"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format.
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Issue edited by Jaakov Kohn. Contents include photograph by Raeanne Rubenstein; "Interview with Pepe," by Mel Clay; "One God One Country One Newspaper," by Claudia Dreifus; "The Big Gobble," by Kim Deitch; "Abbie," by Jaakov Kohn; "Manning"; "Christian Steeples, Jewish Mezuzahs, and Greek Columns are Phallic but Can they Fuck and Reproduce," by Claude Pelieu; "G.
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