Exhibition catalogue published in conjunction with show "The Museum as Site : Sixteen Projects," the second exhibtion in the two-part exhibition "Art in Los Angeles," held July 21 - October 4, 1981. Curated by Stephanie Barron. ... [details]
Exhibition catalogue published in conjunction with show held in dual venues : "The Eighties" at MIT List Visual Arts Center, Cambridge, MA, December 19, 1987 - February 7, 1988 and "Pioneers" at Bank of Boston Gallery, Boston, MA, November 23, 1987 - January 15, 1988. ... [details]
Exhibition catalogue published in conjunction with show held August 10 - September 7, 1991. Curated and with an essay by Ralph Rugoff. Artists include Alan Belcher, Dennis Cooper, Jim Isermann, John Coplans, Jessica Diamond, Jeanne Dunning, Rotimi Fani-Kayode, Bob Flanagan, Sheree Rose, Lyle Ashton Harris, Richard Hawkins, Mike Kelley, Mark Kroening, Cary Liebowitz, Paul McCarthy, Raymond Pettibon, Jack Pierson, Johnny Pixchure, Aura Rosenberg, Jim Shaw, Cindy Sherman, Laurie Simmons, Tom of Finland, Jeffrey Vallance, Anne Walsh, and Sue Williams. ... [details]
Exhibition catalogue and documentation of preparation for exhibition held in 1971. Large-scale book documenting the thrills and chills of when artists and scientists [or corporations] joined together by the Los Angeles County Museum of Art attempted to produce collaborative works. ... [details]
Large-scale examination of the conceptual art network in its years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]
April 1971 issue of Studio International edited by Peter Townsend. Contents include: "The artist's reserved rights transfer and sale agreement / the background," by Seth Siegelaub; "Arnolfini Gallery; 10 years in Bristol," by Jeremy Rees; "Correspondence;" "News and Notes;" "Bochner and photography," by Jonathan Benthall; "Art in Revolution," by Peter Wollen; "The development of the theory of Socialist Realism in Russia; 1917 to 1932," by Andrew Higgens; "Berlin Dada," by John Elderfield and Raoul Hausmann; "Coloured food," by Peter Kuttner; "Events," by Antoni Miralda and Dorothée Selz; "The House of the Vienna Secession movement," by Peter Hautmann and Klara Hautmann; "The shape's the thing; paintings by John Walker," by Dore Ashton; "Standpoints," by Daniel Buren; "An introduction to 'Art and Technology,'" by Maurice Tuchman; "The artist's reserved rights transfer and sale agreement;" and "Inno 70," by John Latham. [details]
Exhibition catalogue published in conjunction with show held June 2 - July 2, 1988. Texts include "Notes" by Valerie Smith; "Michael Asher and James Coleman at Artists Space" by Anne Rorimer; "Michael Asher: The Wall as Object, The Gallery as Framework," by John Vinci and "On Seeing for Oneself: A Perspective," by Jean Fisher. ... [details]
Folded exhibition announcement poster / invitation to the exhibition preview published in conjunction with show held at Newport Harbor Art Museum, Balboa Pavilion, Balboa, CA, May 11 - June 28, 1969. Artists include Michael Asher, John Baldessari, Ron Cooper, Doug Edge, Barry Le Va, Tim Rudnick, and Allen Ruppersberg. ... [details]
Large-scale exhibition announcement / brochure published in conjunction with show held May 11 - July 4, 1971. Text by associate curator Jane Livingstone and senior curator Maurice Tuchman. Artists include John Alberty, Michael Asher, James Bradley, Vija Celmins, Ron Cooper, Mary Corse, Robert Cumming, David Deutsch, Guy Dill, Laddie John Dill, Frederick John Eversley, Jack Goldstein, Scott Grieger, Patrick Hogan, Richard Jackson, Peter Lodato, Alan McCollum, Barbara Munger, Peter Plagens, Joe Ray, Allen Ruppersberg, Wolfgang Stoerchle, John White, and William Wegman. ... [details]
Issue edited by Bice Curiger. Essays "Moveable Structure / House In An Open Place," by Theodora Vischer and Maria Nordmann; "Pierre Klossowski," by Claude Ritschard; "Rereading A Fugitive Essay," by Howard Singerman; "The Theater Of The Mind," by Thomas Lawson; "Dialogues, Teachings," by Patrick Frey; "Baldessari's Timing," by James Lewis; "John Baldessari's True Colors," by Dave Hickey; "Excerpt From 'Maya. ... [details]
