Issue edited by John Wilcock. Cover art by Pamela Colman Smith. Essays "The Great American Movie : Even Larger than Life," by Renfreu Neff; "International Dope Conspiracy : Some CIA Strongholds," by Neil Phillips; "Tom Weasel : Buying a Nickel Bag," by Kitchen Comics; "Drugs in Hong Kong : Where it Comes from, How it Leaves," by Michael G.
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"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format.
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