February 1972 issue of Art-Language. Contents include: "Unnatural Rules and Excuses," by Terry Atkinson and Michael Baldwin; "Four Wages of Sense," by Ian Burn and Mel Ramsden; "Aspect of Authorities," by Philip Pilkington, David Rushton, and Kevin Lole; "On Material-Character / Physical-Object Paradigm of Art," by Terry Atkinson and Michael Baldwin; and "Ontological Relativity: A Note," by Graham Howard. [details]
September 1971 issue of Studio International, with a cover specially designed for this issue by Eduardo Paolozzi. Edited by Peter Townsend. Contents include: "Some Concerns in fine-arts education," by Philip Pilkington, Kevin Lole, David Rushton, and Charles Harrison; "Report from Canada," by Charlotte Townsend; "Correspondence;" "News and notes;" "The Inflation of art media," by Jonathan Benthall; "The Los Angeles look today," by Helene Winer; "A question of epistemic adequacy," by Ian Burn and Mel Ramsden; "Speculative illustrations," Eduardo Paolozzi in discussion with J. ... [details]
Facsimile reprinted edition of the full five volume run of Art-Language in 21 volumes housed in a printed slipcase. Includes an introduction to the facsimile edition and an author index and title index. ... [details]
Second edition of the exhibition catalogue originally published in conjunction with a show of artists' books held at Nigel Greenwood Inc. Ltd., London, September 20 - October 14, 1972. Extensive essay by Celant. ... [details]
First of two issues of the critical theory periodical edited by Kevin Lole, Philip Pilkington and David Rushton, not dissimilar from Art-Language in style and substance. Essays include "Don Judd's Dictum and Its Emptiness," by Philip Pilkington and David Rushton; "On Asserting," by Rushton; "Duchampian Delinquency and the Constitutive Cure," by Pilkington; "Progress in Art and in Science," by Lole; "Obligations," by Terry Atkinson & Michael Baldwin; "Hierarchies: A Note," by Graham Howard; "The Grammarian," by Ian Burn & Mel Ramsden; "Phenomenology as a Hermeneutic of Art," by Peter Smith; and "The Myth of the Aesthetic Attitude," by Christopher Willsmore. [details]
