Summer 1980 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "WCA Conference in Louisiana," by Suzanne Lacy; "Public Arts International/Free Speech," by Stephen Forsling; "Per/for/mance, American Performance Festival in Italy: Chris Burden, Laurie Anderson, Paul McCarthy, Julia Heyward, Disband, Richard Newton;" "Artist's Chronicle: John Sheridan, Julie Wallace Keller, Valerie Bechtol, Mark Bloch, Anne Mavor, Joshua Abbey, M. ... [details]
Exhibition catalogue published in conjunction with show in 2020 and 2021 as part of the third cycle of the Hillman Photography Initiative, 2019-2020. Edited by Dan Leers and Taylor Fisch. Introduction by Dan Leers. ... [details]
Exhibition catalogue published in conjunction with show held at Schaulager, Basel, March 17 - August 26, 2018, and at The Museum of Modern Art, New York, October 21, 2018 - March 17, 2019, and MoMA PS1, October 21, 2018 - March 24, 2019. ... [details]
Issue edited by Tim Griffin. Essays "Editor's Letter: A New Novel," by Tim Griffin; "Passages: Tony Oursler and Mike Kelley on David Askevold," by Tony Oursler and Mike Kelley; "Books: Kevin Pratt on Sanford Kwinter's 'Far from Equilibrium,'" by Kevin Pratt; "Film: James Quandt on Jacques Nolot," by James Quandt; "Film: Amy Taubin on Ken Jacobs," by Amy Taubin: "Performance: Howard Singerman on Sherrie Levine and 'The Mother of Us All,'" by Howard Singerman; "Performance: Catherine Wood on 'Our Literal Speed,'" by Catherine Wood; "Architecture: Sean Keller on the Beijing Olympics," by Sean Keller; "Architecture: Keller Easterling on Norman Foster's Crystal Island," by Keller Easterling; "On Site: Andrew Hultkrans on the Glass House Conversations," by Andrew Hultkrans; "On Site: Jessica Morgan on Between Bridges and London's Alternative Spaces," by Jessica Morgan; "On Site: Nikki Columbus on the Home Work forum in Beirut," by Nikki Columbus; "Slant: Meredith Martin on the Rococo," by Meredith Martin; "Slant: Jonathan Crary on J. ... [details]
Issue edited by Tom Griffin. Essays "Editor's Letter: Value Systems," by Tim Griffin; "Passages: Lynne Cooke on Hanne Darboven," by Lynne Cooke; "Passages: Christopher Williams on Coosje van Bruggen," by Christopher Williams; "Books: Hal Foster on Peter Sloterdijk's 'Terror from the Air,'" by Hal Foster; "Books: Brigitte Weingart on Michael Taussig's 'What Color Is the Sacred,'" by Brigitte Weingart; "Film: James Quandt on Lucrecia Martel's 'The Headless Woman,'" by James Quandt; "Film: Richard Deming on Kenneth Macpherson's 'Monkeys' Moon,'" by Richard Deming; "Film: Bruce Jenkins on Paul Sharits," by Bruce Jenkins; "On Site: Claire Bishop on Tania Bruguera at the 10th Havana Biennial," by Claire Bishop; "On Site: Taraneh Fazeli on Night School," by Taraneh Fazeli; "On Site: Maria Gough on 'Tango with Cows,'" by Maria Gough; "Top Ten," by Lindsay Seers; "Situation Hacker: The Art of Ryan Trecartin," by Wayne Koestenbaum; "In Conversation: Rirkrit Tiravanija and Yoko Ono"; "The Personal Effects of Seth Price," by Tim Griffin; "How German Was It?" by Benjamin H. ... [details]
Issue edited by Michelle Kuo. Essays "Passages: Paul Griffiths on Milton Babbitt," by Paul Griffiths; "Music: Cory Arcangel on Euro-Trance," by Cory Arcangel; "Slant: Okwui Enwezor on Ai Weiwei and Sharjah Biennial 10," by Okwui Enwezor; "Slant: Carol Armstrong on Paul Cézanne," by Carol Armstrong; "News: Catherine Wood on the Manchester International Festival," by Catherine Wood; "Film: Amy Taubin on Cristi Puiu's 'Aurora,'" by Amy Taubin; "Film: Steven Watson on Wynn Chamberlain's 'Brand X,'" by Steven Watson; "Archictecture: Owen Hatherley on Renzo Piano's Shard," by Owen Hatherley; "Top Ten," by Leilah Weinraub; "Acting Out: The Ab-Ex Effect," Introduction, Michelle Kuo; "Spatter and Daub: The Contradictions of Abstract Expressionism," by Harry Cooper; "Ab-Ex and Disco Balls: In Defense of Abstract Expressionism II," by Amy Sillman; "Close-Up: Carroll Dunham on William Baziote's 'Dwarf,'" by Carroll Dunham; "Depth Charge: Terry Winters talks with John Elderfield about Willem de Kooning"; "Close-Up: Jordan Kantor on Albert Oehlen's 'Fingermalerei,'" by Jordan Kantor; "Landmarks Preservation: Conserving the Monochrome," by Carol Mancusi-Ungaro; "Close-Up: Ann Temkin on Cy Twombly's 'Academy,'" by Ann Temkin; "Emptied Gesture: Roy Lichtenstein's 'Brushstrokes,'" by Graham Bader; "Close-Up: Molly Warnock on Georges Mathieu's 'Battle of the Bouvines,'" by Molly Warnock; "Signal Processing: Abstraction Then and Now," by David Joselit; "Close-Up: Mark Godfrey on Christopher Wool's New Work," by Mark Godfrey; "Eyes in the Heat: Jean Dubuffet, Cathy Wilkes, and Josh Smith," by Daniel Marcus; "Artists on Ab-Ex," by Rodney Graham, El Arakawa, Richard Prince, Jennifer West, Richard Jackson, Katharina Grosse, Jon Pestoni, Liang Yuanwei, Jacqueline Humphries, Katy Moran, Scott Lyall, Julian Schnabel, Lesley Vance, Nicole Eisenman; "Playing the Field: Computational Architecture and Abstract Painting," by Sean Keller; "1000 Words: Heimo Zobernig," by Achim Hochdörfer; "Openings: Matheus Rocha Pitta," by Irene V. ... [details]