Exhibition catalogue published in conjunction with show held in 1987. Texts by Elisabeth Sussman, David Joselit, Victor Burgin, Dick Hebdige, Simon Frith, Gillian Levine, Julie Levinson, and Julian Petley. ... [details]
Artist's book / catalogue documenting a project organized by artist Russell Maltz in which he invited 30 artists to make work within an empty swimming pool located adjacent to the Art Center at C.W. Post College in Greenvale, Long Island, between September 1976 - December 1979. ... [details]
Exhibition catalogue published in conjunction with show held February 17 - May 13, 2007. Traveled to the ARC/Musee d'art moderne de la ville de Paris, Paris, France, June 20 - September 9, 2007; the Whitney Museum of American Art, New York, October 11, 2007 - February 3, 2008; the Hammer Museum, Los Angeles, March 2 - June 8, 2008; and the Museum of Modern Art, Fort Worth, July 6 - October 19, 2008. ... [details]
Exhibition catalogue published in conjunction with show held March 13 - September 26, 2005. Curated by Klaus Biesenbach, Alanna Heiss, Glenn Lowry, Bob Nickas, Amy Smith-Stewart and Ann Temkin. Introduction and text by Klaus Biesenbach. ... [details]
Collection of "text-sound" art / "sound poetry" texts. Edited by Richard Kostelanetz. Text by Richard Kostelanetz, Walter Abish, Jonathan Albert, Charles Amirkhanian, Beth Anderson, Douglas Barbour, Earle Birney, Bill Bissett, Warren Burt, John Cage, Alissandru Caldiero, Rosemarie Castoro, Guy De Cointet, Geoffrey Cook, Michael Cooper, Philip Corner, Jean-Jacques Cory, Bruce Curley, Charles Dodge, Charles Doria, Jon Erickson, Raymond Federman, Camille Foss, Four Horsemen, Sheldon Frank, Else von Freytag-Loringhoven, Fern Friedman, Terri Hanlon, Kenneth Gaburo, Jon Gibson, Abraham Lincoln GIllespie, Allen Ginsberg, John Giorno, Philip Glass, Anthony J. ... [details]
Second edition of the exhibition catalogue originally published in conjunction with a show of artists' books held at Nigel Greenwood Inc. Ltd., London, September 20 - October 14, 1972. Extensive essay by Celant. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Edited by Betsy Sussler. Essays "Constance DeJong, I.T.I.L.O.E.," by Richard Beckett, "Michael McClard, The Naked Eye," by Betsy Sussler; "Interview," by Paul Bowles; "Un Tour d'Hoizon," by Richard Armstrong; "The White Shirt," by Burt Barr; "Evening," by Barry Yourgrau; "Harry at Work, A Scenes from Harry's Story," by Michael Alfie; "My First Poem," by Peter Scheldahl; "Summer 1980," by Luc Sante; "Clinton Street," by Fred Brathwaite and Olivier Mosset; "Some Photographs and Brain," by Jane Warrick; "Is It Hemingway or Is It Memorex," by Glenn O'Brien; "The Shoestore in Caborca. ... [details]
"The Pennsylvania Academy of the Fine Arts, Philadelphia, America's oldest museum and school of fine arts, was founded in 1805. Today, the Academy boasts one of the nation's finest collections of American art and a roster of alumni representing the greatest artists this country has produced. ... [details]