September/October 1983 issue of Journal. Edited by Cindy Berry. Contents include:"Guy de Cointet, In Memorium," by unattributed artists; "History Repeats Itself, Part II," by unattributed artists; "Why I Go to the Movies Alone," by Richard Prince; "Representational Drawing Today," Phyllis Plous; "After the Revolution, Cuba in Photographs," by Emily Hicks; "Big Folks," by Suzanne Muchnic; "Is It Curtains for the T. ... [details]
Fall 1987 issue of Journal. "This issue of JOURNAL is a collaborative effort between thirteen contributing editors representing ten cities of nations in the United States and Western Europe. The works appearing in this issue were chosen by the contributing editors. ... [details]
Periodical about site-specific art, this issue focusing on energy. Edited by Alison Sky and Michelle Stone. Contents include: "Introductions," by James Wine; "Our Enduring Illusions," by James S. Mellett; "Energy and Civilization," by René Dubos; "Plant, Eat, and Work!," by Lewis Mumford; "Sunlight Convergence / Solar Burn," by Charles Ross; "Solar Energy and Survival," by Alan H. ... [details]
Large-scale exhibition catalogue published in conjunction with show "The Love of Art Comes First: Art & Project at the Kröller-Müller Museum," held at Kröller-Müller Museum, Netherlands, September 30, 2023 - February 25, 2024. ... [details]
April 1971 issue of Studio International edited by Peter Townsend. Contents include: "The artist's reserved rights transfer and sale agreement / the background," by Seth Siegelaub; "Arnolfini Gallery; 10 years in Bristol," by Jeremy Rees; "Correspondence;" "News and Notes;" "Bochner and photography," by Jonathan Benthall; "Art in Revolution," by Peter Wollen; "The development of the theory of Socialist Realism in Russia; 1917 to 1932," by Andrew Higgens; "Berlin Dada," by John Elderfield and Raoul Hausmann; "Coloured food," by Peter Kuttner; "Events," by Antoni Miralda and Dorothée Selz; "The House of the Vienna Secession movement," by Peter Hautmann and Klara Hautmann; "The shape's the thing; paintings by John Walker," by Dore Ashton; "Standpoints," by Daniel Buren; "An introduction to 'Art and Technology,'" by Maurice Tuchman; "The artist's reserved rights transfer and sale agreement;" and "Inno 70," by John Latham. [details]
May 1988 issue of Artforum, edited by Ida Panicelli. Contents include: "Ground Up," Herbert Muschamp on Architecture; "Special Effects," Carol Squiers on the News and It's Pictures; "Marginalia," Thomas McEvilley on Son of Sublime; "Believe it or Not," J. ... [details]
Inaugural issue of Boxcar: A Magazine of the Arts, edited by Paul Vangelisti. Contributors include : Gretchen Lanes, Keisho Okayama, Roger Herman, Charles Garabedian, Llyn Foulkes, Richard Diebenkorn, Peter Liashkov, Tony Berlant, John Lees, Robert Kelly, John Thomas, Michael Palmer, Lyn Hejinian, Paul Vangelisti, Ron Silliman, Holly Prado, Bruce Fier, Paul Forte, Robert Crosson, Charles Bernstein, Clark Coolidge, John Yau, Jed Rasula, Dennis Phillips, Marina La Palma, Barbara Einzig, Martha Lifson, Peter Levitt, Robert Trammell, David Searcy, George Herms, Jeffrey Vallance, Michael C. ... [details]
Issue no. 3 of X-X-X-Fruit, the Diaries issue. Introduction by Anne-Christine d'Adesky. Artists include Nan Goldin, Robert Mapplethorpe, Ann Rower, Dodie Bellamy, George Jochnowitz, Bob Flanagan, Glenn Belverio, Chris Kraus, Linda Yablonsky, Kathe Izzo, CB Sundance, Anabel Watson, Mary Jane Sullivan, Rhoda & Mark Berenson, Jeff McMahon, Gregg Bordowitz, Klaus Kertess, Billy Sullivan, Eric Hanson, Stephen Barker, David Armstrong, Stephen Andrews, Corey A. ... [details]
Exhibition catalogue published in conjunction with show held June 3 - July 28, 2007. Edited by Alex Waterman. Contributors include: Alex Waterman, Robert Ashley, J.S. Bach, Anner Bylsma, Bruce Andrews, John Law, Charles Curtis, Eliane Radigue, Christian Wolff, The Brothers Grimm, Herbert Read, Frances Stark, James Saunder, Cornelius Cardew, Ludwig Wittgenstein, Will Holder, Alvin Lucier, and Chris Mann. ... [details]
Book of critical texts edited by Daniel McClean and Karsten Schubert. "For artists, images are indeed 'dear' in both senses of the word: they are cherished, and also valuable. This indispensable compendium from the superb British publisher collects essays by international experts on many vital issues related to the ownership of art – who does it belong to, who can use it, what value does it have. ... [details]