Kroening, Cary Liebowitz, Paul McCarthy, Raymond Pettibon, Jack Pierson, Johnny Pixchure, Aura Rosenberg, Jim Shaw, Cindy Sherman, Laurie Simmons, Tom of Finland, Jeffrey Vallance, Anne Walsh, and Sue Williams. ... [details]
Exhibition catalogue published in conjunction with show held at Institute of Contemporary Art, University of Pennsylvania, January 17 - February 28, 1975. Traveled to The Contemporary Arts Center, Cincinnati, OH, March 22 - May 30, 1975 ; Museum of Contemporary Art, Chicago, IL, June 28 - August 31, 1975 ; and the Wadsworth Atheneum, Hartford, CT, September 17 - November 2, 1975. ... [details]
