April 1971 issue of Studio International edited by Peter Townsend. Contents include: "The artist's reserved rights transfer and sale agreement / the background," by Seth Siegelaub; "Arnolfini Gallery; 10 years in Bristol," by Jeremy Rees; "Correspondence;" "News and Notes;" "Bochner and photography," by Jonathan Benthall; "Art in Revolution," by Peter Wollen; "The development of the theory of Socialist Realism in Russia; 1917 to 1932," by Andrew Higgens; "Berlin Dada," by John Elderfield and Raoul Hausmann; "Coloured food," by Peter Kuttner; "Events," by Antoni Miralda and Dorothée Selz; "The House of the Vienna Secession movement," by Peter Hautmann and Klara Hautmann; "The shape's the thing; paintings by John Walker," by Dore Ashton; "Standpoints," by Daniel Buren; "An introduction to 'Art and Technology,'" by Maurice Tuchman; "The artist's reserved rights transfer and sale agreement;" and "Inno 70," by John Latham. [details]
This issue of Studio International contains a 48-page "exhibition" organized by Seth Siegelaub: "The content of the 48-page exhibition in this issue was organized by requesting six critics to each edit an 8-page section of the magazine, and in turn, to make available their section to the artist(s) that interest them. ... [details]
Exhibition catalogue published in conjunction with show held [June 6 - 24], 1960. Foreword by Martha Jackson. Texts "Junk Culture as Tradition" by Lawrence Alloway, and "Some Observations on Contemporary Art" by Allan Kaprow. ... [details]
Exhibition catalogue published in conjunction with show held July 2 - September 20, 1970. Curated, edited and with a brief text by Kynaston L. McShine. Dealers tend to claim that "first edition" copies of catalogue have one or more green foredges on one side of page-edges, stating thus there was a "second printing" with unprinted page-edges. ... [details]
Hardback variant of Studio International, Vol. 180, No. 924 (July / August 1970) containing only the conceptual catalogue for an exhibition that took place within the pages of the issue organized, and with an introduction by, Seth Siegelaub. ... [details]
Issue number 6 of the periodical Neue Bildende Kunst, published in 1995. Contents include "Editorial;" "In Bewegung," by András Zwickl; "Zsigmond Károly, György Jovánovics, Imre Bukta, Csaba Nemes, Róza El-Hassan;" "Berlin-Moskau/Moskau-Berlin," by Hiltrud Ebert; "Erhard Monden," by Eugen Blume; "Jana Milev," by Bernd Rosner; "Wolfram Adalbert Scheffler," Künstlerseiten; "Jürgen Schön," by Ralph Lindner; "Maria Eichhorn," by Annelie Lütgens; "Paul Thek," by Friedrich Meschede; "Hadrian Pigott," by Michael Freitag; "John Latham," by Hans-Ulrich Obrist; "Cy Twombly," by Peter Herbstreuth; "Verdorrt die ostdeutsche Museumslandschaft?," by Anke Petermann; "Wovon lebt der Künsterler?," by Olaf Zimmermann; "Der Österreich-Schwerpunkt auf der Frankfurter Buchmesse," by Verena Kuni; "Subrealismus: Eine neue Kunstgattung aus dem Osten," by Viola Michely; "Open House 1995 in Marfa," by Sabine Russ; "Herbstsaison in New York," by Paul Dickerson/Bettina Munk; "Sehnsucht nach dem Paradies," by Peter Nesweda, Sandra Crawford; "Jana Sterbak in Saint-Etienne," by Anna Mohal; "Grenzenlos - Polnische Kunst in Berlin," by Andreas Quappe; "Fragen an die Malerei in der Galerie Wohnmaschine, Berlin," by Nikola Henze; "Martin Rosz im 'Museum," by Karin Bettina Müller; "Clownpower im Haus der Kunst, München," by Michael Glasmeier; "James Lee Byars in Bremen," by Katrin Wittneven; "Pina/Via Lewandowsky: Die Krise als Material in Leipzig," by Meinhard Michael; "Eine Sculptur von Magdalena Jetelová," by Pavel Liska; "Kunst und Gedächtnis: Sarkis in der Bundeskunsthalle," by Thomas Fechner-Smarsly; "Beate Terfloth," by Peter Herbstreuth; "Geschichte en détail. ... [details]
Exhibition catalogue published in conjunction with show held January 13 - February 8, 1970. This is an expanded, somewhat different version of the Seattle exhibition and catalogue "557,087" which had been organized by Lucy R. ... [details]
Exhibition catalogue published in conjunction with show held July 2 - September 20, 1970. Curated, edited and with a brief text by Kynaston L. McShine. Dealers tend to claim that "first edition" copies of catalogue have one or more green foredges on one side of page-edges, stating thus there was a "second printing" with unprinted page-edges. ... [details]
Critical theory essay on pop art by Rosalind Constable, dated October 29, 1962. The essay discusses the turning away from abstract expressionism toward pop art, or "The New Realism," illustrated with images of the work of British pop artists Peter Phillips, John Latham, Patrick Hughes, Richard Hamilton, Derek Boshier, R. ... [details]
Double sided card / announcement published in conjunction with Prospect 71 which opened in October of 1971. Artists included: Konrad Fischer, Jürgen Harten, Hans Strelow, Vito Acconci, Bas Jan Ader, John Baldessari, Robert Barry, Bernhard and Hilla Becher, Ben, Joseph Beuys, Claus Böhmler, Christian Boltanski, Ian Breakwell, KP Brehmer, Stig Broegger, Marcel Broodthaers, Stanley Brouwn, Victor Burgin, John Chamberlain, Chuck Close, Roger Cutforth, Hanne Darboven, Walter de Maria, Jan Dibbets, Gino De Dominicis, Ger van Elk, Barry Flanagan, Terry Fox, Hollis Frampton, Howard Fried, Hamish Fulton, Gilbert & George, Dan Graham, Nancy Stevenson Graves, Hans Haacke, David Hall, Richard Hamilton, Michael Heizer, John Hilliard, K H Hödicke, Robert Huot, Lee Jaffee, Wolf Knoebel, Ferdinand Kriwet, David Lamelas, John Latham, Barry Le Va, Les Levine, Bruce McLean, Mario Merz, Tony Morgan, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, A. ... [details]
