Artist's book / exhibition catalogue published in conjunction with show held March 12 - April 23, 1989. Edited by Karen Marta with texts by Marta, Stephen Ellis, Glenn O'Brien, Ian Brunskill, Gary Garrels and acknowledgments by Susanne Ghez. ... [details]
Exhibition catalogue published in conjunction with show held September 24, 1992 - June 20, 1993. Edited and with an introduction by Karen Marta. Essay by Dave Hickey. [details]
"This radical new study aims to change the way that some of the most influential artists of the past 40 years are seen--all of them women. Emphasizing questions of autonomy, critical intelligence and artistic intention, Witness to Her Art presents works by Adrian Piper, Mona Hatoum, Cady Noland, Jenny Holzer, Kara Walker, Daniela Rossell and Eau de Cologne, a magazine published by gallerist Monika Sprüth. ... [details]
Critical theory publication by Dorothea von Hantlemann. Edited by Karen Marta with a foreword by Hans Ulrich Obrist. "If what we call art has never been so important to (Western) societies as it is today, the question that lies at the heart of 'How to Do Things with Art,' takes on an ever greater urgency: how does art become politically or socially significant? Dorothea von Hantelmann addresses this issue on a theoretical level, and indicates, through the analysis of works by James Coleman, Daniel Buren, Jeff Koons, and Tino Sehgal, how artists can create and shape social relevance; in other words, she provides what could be called a pragmatic understanding of art's societal impact today. ... [details]
Artists' book edited by James Hoff -- a recompilation of Artforum magazine's monthly Top Ten column written by a rotating cast of artists, scholars, actors and other superstars from 1998 to 2008. Comprised of direct copies of the author's pages from the magazine coupled with black boxes representing the supporting images. ... [details]
Issue edited by Bice Curiger. Essays "Imi Knoebel: The Surveyal Of Sensation," by Max Wechsler; "Friendship Is Unstable Equilibrium," by Patrick Frey; "Fischli/Weiss In Appearance," by Germano Celant; "The Path Of Most Resistance," by Karen Marta; "Peter Fischli And David Weiss," by Bernhard Johannes Blume; "The Critic As Four-Eyed Peg Leg," by Jeanne Silverthorne; "(Dis)ordered Artifact In The Art Of Fischli/Weiss," by Sidra Stich; "Matt Mullican," by Paul Groot; "Real Abstract Theater: The Wooster Group," by Kathy Halbreich; "Les Infos Du Paradis: The Australian Biennale 1988," by Dan Cameron; "Varia," by unattributed artists; "Cumulus From America," by Ronald Jones; "Cumulus Aus Europa," by Reiner Speck; "Balkon: Down The Airshaft," by Richard Flood. ... [details]
Issue edited by Ida Panicelli. Essays "Like Art: Glenn O'Brien on Advertising," by Glenn O'Brien; "The Cave: Maria Nadotti on Film," by Maria Nadotti; "Object: Alessandro Mendini on Design," by Alessandro Mendini; "Ground Up: Herbert Muschamp on Architecture," by Herbert Muschamp; "Here There & Otherwise: John Welchman on Elsewhere," by John Welchman; "Museum Piece: Karen Marta on Malcolm McLaren," by Karen Marta; "Something to Do with Jennifer Bolande," by Paula Marincola; "You Are a Camera," by Roselee Goldberg; "Sorry: A Project for Artforum," by Guillaume Bijl; "Ritual Ecstasies: Lars Nilsson," by Lars Nittve; "Not Vital's Relics of the Present," by Donald Kuspit; "Foul Perfection: Thoughts on Caricature," by Mike Kelley; "We Androids," by Doreet Levitte Harten; "Tear Sheet: A Project for Artforum," by Tear Sheet. ... [details]
Double sided postcard / announcement published in conjunction with show held February 4 - March 12, 1988. Curated by Karen Marta. Artists included John Baldessari, Julie Ault, Bill Burke, Georg Herold, Minnette Lehmann, Annette Lemieux, David Levinthal, Robert Mapplethorpe, Mary Ellen Mark, Peter Morello, Gilles Peress, Haim Steinbach and others. [details]
