Issue no. 57 of the periodical "art / text," edited by Paul Foss. Contents include: "Passionate Descriptings," by Barbara Stafford; "Tune In, Take Off," by John C. Welchman; "Ronnie Van Hout / Overimpressed," by Robert Leonard; "Helga Groves / Before the Rain," by Juliana Engberg; "Sharon Ellis / Cosmopolitan Nights," by Sue Spaid; "Doug Ischar / Smoking Guns," by Catherine Lord; "Jennifer Bornstein," by Russell Ferguson; "Gary Simmons / Disappearing Acts," by Nancy Princenthal; "Ellsworth Kelly / How to be Tangential," by Jeremy Gilbert-Rolfe; "Jim Isermann / Best of Both Worlds," by David Pagel; "Roy Villevoye / Relative to the Moment," by Frank-Alexander Hettig; "Carolee Schneemann," by Barry Schwabsky; and "Index. ... [details]
April 1989 issue of Artforum, edited by Ida Panicelli. Contents include: "Remote Control: Barbara Kruger on Television" by Barbara Kruger; "The Cave: Michele Wallace on Invisibility Blues" by Michele Wallace; "Environment: Vilem Flusser on Future Architecture" by Vilem Flusser; "Expertease: Silvia Kolbowski on Knowledge and Power" by Silvia Kolbowski; "Like Art: Glenn O'Brien on Advertising," by Glenn O'brien; "Books: Alice Yaeger Kaplan on 'Nuclear Fear,'" by Alice Yaeger Kaplan; "Signs of Light: Walker Evans' American Photographs," by Max Kozloff; "Subjectivity in Time: Kasimir Malevich," by Rainer Crone and David Moos; "Protection: A Project for Artforum," by Christian Boltanski and Annette Messager; "The Erography of Cy Twombly," by Demosthenes Davvetas; "We ? New Jersey," by Komar & Melamid; "The Passageway: A Project for Artforum," by Wolgang Laib; "Words around Warhol," by Jack Bankowsky; "Space around Warhol," by Herbert Muschamp; "The Phoenix of the Self," by John Yau; "Turning Japenese (In)," by John Welchman; "Ambitious: A project for Artforum," by Janet Zweig. ... [details]
May 1988 issue of Artforum, edited by Ida Panicelli. Contents include: "Ground Up," Herbert Muschamp on Architecture; "Special Effects," Carol Squiers on the News and It's Pictures; "Marginalia," Thomas McEvilley on Son of Sublime; "Believe it or Not," J. ... [details]
Zine published in conjunction with exhibition held in Paris which presented work from the JRP|Ringier publishing program. Artists and writers who had collaborated with JRP|Ringier in the past were invited by Gilles [Gavillet] and Ari Marcopolous to submit work on a 20. ... [details]
Compendium of essays and criticism by Mike Kelley, compiled and with an introduction by John C. Welchman. The first book in what was intended to be a three volume series. Includes an index. [details]
Exhibition catalogue published in conjunction with show held at the Tate Modern, London, October 13, 2009 – January 10, 2010. Traveled to Museu d'Art Contemporani de Barcelona, February 5 - April 25, 2010; the Los Angeles County Museum of Art, June 20 - September 12, 2010; and to the Metropolitan Museum of Art, New York, October 17, 2010 - January 9, 2011. ... [details]
Exhibition catalogue published in conjunction with show held at the New Museum, New York, October 7, 2015 - January 10, 2016. Curated by Gary Carrion-Murayari and Massimiliano Gioni with Margot Norton. ... [details]
Monograph of work by Mike Kelley. Essays by Isabelle Graw, John C. Welchman, Anthony Vidler, Georges Bataille and Charles Fort. Includes chronology of selected exhibitions, projects, articles, interviews and a bibliography. [details]
"This publication reunites Mike Kelley's major interviews with artists and cultural figures such as AA Bronson, Larry Clark, Kim Gordon, Thurston Moore, Jutta Koether, Harmony Korine, Tony Oursler, Richard Prince, Jim Shaw, Michael Smith, Jeffrey Sconce, and John Waters, outlining, in the same manner as his critical essays, an artistic genealogy that draws its references from American popular culture, scientific and historical research, and the inhibitions of Western society. ... [details]
Exhibition catalogue published in conjunction with show held March 1 – July 19, 2009. Edited by Martin Hentschel. Text by John C. Welchman. "Commissioned to produce an installation for Mies van der Rohe's Museum Haus Lange, John Baldessari decided to 'rub the building up the wrong way' with humorous interventions. ... [details]
