Exhibition catalogue published in conjunction with show held at Institute of Contemporary Art, University of Pennsylvania, January 17 - February 28, 1975. Traveled to The Contemporary Arts Center, Cincinnati, OH, March 22 - May 30, 1975 ; Museum of Contemporary Art, Chicago, IL, June 28 - August 31, 1975 ; and the Wadsworth Atheneum, Hartford, CT, September 17 - November 2, 1975. ... [details]
Catalog of available works from Video Data Bank. Introduction by executive director Kate Horsfield. Artists include Vito Acconci, Nancy Angelo, Candace Compton, Ant Farm, Eleanor Antin, John Baldessari, Lynda Benglis, Dara Birnbaum, Simone Forti, Hermine Freed, Frank Gillette, Nancy Holt, Taka Iimura, Joan Jonas, Paul and Marlene Kos, Shigeko Kubota, Suzanne Lacy, Richard Landry, Andy Mann, Susan Mogul, Linda Montano, Robert Morris, Antonio Muntadas, Bruce Nauman, Martha Rosler, Dan Sandin, Norie Sato, Ilene Segalove, Richard Serra, Bob Snyder, Keith Sonnier, Steina Vasulka, Woody Vasulka, William Wegman and Lawrence Weiner. ... [details]
Exhibition catalogue published in conjunction with show held in 1987 at Stedelijk Museum, Amsterdam, September 4 - October 18, 1987. Traveled to Museum of Contemporary, Los Angeles, CA, October 6 - November 15, 1987 ; Institute of Contemporary Art, Boston, MA, September 17 - November 1, 1987 ; Kölnischer Kunstverein, Köln, Germany, October 29 - November 22, 1987 ; Kunsthaus, Zürich, Switzerland, November 1987 ; Centro Videoarte, Palazzo die Diamanti, Ferrara, December 1 - December 20, 1987 ; Centro de Arte Reina Sofía, Madrid, January - February 1988 ; Museum Moderner Kunst, Vienna, March - April 1988 ; San Francisco Museum of Modern Art, San Francisco, Spring 1988 ; Museum voor Hedendaagse Kunst, Ghent, 1988 ; The Museum of Modern Art, New York, Fall 1988 ; Musée National d'Art Moderne, Centre Georges Pompidou, Paris, November - December 1988 ; Tate Gallery, London, November - December 1988. ... [details]
Large-scale anthology of video art images and texts. Compiled and edited by Ira Schneider, Beryl Korot, and Mary Lucier. Texts by Rebecca Lawrence, George Bolling, Robert Stearns, James Beck, Russell Connor, David Antin, Anne Focke, Peter Frank, John Hanhardt, Wulf Herzogenrath, Bruce Kurtz, David Ross. ... [details]
Exhibition catalogue within ring binder published in conjunction with show held in 1974. Texts by René Berger, Jole De Sanna. Includes project descriptions and images from artists in exhibition including Allan Kaprow, Denis Oppenheim, Vito Acconci, Vincenzo Agnetti, Gianni Colombo, Eric Andersen, Eleanor Antin, Mike Barnard, David Green, Rene Bauermeister, Christian Boltanski, Trisha Brown, Paolo Pier Calzolari, Groupe Cap, Center of Art and Communication Third World Editions , Giuseppe Chiari, Andrea Daninos, Douglas Davis, Tom Dean, Dimitri Devyatkine, Antonio Dias, Nusa & Sreco Dragan, Don Druick, Bill & Louise Etra, Valie Export, Luciano Fabro, Herve Fischer, Fred Forest, Simone Forti, Jochen Gerz, Luciano Giaccari, Paul Goede, Dan Graham, Group of the Thirteen, Group of the Thirteen - Center of Art and Communication, William Gwin, Warner Jepson, Bruce W. ... [details]
Large critical look at Andy Warhol's films with interviews by Patrick S. Smith, including Warhol, Lawrence Alloway, Gregory Battcock, Irving Blum, David Bourdon, Tally Brown, Ted Carey, Leo Castelli, Jackie Curtis, Ronnie Cutrone, Emile de Antonio, Robert Galster, Henry Geldzahler, Nathan Gluck, Bert Greene, Fred Hughes, Ivan Karp, Stephen Koch, Charles Lisanby, Gerard Malanga, Jonas Mekas, Ondine , Robert Pincus-Witten, James Rosenquist, Irving Sandler, Rupert Smith, Ronald Tavel, Eleanor Ward, and Holly Woodlawn. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]