Issue number two of the periodical Shift. Edited by Kathy Brew and Jody Zellen. Contents include: "Shadow and Reflections: A Look at the Life and Work of Christian Boltanski," by Deborah Wise; "A Once and Future Museum: Some Thoughts on the San Francisco Museum of Modern Art," by James Irwin; "Conversations:" John McCarron with Ross Bleckner, Bob Dix with David Bates, Wally Goodman with Salomé, John McCarron with Gary Indiana, Anne Walker with Joel-Peter Witkin; "Reviews," by Mark Durant, Mark Levy, Jody Zellen, and Kathy Brew; "Special Project: Ten Pages of super-juxtaposed phraseology (in a visual sense) without punctuation, conjugation or syntax, but, however, with inflection," by John deFazio and Gary Panter; and "Calendar. ... [details]
![Journal [LAICA Journal]](/objects/images/s39815.jpg "Journal [LAICA Journal]")
September/October 1983 issue of Journal. Edited by Cindy Berry. Contents include:"Guy de Cointet, In Memorium," by unattributed artists; "History Repeats Itself, Part II," by unattributed artists; "Why I Go to the Movies Alone," by Richard Prince; "Representational Drawing Today," Phyllis Plous; "After the Revolution, Cuba in Photographs," by Emily Hicks; "Big Folks," by Suzanne Muchnic; "Is It Curtains for the T. ... [details]
Periodical about site-specific art, this issue focusing on energy. Edited by Alison Sky and Michelle Stone. Contents include: "Introductions," by James Wine; "Our Enduring Illusions," by James S. Mellett; "Energy and Civilization," by René Dubos; "Plant, Eat, and Work!," by Lewis Mumford; "Sunlight Convergence / Solar Burn," by Charles Ross; "Solar Energy and Survival," by Alan H. ... [details]
Exhibition catalogue published in conjunction with show held May 8 - June 12, 1968. Show organized by Linda Nochlin, and Mary Delahoyd. Artists include Lennart Anderson, Richard Artschwager, William Bailey, Jack Beal, Robert Bechtle, John Button, Larry Day, Richard Estes, Jane Freilicher, Paul Georges, Sidney Goodman, Yvonne Jacquette, Alex Katz, Gabriel Laderman, Alfred Leslie, Sylvia Mangold, D. ... [details]
"Special Issue : Brand New York," of The Literary Review published in 1982 and edited by Gillian Greenwood. Contents include: "Editorial," by Lisa Appignanesi; "Between Two New Yorks," by Melvyn Bragg; "Manhattan Letter," by Elizabeth Hardwick; "New York Art: Seven Types of Ambiguity," by Hal Foster; "Urban Kisses," by John Ahearn, Mike Glier, Ken Goodman, Keith Haring, Robert Longo, Judy Rifka, Cindy Sherman; "On Being Scene: New York Fashions Its Steyle," by Michael Sorkin; "Philip Johnson's Post-Modernist Venture;" "Reflecting on Post-Modernism," an interview with Rosalind Krauss; "New York: Heroic City," by Rosetta Brooks; "A Hunger for Imagery," an interview with Brooke Alexander; "Graffiti in Well-Lit Rooms," by Suzi Gablik, includes artists statements and brief introductions to artists including Keith Haring, Jean Michel Basquiat, Wasp, Tim Rollins, Futura 2000, and Fab 5 Fred; "Laurie Anderson: Big Science and Little Men," by Stuart Morgan; "Crossing Over: The Streets, Clubs and Art," by Edit deAk; "New York Performs;" "From Dreamgirls to Satyagraha," an interview with Michael Feingold; "On My Efforts," by Richard Foreman; "Beyond the Theatrical Avant-Garde," by Richard Schechner; "Nuclear Theatre," by Bonnie Marranca; "Serialism, Spontaneity and Sass," by Robert Christgau; "Tailored for Television: The World of New York Video," by Arlene Zeichner; "Mean Streets, Dream Structures: New York Film," by J. ... [details]
Anthology of texts on Pop Art by Lucy Lippard, with contributions by Lawrence Alloway, Nicolas Calas, and Nancy Marmer, first published in 1966. Artists featured in the texts include William Copley, Stuart Dais, Marcel Duchamp, Japser Johns, Wally Hedrick, Billy Apple, Peter Blake, Derek Boshier, Rudolph Burckhardt, Patrick Caulfield, Fernand Léger, Gerald Murphy, Claes Oldenburg, Robert Rauschenberg, Kurt Schwitters, John Wesley, H. ... [details]
Staple bound program published in conjunction with a night of performances of one act plays held December 28, 1959. Plays included "Love's labor, an eclogue," written by Frank O'Hara, directed by James Waring, music by John Herbert McDowell, set by Norman Bluhm, lighting by Nicola Cernevich, costume supervision by Remy Charlip, and assistant director Diane di Prima; "A Theory of Comedy," written by Paul Goodman, directed and designed by Lawrence Kornfeld, dances by Timothy LaFarge, Lighting by Jerome Raphel, Piano by Glenn Lewis; and "Bertha," written by Kenneth Koch, directed by Nicola Cernovich, music by Virgil Thomson, costumes and setting by Remy Charlip. [details]
Poster / announcement published in conjunction with show held May 2 - 21, 1958. Essay by Dorothy G. Voss. Artists included Paul Georges, Boris Lurie, William Gambini, Tom Young, Lester Johnson, Augustus Goertz, Sam Goodman, Rocco Armento, Alice Baber, Budd Hopkins, Ray Spillenger, Felix Pasilis and Matsumi Kanemitsu. [details]
Hubert Damisch's work of critical theory "The Origin of Perspective," translated from the French by John Goodman. "In part a response to Panofsky's 'Perspective as Symbolic Form,' 'The Origin of Perspective' is much more. ... [details]
Program for series of performances staged at the Judson Memorial Church on May 22, 23, 24, 26, 27, 28 and June 3, 4, 5, 1966. Program included "Patter for Soft-Shoe Dance" by George Dennision with music by Al Carmines and choreography by Remy Charlip; "March" choreographed and danced by Jame Waring; The Mind is a Muscle" by Yvonne Rainer; "Tambourine Dance" by Waring; "Home Movies" by Rosalyn Drexler with music by Carmines and directed by Lawrence Kornfeld and paintings by Jon Hendricks; "Promenade" by Maria Irene Fornes with music by Barmines and directed by Kornfeld; "Morning Raga with Yellow Chair" choreographed and danced by Arlene Rothlein; "April and December" choreographed by Charlip and danced by Aileen Passloff; "What Happened" by Gertrude Stein with music by Carmines, directed by Kornfled and performed by Joan Baker, Lucinda Childs, Passloff, Rainer, Rothlein, Carmines, Hunt Cole, Masato Kawasaki and Burton Supree with set by Geoffrey Hendricks; "Pomegranada" by H. ... [details]
